Chicago woman mocks Democrats by speaking in a squeaky, high-pitched voice, who say black people's voting rights are in danger.
The woman also called out the commissioners one by one to their faces.
"I'm 63 years old. I've been voting since I was 18. I have never had a problem voting..."
"So now you're all gonna drag black people in here, definitely some senior citizens, and gonna have them come up here and talk about how they're scared to vote... all that junk, when you know it's not true."
If you pitched this as a screenplay every studio would reject it for being too on-the-nose.
A 73-year-old architect walks to confession in 1926 and gets hit by a tram on the Gran Via in Barcelona. He's mistaken for a vagrant because of his worn clothes and left at a pauper's hospital. He dies three days later. His name is Antoni Gaudí. The cathedral he leaves behind is less than a quarter complete. The plans to finish it sit in his workshop as plaster models and detailed drawings.
Ten years after his death, in July 1936, FAI anarchists break into that workshop. They smash the plaster models. They burn the archive of drawings and calculations. They pry open Gaudí's tomb. For the next 50 years, architects piece together a destroyed playbook from photographs and broken plaster fragments.
The geometry was the real problem. Gaudí designed the church using upside-down hanging-chain models because the math for hyperboloid intersections did not yet exist on paper. He had solved it physically. Computers finally caught up to him in the 1980s. By 2010 the project was 50% complete. By 2015 stone elements that took months to hand-carve were being modelled digitally and machine-cut in days.
Now the kicker. The building is funded entirely by people paying admission to see scaffolding. €134.5 million of income in 2025, all private, none of it from the Spanish state or the Vatican. About 4.7 million tourists a year buying €26 tickets to watch a cathedral get built. The unfinished state was the product.
On June 10, 2026, exactly 100 years to the day after Gaudí died, the cross goes up on the Tower of Jesus Christ. 144 years from groundbreaking. 172.5 meters tall. The tallest church building in the world, beating Ulm Minster, which took 513 years.
When asked why his project was taking so long, Gaudí said one thing: "My client is not in a hurry."
Turns out neither was he.