Soh (Shohei Doi)

現在は戦闘妖精・雪風／飛行機多め・絵を描きます
No reupload / Do not use my works for AI training. 無断複製転載厳禁

[Soh (Shohei Doi) @SohTDD]

戦闘妖精・雪風〈改〉　小説版イメージまとめ

[Sparrow S.A./イグルーシカ @Sparrow_S_A]

架空の無人空挺自走砲:Unmanned Airborne Artillery System・Rb(τ)/AAS-99。
Rbはロボット、「τ(タウ)」は装甲戦闘車を示す接頭記号、AASは空挺砲支援システムの略。写真は武装腕に対空ミサイルランチャー(左)／対人火炎放射器(右)を持つ制圧用装備。使い捨て兵器らしく輸送機から投げ落とされる。

[Sparrow S.A./イグルーシカ @Sparrow_S_A]

Hybrid Interceptor-Fighter Σignal Sz-114 & Ci-44

[Soh (Shohei Doi) @SohTDD]

一時停止しやすい媒体で配信してくれて助かる……差し込まれているメモ書き読む楽しさ。

[Soh (Shohei Doi) @SohTDD]

攻殻機動隊の新シリーズ、本当に待ってた空気感だった。追います。本当にありがとうございます。

[攻殻機動隊【公式】GHOST IN THE SHELL official @thegitsofficial]

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　　　　　　　TVアニメ
『攻殻機動隊 THE GHOST IN THE SHELL』
　　　　　エンドカード公開
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本編ラストを飾ったエンドカードを公開！

第01話「PROLOGUE + SUPER SPARTAN i」
イラスト：新川洋司 @KojiPro2015

#theghostintheshell
End Card Now Available!

Revealing the special end card that beautifully closed out tonight's episode!

EPISODE 01: PROLOGUE + SUPER SPARTAN i
lllustration: Yoji Shinkawa @KojiPro2015

#攻殻機動隊 #theghostintheshe

[Soh (Shohei Doi) @SohTDD]

Déracinéがかなり好きなので、またVRベースの作品を作ってくれないかなあと思っている。

[Katsuhiro Harada @Harada_TEKKEN]

From my perspective, Miyazaki is a rather unique, yet extremely serious game developer.

His career did not begin in the game industry. In fact, he didn’t become a game developer until he was almost thirty years old.

Even among developers of my generation (those of us born in the 1970s), I think it’s remarkable that someone who wasn’t even a game developer during the dawn of the polygon era eventually became one of Japan’s most representative game creators. (In other words, compared to the rest of us from the same generation—including myself—his career path is exceptionally unusual. Most notably, unlike many of us, he was not working at one of the major development studios that held a significant technological advantage during the early polygon era. That, more than anything else, is what makes his path so unique.)

Next, regarding my impression of Dark Souls.

People often focus on its difficulty as a game, but I believe Miyazaki’s true creativity shines through in the world he created. (By the way, I personally think Dark Souls has fairly simple action mechanics, and I don’t actually consider it to be an especially difficult game.)

If you look into my own career, you’ll see that I was personally involved with the Dark Souls series and Elden Ring as the General Manager overseeing both production and marketing (Just to clarify, I wasn't part of the development team itself. My involvement was simply as the General Manager of the publisher-side department overseeing production and marketing). From that perspective, I can say that Dark Souls didn’t suddenly become a massive success overnight. It was the result of everything Miyazaki and his team had built up through their previous titles.

Today, he receives offers from all over the world, but when I think back to the days when he and his team were struggling the most, many of those offers seem like they’re coming from people who only know who they are today. Some of them almost feel like complete reversals in attitude. Well, that’s just my personal perspective.

Personally, I had grown tired of people who would simply compare games by saying things like, “That title cost X billion yen to make and sold Y million copies,” and then use nothing but those numbers to judge them against other games. There were so many people who couldn’t appreciate the journey or the growth of the developers themselves. Anyone can look at the current numbers—they’re available to everyone. Whenever I heard those kinds of opinions, I always thought, “That’s exactly what you’d expect from someone who’s never actually developed games.”
What surprised me even more was that, even if people couldn’t properly evaluate that journey, almost nobody even seemed interested in trying to understand the process of how those developers gradually reached where they are today.
(I'm NOT talking about the fan community).

Now, going back to Miyazaki, there are two things about him that have always stayed with me.

The first was back when I was developing Summer Lesson for VR, around the time it was generating a lot of buzz.

One day, he came to try an early build of Summer Lesson along with people from several other game companies.

While everyone else was laughing, chatting, and having fun with it, Miyazaki alone played it with incredible seriousness. Then, after everyone had finished and started discussing their impressions, he remained completely silent, staring intently at the preview monitor, deep in thought.

Everyone became curious and finally asked him, “Miyazaki, what are you thinking about?”

