@cineworld@whiskeyrich It would be great if The Brutalist was showing at your Glasgow Silverburn IMAX given the format it was shot on. Especially disappointing that it isn't screening AT ALL at Silverburn considering we pay a higher band membership than other sites showing it (Renfrew St).
@ryanhendrick84 Would you still be eligible because the features were independent microbudgets? Is this one of the rare cases when the industry not counting this kind of feature (for some reason) could work for you?
@ScotRail@fire_scot@NetworkRailGLC Hi Paul, thanks for your reply. Is ticket acceptance only on the specific buses mentioned? (I'd like to know if X76/X78 from Barassie/Troon to Glasgow will also be included?). Lastly, to use the replacement bus service do we just go to the station for pickup (Barassie)? Thanks.
@NetworkRailSCOT@fire_scot@ScotRail@NetworkRailGLC Would be good to get clarity on this. Do you mean trains won't go to Ayr station only? Or that they also won't run to/from Prestwick/Troon/nearby stations to Glasgow? Thanks.
@InsaneMoviez BFI Player. Great selection of films, very poor integration across platforms. Very buggy. There's so much great stuff I'm just not watching because it's on there.
Larry Towell.
“If there's one theme that connects all my work, I think it's that of land-lessness; how land makes people into who they are and what happens to them when they lose it and thus lose their identities.”
Martin Lewis died in obscurity in 1962; a retired art teacher who had found some success in his early career, but was largely forgotten.
Lewis spent his last three decades teaching other people how to etch. History chose Edward Hopper, but Martin Lewis was his mentor.