Stephan Frucht

Artistic Director Siemens Arts Program | Senior Vice President and Global Head Culture and Sponsoring Siemens AG | Prof. (Music) | Dr. (med.) | Views are mine.

[Stephan Frucht @Stephan_FRUCHT]

@hparzinger @kulturSPK @stabiberlin @BundesKultur Danke dir, lieber Hermann. Für all dein großen Einsatz!

[Stephan Frucht @Stephan_FRUCHT]

20 Jahre Bauzaun in Berlin. Tear down this fence . ... https://t.co/ToR6KJ5L86 via @rbbfernsehen

[Constantin Schreiber @ConstSchreiber]

…die Arbeit des Roten Kreuzes für die Ukraine. Um 20:00 geht dort der Vorhang auf. Es spiel das Kyiv Symphony Orchestra unter der Leitung von Stephan Frucht. 
Von mir gibt es auch noch etwa was auf dem Klavier zu hören. Wer kommen möchte: Es sind noch wenige Tickets zu haben.

[Stephan Frucht @Stephan_FRUCHT]

What a wonderful German American Friendship concert at @carnegiehall ! Was a pleasure to play with Anthony McGill, Daniel Müller-Schott and St. Luke's Orchestra from NYC. @atlantikbruecke @SiemensUSA

[Stephan Frucht @Stephan_FRUCHT]

Zwischen Vergangenheit und Zukunft: Die #SZ erkundet, wie sich die Patentlandschaft entwickelt hat – besonders im Bereich KI und am Beispiel von @Siemens. Während Europa hinterherhinkt, führen chinesische Unternehmen die Innovation an. Mehr erfahren
https://t.co/c7XxxNwsuG

[Stephan Frucht @Stephan_FRUCHT]

Noch 5 min.

[Stephan Frucht @Stephan_FRUCHT]

War es das ?

[Stephan Frucht @Stephan_FRUCHT]

Next week will be lots of work. I got some coffee today.

[Stephan Frucht @Stephan_FRUCHT]

@hparzinger Lieber Hermann, das wusste ich gar nicht…Ganz herzlichen Glückwunsch. Freu mich sehr für dich.

[Hermann Parzinger @hparzinger]

Eine wichtige Studie in dieser Zeit! Wer ins Museum geht, stärkt seine Urteilskraft.

[Deutsche Grammophon (DG) @DGclassics]

“We are in disbelief and mourning as we learn the terribly sad news about Maurizio Pollini’s passing. One of the truly great and groundbreaking musicians of our time has left us. His achievements in the field of modernist and contemporary music as well as in the classical and romantic repertoire are towering. Maestro Pollini’s collaboration with Deutsche Grammophon has spanned half a century from his first studio album, while his debut release on the Yellow Label goes back even further to 1960, when he won the Chopin Competition. Those who were so fortunate to work with Maurizio Pollini cherish his uncompromising, relentless work in studio sessions which led to countless iconic albums, as well as the inspiration and sensitivity of a warm and vulnerable soul that was palpable in personal conversations. It is very touching that in recent years Maurizio Pollini went back to the last five Beethoven Sonatas that once laid the groundwork for an incredible recording oeuvre and revisited Schubert together with his son Daniele. We feel committed to carry on Maurizio Pollini’s legacy well into the future, as we deeply miss his musical voice and true humanity.” - Dr. Clemens Trautmann, President Deutsche Grammophon

https://t.co/zz48GCCny4

[Stephan Frucht @Stephan_FRUCHT]

@heutejournal @CHSievers Lieber @CHSievers
was für eine tolle schöne Idee, dass heute Journal aus der Oper in Kiew zusenden. Eine sehr gelungene Sendung und vor allem von Ihnen eine sehr würdige, angemessene und glaubwürdige Moderation. So wünscht man sich gutes Fernsehen. 🙏

[Stephan Frucht @Stephan_FRUCHT]

@GautierCapucon Thanks so much for that comment. Seiji was soo amazing

[Stephan Frucht @Stephan_FRUCHT]

@serhanbali Thanks Serhan! Ozawa was sooo amazing!

[Stephan Frucht @Stephan_FRUCHT]

@victoriaokada Miss him@si much

[Stephan Frucht @Stephan_FRUCHT]

Yes, but I wonder if the score of this violin concerto in a minor has been written with these pencils ;)

[Barenreiter @Baerenreiter]

Perhaps the most influential composer of all time?

[Stephan Frucht @Stephan_FRUCHT]

Why does ⁦#boeing not completely renew this B737 Max program? Sometimes it is mandatory to revise things that are not good enough. https://t.co/Ch8ZqfTYuY

[Stephan Frucht @Stephan_FRUCHT]

Banality of the theme? This theme is outstanding and genius! That’s why other genius musicians used it. Not to forget Milstein etc. even the arrangement for the organ (only m feet). Besides, we have to understand this theme in connection to the other caprices.

[Anthony Princiotti @tonyprinciotti]

At least 40 composers have used the theme from the last of Niccolo Paganini's 24 Caprices as the basis for an original work, among them Liszt, Brahms, Rachmaninoff and Lutoslawski. Why? Perhaps the banality of the theme, much like tofu, simply invites alteration and "flavoring."

[Stephan Frucht @Stephan_FRUCHT]

Herzlichen Glückwunsch, lieber Oliver !!! @unipotsdam

[MWFK Brandenburg @mwfkbrb]

Die @unipotsdam hat sich einen Namen über #BB hinaus gemacht: mit leistungsstarker Forschung, moderner Lehre, erfolgreichem Technologie- & Wissenstransfer. An dieser Entwicklung hat Oliver Günther großen Anteil. Gestern gab's von @ManjaSchuele die Ernennungsurkunde als Präsident.

[Stephan Frucht @Stephan_FRUCHT]

Congrats Euan! 🙏

[The Hallé @the_halle]

👏 Bravo to the Hallé Youth Orchestra for their fantastic concert last night with their new Musical Director, Euan Shields!

Thanks to all who joined us last night ❤️

📸 Bill Lam, The Hallé