visionary of the aural kind . high ceilings . thought extensions . library cormorant // EnCOUnTERs: art, ecology & the sonic imagination // AuralPluralities.
The #AuralPluralities Network presents its first field trip - to Shetland! 28 Aug-01 Sept, facilitated by Ayşe Köklü & Helen Frosi. You are invited. Info/light touch application deadline is today: https://t.co/9iNd5hIwEf #windstudies#breath#differencewithoutseparation
Join us for our next #AuralPluralities session & Research Network! 28 June, 11-5pm. @DrMarieThompson @annie_goh & Sandra Kazlauskaitė will discuss their shared research, entangled in gender, technology & auditory culture. Free. Lunch incl. Info/bookings: https://t.co/6PT2Jannnf
Join George Ridgway & #SoundFjord as we head into the night, Sat 15 June 8:15pm, for a presentation & counter-survey of research weaving (in) audible worlds from #bats to the #AuroraBorealis. Incl. ancient woodland walk. Free, booking required: https://t.co/nTQkUiPPlq #EnCOUnTERs
Announcing the inaugural #AuralPluralities Network event: "Ecological Listening from art to action," w/ Jono Gilmurray, About Face (Ben Kelly), Bethan Prosser & Ann Light. 22 March '24, 12-17:15. Booking: CHASE cohort: now; CHASE assocs: 21/2; Public: 6/3. https://t.co/dRqGnZt9ic
Chirrrup trilll! Let's introduce you to the next performer at #EnCOUnTERs x #MusicandOtherLivingCreatures (26 Sept at @Cafeoto). We're delighted to announce that Sarah Angliss will join us for our final evening event in the series!
...Sarah’s own algorithms adapt it and replay it as a haze of metallic bell music.
Sarah Angliss is a composer and sound designer, creating new music and soundworlds for film, theatre, opera, dance, installations and her own live performance.
The performance was centred around the intentional choreography of two local fishing boats whose horn signals heralded an “environmental sonic tapestry of land, sea, [hu]man and animal."
Introducing the guests at our next #EnCOUnTERs x #MusicandOtherLivingCreatures event (26 Sept @Cafeoto): first up, Áine O'Dwyer, who'll be performing a work paying homage to nightjar vocalisations. The piece will be performed in the dark, in the surround: https://t.co/mNMkTMyYBg
Similarly, the notion of the “holding space as extension-of-instrument” can be seen in O'Dwyer's realisation Accompaniment for Captives (Open Ear Festival, 2019) at Horseshoe bay, Sherkin Island, Ireland.
Rhythm Studies! Take a walk into the changing light with us as twilight falls on London, 23 Sept, 6-8pm. As we transition from diurnal activity, to vespertine hauntings, our ears - our bodies - will attune to an environment of indistinct edges.
https://t.co/U6Eqyeu99g