The Art of Subtitling

Tracking and sharing news about the latest advances in subtitling and localisation #s8g #l10n.

[Limecraft @Limecraft]

📍 𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝗶𝘀 𝗵𝗲𝗮𝗱𝗶𝗻𝗴 𝘁𝗼 𝗟𝗮𝗻𝗴𝘂𝗮𝗴𝗲𝘀 & 𝗧𝗵𝗲 𝗠𝗲𝗱𝗶𝗮 𝟮𝟬𝟮𝟲 𝗶𝗻 𝗟𝗼𝗻𝗱𝗼𝗻!

From 4 to 6 November, industry professionals will gather at Senate House to explore the future of media localisation and accessibility, with a focus on quality, sustainability and the role of technology in a rapidly evolving industry.

We look forward to connecting with industry peers and exchanging ideas on how technology can help shape the future of media localisation.

📅 4-6 November 2026

📍 Senate House, London, UK

Will you be attending? Feel free to reach out. We’d love to connect!

#LanguagesAndTheMedia #MediaLocalisation #Accessibility #Limecraft @LMconference

[Maarten Verwaest @maartenverwaest]

Modernising your media workflows doesn't mean you should start from a clean slate.

@Limecraft connects the dots. From ingest to pre-cut, from raw material to the edit suite, from transcription to subtitling and localisation, we help you work faster, automate repetitive tasks, and responsibly use AI, nicely integrated into your day to day workflow.

No vendor lock-in. Just smarter, more connected production workflows, with AI where it genuinely adds value.

We'll be at @satisexpo 2026 in Paris on 4 and 5 November, demonstrating how Limecraft helps broadcasters, producers and post-production facilities supercharge existing infrastructure.

Interested in seeing it in action? Let's meet in Paris! 🇫🇷

RSVP 👇

#Limecraft #SATIS2026

[The Art of Subtitling @SubtitleBot]

👌👇

[Limecraft @Limecraft]

📍 𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝗶𝘀 𝗵𝗲𝗮𝗱𝗶𝗻𝗴 𝘁𝗼 𝗟𝗮𝗻𝗴𝘂𝗮𝗴𝗲𝘀 & 𝗧𝗵𝗲 𝗠𝗲𝗱𝗶𝗮 𝟮𝟬𝟮𝟲 𝗶𝗻 𝗟𝗼𝗻𝗱𝗼𝗻!

From 4 to 6 November, industry professionals will gather at Senate House to explore the future of media localisation and accessibility, with a focus on quality, sustainability and the role of technology in a rapidly evolving industry.

We look forward to connecting with industry peers and exchanging ideas on how technology can help shape the future of media localisation.

📅 4-6 November 2026

📍 Senate House, London, UK

Will you be attending? Feel free to reach out. We’d love to connect!

#LanguagesAndTheMedia #MediaLocalisation #Accessibility #Limecraft @LMconference

[Limecraft @Limecraft]

𝗪𝗲’𝗿𝗲 𝗵𝗲𝗮𝗱𝗶𝗻𝗴 𝘁𝗼 𝗦𝗔𝗧𝗜𝗦 𝟮𝟬𝟮𝟲! 🎬

From production to post-production and delivery, audiovisual workflows are becoming increasingly connected, collaborative and AI-powered. At Limecraft, we help producers and broadcasters bring these workflows together, reducing repetitive tasks while keeping professionals firmly in control of the creative process.

At @satisexpo, we’ll be showcasing how our Production Workspace, Delivery Workspace and integrated AI capabilities can help you work more efficiently, from ingest and media management to editing, subtitling, translation and delivery.

📍 Find us at booth C41 and come discover what smarter media workflows can look like.

See you there! 👋

#Limecraft #Satisexpo #Satis2026 #PostProduction #MediaIntelligence #WorkflowAutomation

[Limecraft @Limecraft]

🎬 𝙁𝙞𝙡𝙢 𝙁𝙚𝙨𝙩 𝙂𝙚𝙣𝙩 𝙠𝙞𝙘𝙠𝙨 𝙤𝙛𝙛 𝙩𝙤𝙙𝙖𝙮!

