Studies in Spanish & Latin American Cinemas

The peer-reviewed journal formerly known as Studies in Hispanic Cinemas 🎬🎞️📽️🎥

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Article here: https://t.co/wN2PjKaFus

Drawing on a fragile, scattered archive—tucked away in closets, in the personal collections of ex-girlfriends and friends, and in institutions across Brazil, France, and the U.S.—Perez reconstructs a long-overlooked legacy in A/V history.

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

In Issue 20.3, Livia Perez retraces the research journey that “outed” Norma Bahia Pontes (1941–2010) as a documentary filmmaker whose work was crucial to anticolonial cinema in France, the Brazilian Cinema Novo movement, and to feminist and lesbian video in the US.

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

El artículo se centra en Guadalupe Ferrer, una cooperativista, quien guarda en su casa el único archivo conocido de este período. Miguel ofrece una lectura feminista del archivo, que matiza la versión común, la más monopolizada por voces masculinas.

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

¡Lee el artículo de Miguel Errazu (@m_errazu) en el número 20.3!

https://t.co/EqUmXL5lvQ

Miguel cuenta la historia de La cooperativa de cine marginal, un colectivo militante mexicano activo entre 1971 y 1975, y el papel de cooperativista Guadalupe Ferrer.

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

It covers Cine Urgente (Urgent Cinema, 1968–73) and Grupo Feminista Miércoles (Wednesday’s Feminist Group, 1979–88). It also addresses the physical state of these archives, reflects on issues of positionality, and describes the transmedia project emerging from this research.

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Check out @LorenaCervera's article in issue 20.3!
Lorena outlines the photographic and cinematic production of Franca Donda (1933–2017) and the two Venezuelan film collectives in which she participated.
https://t.co/ZVcPI7vhJs

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Mónica argues that Bussenius has been underappreciated in scholarship despite producing groundbreaking work exploring the struggles of and solidarities between women and the Mapuche.
Image courtesy of Anarchivo Chile.

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Check out Mónica Ramón Ríos’ article in issue 20.3!
Mónica revisits the legacy of the 1917 Chilean film La agonía de Arauco o el olvido de los muertos/Death Throes of Arauco or How to Forget the Dead and its Director Gabriela Bussenius (1889–1975).

https://t.co/m0gFKl8MGw

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Fabulous conference being planned at Tulane for this December in honour of our dear Ana Lopez who we all miss. December 4, 5 and 6, Tulane University.

More information at: https://t.co/KLwL3RBalv

Submissions are due by July 15, 2025

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

¡Vea esta reseña de nuestro reciente número! Escrito por la Dra. María Aimaretti en @MediaticoMFM, termina con un llamado a la acción, "Hagamos de nuestras investigaciones un hermoso portal del tiempo para escuchar, dialogar, aprender y multiplicar".
https://t.co/LNib43vTlg

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Including articles by Juana Suarez, Lorena Cervera, Maricruz Castro Ricalde, Miguel Errazu, Mónica-Ramón Ríos, Mary Carmen Molina Ergueta, Marcela Visconti, Livia Perez, María Lourdes Cortés, Lorena Best Urday, and Sara Lucía Guerrero.

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Delighted to present issue 20.3 of Studies in Spanish & Latin American Cinemas, a Special Issue entitled "Guerrilla Archiving: Documents for a Feminist History of Latin American Cinemas."
https://t.co/OxSvDirAt5

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Featuring an introduction by Special Issue Editors Isabel Segui, Nina Tedesco and Elizabeth Ramirez-Soto.
Ana Lopez the co-editor of this issue gets a heartfelt shout out. We miss you Ana!

[Rodrigo López Martínez @rdglopez]

Just published in @StudiesinSLAC! My new article about psychoanalysis and cinema in Argentina, exploring what the therapy session has to tell us about the middle-class subject and its ambivalent stance toward social change: https://t.co/n5vLTwRYWS

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

Announcing 19.3, a special issue on Mobilizing Affect in Spanish film and screen media from the Great Recession to the present, ed. Bryan Cameron

Read the special issue's introduction (free!) here: https://t.co/nMCVTokNS4

[Professor Dolores Tierney @Dolorestierney]

A Celebration of “Ana M. López: Essays”
12th May 1pm CST

Zoom: Registration https://t.co/7lVzWR04zR

1:00 Opening Remarks
1:20 López and Latin American Film Studies
3 BREAK
3:15 Lopez’s Work in the Classroom
4:30 Reception

[Professor Dolores Tierney @Dolorestierney]

Ana M Lopez: Essays (SUNY) spotted at #SCMS23 by @occosentino

[Rachel Randall @rach_randall]

My review of Deborah Martin's wonderful book, The Child in Contemporary Latin American Cinema, is now online: https://t.co/GJIUpHmLUt via @StudiesinSLAC 📚

[Studies in Spanish & Latin American Cinemas @StudiesinSLAC]

QEPD Carlos Saura - recommending today Stuart Davis's "The time of the (orphan)" that reads Cría cuervos (Saura, 1976) alongside Catalan film Estiu 1993 (Carla Simón, 2017)

https://t.co/sVou3833ot

[LLILAS BENSON @llilasbenson]

Nos complace mucho presentar el cineasta mexicano Alejandro Pelayo Rangel. Evento presencial y disponible por livestream. Abierto al público y sin costo. @CinetecaMexico @ConsulMexAtn @LatinostudiesUT @UTRTF @UTSpanish @adepinedafranco @utaustin @UTexasGlobal @cinelasamericas