世界

何もすることがない

[Summer Wagner @summergwagner]

oil slick light

[塩谷亮／画家 @ryo_shiotani]

自分の描いた絵からマイナスイオンを浴びています。
制作途中ですが、ひとまず搬入。

[Pioja @Venus_en_ruinas]

Hoy me siento como Kafka cuando escribió: "Estoy constantemente tratando de comunicar algo incomunicable, de explicar algo inexplicable para hablar de algo que sólo siento en mis huesos, y que sólo puede ser experimentado en estos huesos".

[絵画の名前 @artstitle]

オディロン・ルドン
（Odilon Redon、1840-1916）
『昼』
（The Day）

[Matej @matsefcik]

Winters in NYC

[Catsuka @catsuka]

Some new images from "Pesta", an animated horror feature film project directed by Hanne Berkaak (Norway).

[may! 🌱GREEN YURI 1/8/2027 @kaeultt]

to this day there was no straight explanation for this mv I fear

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

I watched “Avatar: Fire and Ash” in 3D IMAX. People often say, “God is in the details,” but truly seeing that philosophy carried through in the act of creation is not an easy thing to do. This film shows absolutely no compromise, right down to the finest details, in the construction of the Avatar “universe.” It was magnificent.
For the past 40 years, I’ve been weaving entertainment and art alongside the evolution of cutting-edge digital technology. I’m a creator on the “digital side.” DEATH STRANDING was also shot and produced using technologies developed for Avatar.
Lately, films shot entirely in analog, without CG or VFX, have been increasingly praised. Even movies shot on film are celebrated, while digital works are sometimes dismissed with comments like, “Anyone can make it easily if it’s digital.” But that is a serious misunderstanding. CG works are also created by people. Countless actors, artists, and programmers pour their thoughts and passion into them, breathing life into the work.
Today, this film gave me renewed “pride” and “courage” as we look toward the future. It made me feel positive again about continuing to pursue “new things” using digital technology. Thank you, James Cameron. And I was also happy to see Kevin Dorman on the screen. He did so many performances for us on the set of DEATH STRANDING too. 🙏🙇🏻🫶😍

[Pigsbliss 𓆨 @pigsbliss]

Just bunch of stuff from sketchbook

[ᴬᵏⁱ @Akiitopiia]

I made some animations with Blender

[befores & afters magazine @beforesmag]

The VFX behind ‘Alice in Borderland’ season 3 -->

This 8-minute behind the scenes reel showcases how the dramatic scenes were made.

Watch the full reel at @beforesmag:

https://t.co/5auLADHqm4

[James Naughton @JamesNaughton98]

One of the most annoying things about AI is having people ask if you used it to make your artwork. The answer is no

[Arthur Gain @ArtGain]

"I write, erase, rewrite
erase again, and then
a poppy blooms."

Tachibana Hokushi

[DiscussingFilm @DiscussingFilm]

“Fuck AI”

— Guillermo del Toro

[おうち/Ouchi @Ouchi_life_]

東京カニバニズム

[soli @solisolsoli]

Jibaro Siren Cosplay from Love Death & Robots by the MUA 老八捌

[Matej @matsefcik]

Staten Island Ferry

[hectorvfx @hectorVFX]

Breakdown de un morphing de 2 cuerpos humanos en VFX

[hectorvfx @hectorVFX]

Qué hemos hecho los artistas de VFX para que no paren de darnos desde todas las direcciones? 🤣