Pre-Johns Hal Jordan Reading Order.
This is if you’re interested in his stories as Green Lantern, Parallax, and Spectre. I recommend to read all three in order because if you skip even one, you’ll lose a lot of impact and context. Think of it as 3 continuous saga’s.
Jewish actress Miriam Margolyes speaking against Israel
"I'm Jewish and l've never hidden that but I don't in my heart believe that Israel should have been brought into being because in order for it to be brought into being, other people had their lives and their lands taken away from them"
Depa Billaba got insane plot armor in this book. The villain had so many chances to take her out, but the plot wouldn’t let her (or at least that’s how it felt to me)
@Accel___K I took 2 Russian classes this past year, and while they were really good, $1000 each is insane. I really don’t know how non-rich people get through college without a job and no debt
the annoying part about being a gen z, non-jewish zionist is that it can be very isolating since you don’t have a jewish community to turn to where you can find like-minded people
because of that, no matter how many times you preach historical accuracy, it won’t change anything
@CeltiC527 I’m talking about the writing and overall narrative specifically for Hal’s individual character, and your counter-argument is franchise popularity and adaptations?😭
I think something both pre-Johns & post-Johns Hal fans miss is that the problem is not just all the retconning. Hal returning is also the problem. Even if nothing was retconned, I would still think hal returning to GL is fundamentally bad. It serves no purpose +
My art from the Teenage Mutant Ninja Turtles issue 14, page 20 from @idwpublishing
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I think not being able to return can also serve as a form of punishment. Even though the series is about redemption and forgiveness, having that as a punishment makes his actions as parallax all the more real. (Though, I’m not 100% sure on this)
The only thing he can do now is look to the future and move on.
It creates an interesting contradiction between what the character wants and what works best for the narrative.