As the 2026 edition gets underway, we’re taking a look at some of the productions on the programme that have been supported by Limecraft.

One of them is Breendonk, the new historical series by Belgian production company @DeMensen. Set in occupied Belgium in 1942, the series tells a powerful story of resistance, loyalty and survival. The first two episodes will premiere at Film Fest Gent on 14 October.

Behind the scenes, Limecraft helps production teams like De Mensen keep media workflows organised, connected and efficient, from ingest and media management to collaboration and content delivery.

That means less time spent managing media and more time spent on what really matters: 𝙘𝙧𝙚𝙖𝙩𝙞𝙣𝙜 𝙜𝙧𝙚𝙖𝙩 𝙨𝙩𝙤𝙧𝙞𝙚𝙨.

We’re proud to see Breendonk make its way to the big screen. And even prouder to know Limecraft played a part behind the scenes!

#FilmFestGent #FFG26 #Breendonk #DeMensen #Limecraft #MediaWorkflows #FilmProduction

[Maarten Verwaest @maartenverwaest]

Unlike other (high volume) cases like archive ops, in a production, the processing cost of the actual transcription is the smallest fraction of TCO.

Bare metal transcription has become commodity. Turning a transcript into something that actually saves time to producers, journalists and editors is much harder.

Proper nouns need to be right. Timecodes have to be reliable (thereby maintaining the link with media), we get that. 🙏 @Speechmatics, we appreciate the effort you are taking to optimise the service.

But ultimately, the result needs to flow into @Adobe , @Avid or whatever comes next, without another round of copy, paste, export and ironing out errors. That’s where the real cost and, consequently, the true opportunity for automation sit.

At @Limecraft, we spent years optimising exactly that part: turning increasingly capable AI services into dependable professional media workflows.

Our two cents - pun intended: don’t just compare based on the price of the service. Compare the time it takes to get from raw media to something editorial can actually use. 🎯

[Limecraft @Limecraft]

🤓 #𝙁𝙚𝙖𝙩𝙪𝙧𝙚𝙁𝙧𝙞𝙙𝙖𝙮: 𝙁𝙖𝙨𝙩-𝙩𝙧𝙖𝙘𝙠 𝙮𝙤𝙪𝙧 𝙨𝙩𝙤𝙧𝙮 𝙬𝙞𝙩𝙝 𝙩𝙚𝙭𝙩-𝙗𝙖𝙨𝙚𝙙 𝙚𝙙𝙞𝙩𝙞𝙣𝙜

What if you could create your next story before even opening an editing suite? 🎬

Starting from the transcript, Limecraft uses AI to surface the highlights and populate your storyboard. From there, selected quotes and fragments are turned into subclips and automatically transferred to your editor’s timeline.

Supervised automation that gives editors a head start.

Whether you’re a journalist working on an interview or an edit producer developing the narrative for a documentary, text-based editing helps you move from raw material to a first edit faster and with less manual work.

👉 Discover how to turn transcripts into a starting point for your next edit. Read the full guide:
https://t.co/2exHj3NZKx

#Limecraft #MediaIntelligence #TextBasedEditing #PaperEdit #DocumentaryProduction #Journalism #MediaProduction

[Maarten Verwaest @maartenverwaest]

Standing beneath the @SBabelsberg arch this morning, thinking about Metropolis.

Fritz Lang and Thea von Harbou’s monumental film was shot at this very place and exactly a century ago. Released in 1927, it helped define modern science fiction by asking what happens when human lives become entangled with machines. More relevant than ever before, isn't it?

This afternoon at #MTHCON26, I’ll be taking the AI Garden stage, talking about From Set to Edit: What AI Should and Should Not Automate.