He suddenly smiled and said,

“Oh… I got completely absorbed in thinking about what I would do if I were making this, and what kind of game I’d create.”

What he talked about after that was, in the best possible sense, completely insane.

It was one of those rare moments when I caught a glimpse of what I’d call his “mad scientist” side—his deeply serious, obsessive approach to creativity.

The other thing that left a strong impression on me was that he generally dislikes video interviews (including live streaming).

I once asked him about it by email, and he replied with quite a long explanation. After reading it, I completely understood where he was coming from.

Simply put, he doesn’t like watching himself moving around on video. (Psychologically speaking, it’s actually a bit more complicated than that.)

But there was another reason.

According to him, there are naturally many people in this industry who know games far better than he does. Whenever he listens to those people speak, he realizes that his own understanding is still shallow, and it makes him feel that he’s not yet in a position to be the one talking about games.

I mean… it’s common for well-known developers to say, “I still have a long way to go.”

But whenever someone like him says that, my reaction is always,

“Come on… if you say you’re still not there yet, then the rest of us won’t feel qualified to talk about games at all.” (laugh)

Anyway, that’s one of the reasons why video interviews with Miyazaki are extremely rare. And conversations with him on camera—especially long-form discussions with another developer—are even rarer. They almost don’t exist at all.

By the way, the other game developer in that photo is Masahiro Sakurai.

If you ask me, he’s basically:

“A Saiyan who genuinely believes he’s just another ordinary human.”

Every now and then, when the rest of us are struggling with some problem, he’ll say something that sounds exactly like Goku saying,

“Well… why don’t you just fly?”

And I’ll reply,

“Because we humans can’t use Flight Technique.”

Then he just stares at me with a completely puzzled look.

To put it in terms of Demon Slayer, I’d describe him as:

"Like Muzan Kibutsuji casually showing up at a drinking party where all the Hashira have gathered, genuinely believing he's just another ordinary guest".

That’s the kind of person he is.

[Soh (Shohei Doi) @SohTDD]

デジタルだけで確認できないことがある。思ってたよりも分厚いし…

[Soh (Shohei Doi) @SohTDD]

文章多めのページの参考になりそうだと思って、昨年編集と表紙やらせていただいたTRPGの本送っていただいた。横A5で、横書き、３段組みでも結構目はビジーじゃなかったなあ…　なるほど。

[レクルム @ahiru_no_waltz]

621、聞け。
アーマードコアとカニノケンカ・ニの交流企画だ。

8/22(土)はカニノケンカ勢によるAC大会、8/23(日)はAC勢によるカニノケンカ大会を開催する。

エントリー方法・参加条件は今月中頃に案内。
詳細はこのポストのリプに随時追加する。

…存分に暴れてこい。
#AC6 #カニノケンカ

[TAMIYA PLAMODEL FACTORY TOKYO @TAMIYA_TOKYO]

模型が僕らを大人にした。模型が僕らを子どもにする。
Models made us adults. Models make us children.

[YAMAG @WF5-03-08 @yamags]

昨日配信されましたエースコンバット30周年特別番組　後編で出演した際のわたしの姿はこちらです〜w 1/48 F/A-18F THEVEの翼仕様。
#acecombat #エースコンバット　#MENG

[Bellucci @bellucci_0]

エースコンバット04サントラのジャケットとブックレットのデザイン、マジで好き

[Soh (Shohei Doi) @SohTDD]

Backroomsも日本公開日決まったし、いいね今年は。ずっと楽しみが続く。

[Bandai Namco Game Music @BNE_BNGM]

||◤￣￣￣￣￣￣￣￣￣◥||
　エースコンバット04
シャッタードスカイ　　
オリジナルサウンドトラック
配信開始🎧🔥
||◣＿＿＿＿＿＿＿＿＿◢||

🎵 配信はこちら
https://t.co/N2WZP1i5hs

#ACECOMBAT #ACE30th #ACE04
#BNGM #BandaiNamcoGameMusic

[Soh (Shohei Doi) @SohTDD]

とりあえず最大の繁忙期は生き延びて、今書類の処理に追われてます。

[Ace Combat Wiki @AceCombatWiki]

In celebration of the 31st anniversary of #AceCombat, the Ace Combat 04: Shattered Skies soundtrack is finally being released digitally for the first time ever! These releases will likely be published when it becomes June 30 in your timezone.

YouTube: https://t.co/LZ3F27doT9

[Soh (Shohei Doi) @SohTDD]

いつ来るかと楽しみにしてたんだ……04移植も頼みます🙏

[Soh (Shohei Doi) @SohTDD]

ACE COMBAT 04: Shettered Sky (Original Soundtrack) by PROJECT ACES & Bandai Namco Game Music 僕の最推しです。よろしくお願いします。 https://t.co/iLKFjiXrXr

[Soh (Shohei Doi) @SohTDD]

やったぜ　嬉しいです。