"If I had to pay for a billboard or get a gallerist to promote myself, I might as well put my work anywhere. This is more proactive, isn’t it? How much longer do I have to wait? "
https://t.co/Zc6YPpltgv
The pieces from our February 2019 print issue will finally go online this month! First up is @wilfredchan's feature on the photography of Issac Lam: https://t.co/iX1EBw9Fl0
"Far from being flattening, their cartoons gesture at the inexplicable ambivalence of Hong Kong city life, in all of its technicolor chaos and urban mundanity." Kaitlin Chan's article on local illustrator Onion Peterman out now.
https://t.co/d2Vq8YniM3
Boy-next-door or brooding nihilist? Jonathan Yang puts all facets of his personality on full display, shapeshifting with every new role—but remains true to himself.
https://t.co/UzlLAgZHRU
Pre-orders for the magazine will end on February 8, and after that only limited copies will be available on launch day and at select bookstores. Grab them before they're sold out: https://t.co/3K2AJiy66Z
In Hong Kong, the very language with which we describe queerness inevitably bears the imprint of colonial trauma. @hyjpang on the poetry of @maryjean_chan
https://t.co/VpvvjAz29T
Michael Leung and ten friends opened 街坊排檔 Kai Fong Pai Dong—a shape-shifting market stall where almost anything can happen. By Kaitlin Chan.
https://t.co/LizETEuwit
"People always ask if I can write happier music, but I don't think I need to make this attempt." Take a dive in Olivier's ocean of emotional turbulences.
https://t.co/6yRqTpsJsh
To the animator and designer, Hong Kong's visual style is an embodied state of being.
"Rex Koo: The artist who makes you laugh about death" by Kaitlin Chan
https://t.co/RB9P4IKcvi
MUM’s NOT HOME: These companions of 16 years created a queer space—with leafy plants, sparkly curtains, and a side of cheesecake. by @ArthurityTam
https://t.co/iDWKlUBR4G