I'm in the @washingtonpost (kind of)! Not by name, but I'm 12.5% of the "group of eight area composers and librettists" that also includes @moberhau and @Kazinator, among others. Can't wait to hear what else the @OperaOnTapDC folks have in store for us. https://t.co/0FqFS9W85I
Here's the final video from The Lives Left Behind, composer Michael Oberhauser's "The Name on the Door." Give it a watch - I hope you enjoy it!
https://t.co/AgpSaUpUDb
Here's the last batch of pics from The Name on the Door (from The Lives Left Behind, our 2018 Capital Fringe Festival production). Check back tomorrow to see the video!
And now we're moving onto the last opera in The Lives Left Behind: The Name on the Door! (Music by @moberhau , libretto from the King James Bible and with original text by the composer.)
More shots of Dreamless from The Lives Left Behind!
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Next, we have some photos for you from @williamkenlon 's opera, Dreamless - another part of our 2018 Capital Fringe Festival production, The Lives Left Behind. Photos by Arts Laureate.
If you're a US citizen and you haven't voted yet, you're not allowed to click this link. Go do that first. Then come back and enjoy scene 2 from What Gets Kept: https://t.co/pTaGMI4p9m
And, here it is, friends: Scene 1 (of 3) from What Gets Kept (music by Frances Pollock, libretto by Vanessa Moody). It was part of The Lives Left Behind, our 2018 show in the Capital Fringe Festival. (Audio: William Kenlon. Video: Arts Laureate.) https://t.co/CRYzBQSfXw