You really need to watch “The Actor’s Chair”
>> Angel Anosike breaks down her Aba Blues audition timeline, calls out the real red flags in Nollywood, and reveals the director’s note about her love interests that has us screaming Game of Thrones
🔗 Link in comments
🟢⚡LATEST: Investor funds missing. A major studio's box office numbers is less than exciting. Genevieve Nnaji ending an eight-year silence.
Nollywood Watch Weekly is back. Read everything that matters
Grab Link in comments
@Shockng@teemee_lehin I think it will do better than 600m
As in much better
It’s not slowing down any time soon
COML is a bonafide hit…
all based on good filmmaking
🟢⚡Box Office: "Call of My Life" stays on top with ₦88.42M, edging closer to ₦400M total
"Michael" keeps its dominant run, now past ₦690M, while Ajosepo 2 debuts as 2nd
All of this played out across cinemas last weekend
Have you seen "Call of My Life" or any of the others?
Released May 15, the romantic blockbuster drama outgrossed debut franchise entry Ajosepo: The Gathering by ₦47M and Hollywood title Michael, now in its sixth frame, by ₦55.35M
more details:
https://t.co/7n2rBo3Huc
Released May 15, the romantic blockbuster drama outgrossed debut franchise entry Ajosepo: The Gathering by ₦47M and Hollywood title Michael, now in its sixth frame, by ₦55.35M
more details:
https://t.co/7n2rBo3Huc
🟢⚡JUST IN: "Call of My Life" closed out May 2026 at number one, posting an incredible ₦88.42 M in its 3rd weekend for a cume gross of ₦395M
>> ₦600M is on sight, as the rom com closes the year's first half as the Nigerian box-office story of the moment
Link to read below!
The director hints at a tighter, more controlled production approach going forward. One that reflects his long-standing focus on tension-driven, contained storytelling
🟢⚡️EXCLU: @AkayMason is launching Element24Media with a project already underway. The new outfit has begun production on Five Figurines — a co-production with Stage73, with Becca Ashang aboard as co-producer
The director hints at a tighter, more controlled production approach going forward. One that reflects his long-standing focus on tension-driven, contained storytelling