Samantha

Hi I stress tweet during Steelers games. Sorry I’m like this

[Love Island USA @loveislandusa]

Our new excuse for everything ⌚️ #LoveIslandUSA

[Taylor Swift @taylorswift13]

It’s a *Toy* Story 🤠
You knew it! My new original song “I Knew It, I Knew You” for Disney and @Pixar’s @toystory 5 will be yours on June 5th. I’ve always dreamed of getting to write for these characters who I’ve adored since I was a 5 year old kid watching the first Toy Story movie. I fell instantly in love with Toy Story 5 when I was lucky enough to see it in its early stages, and I wrote this song as soon as I got home from the screening. Sometimes you just know, right?
You can pre-order now exclusively at https://t.co/NoneI6kxdH and catch Toy Story 5 in theaters June 19th ☁️☁️☁️☁️☁️

[The Husky @Mr_Husky1]

It was a Monday in early August 2023. The exhausted truck drivers of Taylor Swift's Eras Tour thought they were heading to a routine production meeting before the Los Angeles shows.
They had no idea what was coming.
Scott Swift walked in. Taylor's father didn't say much—he just began handing out envelopes. When the drivers finally peeked inside, some thought the check said $1,000. Others read $10,000. The third driver stared at his and said out loud: "This has to be a joke."
It wasn't.
$100,000.
Each driver. Nearly 50 of them. The industry standard bonus from the biggest stars? $5,000 to $10,000. Taylor had given them more than ten times that.
But here's what made it matter most: these drivers weren't wealthy. They lived in truck cabs. They hadn't seen their families in 24 weeks. They were people who would never own homes—until now. Until that envelope.
That moment of shock and tears? It was just the beginning.
Across the entire Eras Tour, Taylor quietly handed out $197 million in bonuses. The dancers. The band. The riggers. The lighting and sound technicians. The caterers. Every single person who built the show—they got bonuses, handwritten notes, and wax-sealed letters. When dancers opened theirs on camera in her docuseries, they broke down crying. Some couldn't believe she was real.
"If the tour grosses more, they get more," she explained simply. These people work hard. They deserve it.
But the crew bonuses weren't the only quiet revolution happening.
Starting in March 2023, in every city where the tour touched down, a call came to local food banks. Taylor wanted to donate. No press conference. No announcement. No photo op. One donation fed 75,000 meals. Another provided hundreds of thousands of pounds of fresh produce. Across the tour, the total reached millions of meals—possibly more—all delivered in silence.
She never posted about a single one.
And it wasn't new for her.
In March 2020, when the pandemic locked down the world, Taylor scrolled through social media posts from fans who were breaking. A photographer about to lose everything. A person staring down eviction. She sent direct messages with rent money—$3,000 here, $13,000 there. Some fans got enough for months of bills. She read the Washington Post. She noticed the names. She helped.
She never announced it.
Years later, in October 2025, a two-year-old named Lilah—fighting a cancer so rare that only 58 families in America had ever known it—was filmed by her mother dancing to a Taylor Swift song. Lilah called Taylor her friend. A few days later, the GoFundMe received a $100,000 donation.
The note said: "Sending the biggest hug to my friend, Lilah! Love, Taylor."
Mike Scherkenbach has worked with the wealthiest people in music. He's seen the bonuses. He's seen the behavior. He's watched billionaires guard their money jealously.
What he saw with Taylor was different.
The biggest tour in history grossed $2 billion. The artist behind it became a billionaire from her own songwriting. And then she signed her name onto hundreds of envelopes by hand and sent enough money back to the people who built her dream that they cried opening their letters.
That isn't strategy. That isn't a publicity stunt.
That's what happens when someone, somewhere along the way, remembered what matters.

[Pittsburgh Steelers @steelers]

Who wants this @MikePitt_Jr signed Terrible Towel?

RP for your chance to win!

[The Taylor Swift Updates @theTSupdates]

“Garbage is still garbage” — Taylor Swift, Opalite (2026)

[Taylor Swift @taylorswift13]

My favorite part about writing is that first spark of an idea. It can happen at any time, for any reason. The idea for the Opalite music video crash landed into my imagination when I was doing promo for The Life of a Showgirl. I was a guest on one of my favorite shows, @TheGNShow. For those of you who aren’t familiar, it’s a UK late night show where Graham Norton (the insanely charismatic and lovable host) invites a random group of actors, entertainers, musicians, etc to be on his show and we all sit there and chat like it’s a dinner party. They even serve wine. Anyway. I remember thinking I got ridiculously lucky with the group I was paired with. Cillian Murphy, Domhnall Gleeson, Greta Lee, Jodie Turner-Smith, and @LewisCapaldi. All people whose work I’ve admired from afar. When we were all talking during the broadcast, Domhnall made a light hearted joke about wanting to be in one of my music videos. He’s Irish! He was joking! Except that in that moment during the interview, I was instantly struck with an *idea*. And so a week later he received an email script I’d written for the Opalite video, where he was playing the starring role. I had this thought that it would be wild if all of our fellow guests on the Graham Norton show that night, including Graham himself, could be a part of it too. Like a school group project but for adults and it isn’t mandatory. To my delight, everyone from the show made the effort to time travel back to the 90’s with us and help with this video. You might even recognize some friendly faces from The Eras Tour. I got to work with one of my favorite people in the world, Rodrigo Prieto, again! I had more fun than I ever imagined - Made new friends, metaphors, and fashion choices. It was an absolute thrill to create this story and these characters. Shot on film. The Opalite video is out now on Spotify & Apple Music.

https://t.co/ZOi4zNuyTD

[laura ☆ @midnightstaylor]

I’d do anything to feel the heat of the bad blood flames again

[Samantha @SamJackowski]

@dani_readyforit I think about this once a week unfortunately

[taylornicole @ay_taybay]

me before the Steelers playoff game tonight #HereWeGo

[JJ Watt @JJWatt]

The wait for this game feels like it’s taken years.

[Pittsburgh Dad @Pittsburgh_Dad]

Ain’t nervous at all 🤪
#HereWeGo

[Andrew Fillipponi @ThePoniExpress]

They played Renegade at the Penguins game today. And it brought the house down. You love to see it. The playoffs are the best.

[Snoop Dogg @SnoopDogg]

Playoff bound!! Steeler gang 🏈

[B/R Gridiron @brgridiron]

RT this if your team made the playoffs 🎉🎉🎉

[Ari Meirov @MySportsUpdate]

#Steelers HC Mike Tomlin on if Baltimore made the game-winning kick.

"You know how it is. If my aunt had male parts, she'd be my uncle." 😭😭

[brad ❤️‍🔥 @brrr_add]

Time zones are so weird. Some people are in 2026, some people are in 2025 and I’m still at the eras tour

[𝐑 𝐀 𝐂 𝐇 𝐀 𝐋 @rach_elizabethh]

Thanks for nothing @steelers

[Samantha @SamJackowski]

#WWEPittsburgh

[Total Sports Enterprises @TotalSportsEnt]

To celebrate the 50th Anniversary of the Terrible Towel, we're going to give a Troy Polamalu Autographed Terrible Towel to someone who reposts this post and follows us!