🚨We are unfortunately experiencing some unforeseen technical difficulties with Zoom.🚨
Please use the link in the ‘Starting Now’ Eventbrite email which should be with you shortly, or follow the current link on the online page to join!
These are the most up to date links.
And that’s a wrap! Huge thanks to all our speakers, attendees and organisers who have helped today run smoothly and have contributed to its success – what a great insight into the impressive wealth of research we have going on here in Scottish Literature. Consider us inspired!
Our speakers from Panel Two will now be invited back on to the screen for a brief Q&A; submit your thoughts and questions to the Q&A function in Zoom to get involved.
We can’t believe it’s nearly over! To round off this rich discussion on post-1900 Scottish Lit, we have Nia Clark (@nia_alexandra_c), who will be speaking about ‘Liz Lochhead’s ekphrastic writing and engagement with the work of others in The Colour of Black and White (2003)’.
Time to feast on (excuse the pun) our next presentation, which comes from Gina Lyle (@murielsnark), presenting her research on ‘Tracing Meat Histories: Gender, Power, and Class in Scottish Literary History’!
We’re now very happy to welcome Grace Borland Sinclair (@roboticleaf), whose ‘A mutual giving and assisting and respecting’: Interconnectivity and Difference in Naomi Mitchison’s Not By Bread Alone’ is sure to be a treat!
Graciously kicking off Panel Two for us is Emily Pickard, who will be speaking on ‘Mrs (Mac)Grundy’s Panopticon: Censorship, Motherhood, and Class in Willa Muir’s Mrs Grundy in Scotland’.
Keeping in with the modernists, we have Fiona Paterson up next, with a presentation on ‘Borrowed Language and the Importance of Context in the Poetry of Hugh MacDiarmid’.
Welcome back after a brief break: we hope you’re refuelled and ready for another round of stimulating research! Panel Two takes us into the 1900s through a host of topics on modern and contemporary literature. Remember to tweet along with us using #ScotLit50PGR
The whole team and our audience are invited to take a comfort break until 3.00pm, and are encouraged to fetch hot drinks and sustenance before we return with another panel brimming with fresh postgraduate research. See you again shortly!
Thank you very much to all for submitting such thought-provoking questions to this inspiring group of researchers, your insight and support has been so gratefully received by all!
Now we will welcome all our speakers back on screen for a brief Q&A; send along your questions in the chat function in Zoom to contribute to this discussion.
Rounding out a really vibrant panel, please enjoy John Watson’s upcoming presentation, ‘The Year of Burning: A Textual Phenomenology of the Clearances’.
@kps1533 @ScottishLit Unfortunately we were unable to secure a recording of today's presentations. Feel free to send through any questions you might have for particular presenters and we will pass along your interest!
First in our pre-1900 Scottish Literature panel, we are thrilled to welcome Stuart McCorrisken with a presentation spectacularly entitled ‘Wild Knights, Monstrous Men and Devilish Creatures: The Supernatural Foes of Medieval Scots Literature’.
Jessica Reid is unfortunately unable to appear today to share her research on ‘‘The New Claret-Club’: A New Addition to the Seventeenth-Century Canon’. To ask more about Jessica’s work, pop a question in the Zoom chat, or send an email to [email protected].
For the musically inclined, our next presentation from Rosyln Potter on ‘‘By my own hand’ – Women’s manuscript collection, song culture and bawdry in early modern Scotland (1611–1704)’ is sure to be of interest.
The next presenter in our lineup, Lorna Macbean (@Lorna_Literacy) was sadly unable to make it along to speak on ‘The Threshold to William Lithgow's Discourse: Paratext and Peregrinations’. Do send us along any questions you might have for Lorna regarding her research!
We unfortunately are not able to welcome Emily Hay with her discussion of ‘Making a Myth: Mary Queen of Scots in Text, 1558-1587', but hope to briefly spotlight a very exciting thesis engaging with depictions of Mary Stuart.