twin peaks é hilario pq vc está assistindo o agent cooper flertando com o delegado doido pra comer ele pra 3 minutos depois aparecer uma velha com um tronco nos braços que vai soltar um monólogo e ter deixar em espiral pelos proximos 3 meses
I'm a 26 year old with an underdeveloped frontal lobe and this is my indie pilot which I will be pitching to 7 different studios. I have a deal with makeship already btw
Today marks the 78th anniversary of the Nakba (catastrophe), during which more than 750,000 Palestinians were expelled and over 400 villages were destroyed to establish the State of Israel.
Because of the success of TEENAGE SEX AND DEATH AT CAMP MIASMA as it premiered at Cannes yesterday, I think now is a better time than ever to recommend and celebrate Jane Shoenbrun as a guiding force in the evolving world of modern queer cinema. If for whatever reason you are out of the loop, Shoenbrun has been a powerhouse in the independent film scene for years, beginning their feature film journey with a creepy pasta-esque story of loneliness, morbid curiosity, and discovery into the unknown through a young girl and her experience with a mysterious internet trend in WE'RE ALL GOING TO THE WORLD'S FAIR (2021).
In all of Shoenbrun's works, it's clear that they have a visually striking, abstract manner of storytelling that carefully walks the line between horrifying and beautiful. Their characters are are a tour de force of portraying the fears when self-expression is limited or discouraged, especially in the case of queer identities. Shoenbrun is unapologetic in their approach, forcing our eyes open to the horrors of the human experience in a dreamscape of pastels and nostalgia. Their works show us what the innermost common ideals of identity, expression, confidence, and lifestyle can look like in their most bizarre formations, like things that only lie within our dreams.
Jane Shoenbrun is a queer artist and a champion of colliding worlds of fiction and reality with masterfully-crafted dialogue, explosive characters, and striking aesthetics that amalgamate into a harmonious storm on film -- and one that's not like anything anyone's experienced before. If you haven't joined the Schoebrun bandwagon, you need to.