🚨🔴⚪️ BREAKING: Bruno Guimarães to Arsenal, HERE WE GO! 🇧🇷
Agreement in place with Newcastle after long talks and personal terms in place with Bruno since July. Fee worth £75m.
New midfielder for Mikel Arteta. 🔜
J’ai remaster mon premier projet en 4k 120fps, merci à @SadSoundcloud de m’offrir la chance de le faire découvrir à nouveau dans de meilleures conditions 🙏🏼
https://t.co/rrrRNe3qG4
🚨🔴⚪️ Christos Tzolis to Arsenal, here we go! Deal signed between the two clubs for €40m fee, Club Brugge authorize Christos for medical.
New winger for Arteta as Tzolis only wanted Arsenal, saying no to other clubs. Deal done, as @dimitrismanakos reported.
👀 #AFC also working hard on Morgan Rogers behind scenes.
Bin j’ai plus de chaîne yt mais par contre je sors un nouveau single sous un alt avc le reuf @SadSoundcloud
Go Check this out 🫰🏻🫰🏻🫰🏻
https://t.co/Q1UL9TT1Je
Dear @Netflix,
As the official French translator of the Steel Ball Run manga, I'd like to share a concern about your batch-release strategy for JoJo's Bizarre Adventure.
Twenty-eight years ago, I spent years trying to convince Glénat, then France's dominant manga publisher, to respect the original reading format their audience wanted. They refused, until a competitor did it right and nearly knocked them off their pedestal. They finally listened. But it took a near-disaster to get there.
Steel Ball Run is a story built on tension, suspense and anticipation, arc by arc, week by week. Batch-releasing it neutralizes what makes it work narratively. I'm not asking you to follow every fan demand. I'm asking you to consider whether your release strategy serves the story you're investing in.
The JoJo community is one of the most loyal and vocal fandoms out there. That loyalty is an asset, if you treat it as one.