Great start! @MLC_US Are there any publicly accessible guidelines on how to interface with the #DataQualityInitiative? We want to help make it accessible to creators and publishers of all sizes 😀
Proud to announce that we've partnered w/ @Vistex to help successfully enhance their #MusicMaestro software package in order to enable their users to participate in our #DataQualityInitiative (DQI). Publishers #PlayYourPart & learn more about our DQI: https://t.co/0RyE6w6JcB
I am thrilled to share with you what @MLC_US The Mechanical Licensing Collective has been working on for several months now to address messy data and to help self-administered songwriters prepare your data for The MLC:
https://t.co/18KuiU7Gux
HFA members, the deadline to authorize transfer of your information to The MLC and have your account pre-populated is August 7, 2020. If you miss the deadline, you will need to manually enter your data in The MLC’s portal when it launches.
So, Tencent has stakes in Spotify, UMG and WMG. Spotify has a stake in Tencent. UMG, WMG and Sony have stakes in Spotify. WMG and Sony have stakes in Tencent 🤯
@JPriceOfMusic@GeorgeFloydOrg@JPriceOfMusic Be careful here. This account was falsely posing as the “Official George Floyd Organization” on GoFundMe earlier, pocketing ~$3k in donations before the campaign page was removed. They’ve since opened a Shopify store and may have tried scamming TuneCore previously.
Have a go. Use this table.
Divide the price of a mundane shopping/grocery item by one of the numbers in the first column.
Make sure to tell us which service you’re using as currency.
That’s how you play
‘Songwriter Supermarket’
#BrokenRecord
@MLC_US What data formats will be accepted from self-administered creators or music publishers that are not @harryfoxagency members? The Preparing for 2021 page is instructive on what data to gather, but not how to prepare it for the portal.
https://t.co/px1VeZjetK
As the spread of coronavirus continues to prevent concerts, music professionals are scrambling to find creative ways to resurrect the live music experience. https://t.co/gflIE9S40i
Copyright in the Age of Artificial Intelligence:
Can we take the whole repertoire of music of a music producer and feed it to an algorithm without that being a copyright infringement?
— Francis Gurry, Director General, WIPO
https://t.co/UrEiJQIPRF
SESAC Joins Music Organizations in Submitting Letter Petitioning U.S. Congress to Make Changes to CARES Act and the Paycheck Protection Act: https://t.co/fSTe5DdTDS