@paulSDMCR Cleaner sounding than those VLZ's for sure. Basically DAW within a mixer on the Midas. Not watching the stream but I'm assuming you mean this one or similar? https://t.co/w3XQFMVzj1
@paulSDMCR They're just really solid. Lot's of plug ins. Visual, real time EQ. Automation if you need it. Pre's are above standard. Also love it when I see one FOH because I know things will be not terrible.
@EdSunspot I recently went to a Newbury Comics outpost in a mall in my hometown. Rows and rows and rows of vinyl of every major and indie, reissue, new release, whatever. No one goes near them, no one buys them.
@morganvisconti Never thought that about EWTRTW, but just gave a listen and yep. But it works! My fav tidbit about that LP is that they tracked most of it on a lowly Soundcraft 200B. Mixed on some massive SSL tho, likely.
Tom Noonan’s creepiness, Petersen’s smoldering intensity, Mann’s tightly-controlled tension/style: Manhunter’s dueling character studies-cum-serial killer thriller radiates ‘80s cool. Rewatch reminded how much Cox’s refined cunning Lecter feels like a precursor to Mads’ portrayal
@trevorjofficial People can't face the fact that in the year of 2023 the majority of dance music is extremely populist and has nothing to do with anything "underground"