Unpopular POV: let AI take on the work that drains energy, from offload to a reliable pre-cut and anything in between, but storytelling, cinematography and editing are acts of human judgement. Machines may help you finding and sorting a bunch of material fragments, beyond human scale, but they should not decide what it means. Voilà. #NoAI

📍 AI Garden, Studio Babelsberg
🕐 Today, 13:00–13:30
More info 👇

[The Art of Subtitling @SubtitleBot]

@maartenverwaest @SBabelsberg 🔥

[The Art of Subtitling @SubtitleBot]

@maartenverwaest @IBCShow 🎯

[Maarten Verwaest @maartenverwaest]

This year's @IBCShow, the AI bullshit bingo card filled up really fast.

Apart from every product being suddenly “AI-powered”, many vendors had discovered agents. Some had apparently built an entire “agentic platform” since NAB.

But a chatbot is not an agent. Bolting on Google Gemini does not, by itself, create a coherent agentic ecosystem.

Behind the vocabulary contest, more fundamental changes are taking place:
• Traditional MediaTech revenues are barely growing, while an increasing share of technology spending migrates to Big Tech.
• Customers are reconsidering the economics of putting everything in the cloud.
• Consolidation promises efficiencies, but may leave global media groups less responsive to local audiences.
• Automation is becoming imperative, but the secret sauce is metadata, not AI.

Unpopular opinion after IBC: AI does not fix chaos. It scales it.

Some reflections on IBC 2026, industrialisation, selective cloud repatriation and why Hall 7 may have revealed more about the state of our industry than its exhibitors intended.

https://t.co/HAtiAl5JFQ

[The Art of Subtitling @SubtitleBot]

@Limecraft 🔥

[Limecraft @Limecraft]

🎓 𝙒𝙝𝙖𝙩 𝙞𝙛 𝙨𝙩𝙪𝙙𝙚𝙣𝙩𝙨 𝙘𝙤𝙪𝙡𝙙 𝙡𝙚𝙖𝙧𝙣 𝙥𝙧𝙤𝙛𝙚𝙨𝙨𝙞𝙤𝙣𝙖𝙡 𝙥𝙧𝙤𝙙𝙪𝙘𝙩𝙞𝙤𝙣 𝙬𝙤𝙧𝙠𝙛𝙡𝙤𝙬𝙨 𝙛𝙧𝙤𝙢 𝙙𝙖𝙮 𝙤𝙣𝙚?

As the new academic year begins, it’s time to prepare the next generation of media professionals for more than just the creative side of production. Organising footage, managing feedback and collaborating with a team all play a role in bringing a production to life.

𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝗔𝗰𝗮𝗱𝗲𝗺𝘆 brings these professional workflows into the classroom. Students can practise media organisation, collaboration and project handovers with tools that reflect the realities of the industry.

By building these skills early, students gain a better understanding of how creative ideas move from the classroom to professional production.

👉 Interested in Limecraft Academy for your students? Let’s talk.

Wishing all students a successful new academic year! 🎓

#Limecraft #MediaEducation #FilmEducation #BroadcastTraining #MediaWorkflows

[Limecraft @Limecraft]

𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝟮𝟬𝟮𝟲.𝟲 𝗶𝘀 𝗵𝗲𝗿𝗲 🚀

Connected, automated and intelligent media workflows. That's what Limecraft 2026.6 is bringing to IBC!

This release extends on our strategy to connect the systems media you use, automate any copy-and-paste operations, and add intelligence exactly where it helps editorial.

Here's what's new:
🔗 Mobile Upload
You can now use the Limecraft Mobile App to transfer media directly into your production workspace without first downloading and uploading via the browser.

🔔 Smarter Notifications
Working across multiple productions? Get more control over which workspaces notify you.

🤖 Sneak Peek: AI-Enabled Story Editing
At IBC, get a glimpse of the brand-new AI-Enabled Edit Assistant: explore recorded material by describing what you're looking for in natural language, then refine conversationally. The AI assists, it doesn't decide.

🔗 Read the full release on our website.

👉 Curious to see our newest release in action? Visit Limecraft at stand 7.D21 during IBC 2026 in Amsterdam from 11-14 September.

📅 Book a private preview or a meeting with our team via the link this link: https://t.co/otETqB0mr0

See you there! 👋

#Limecraft #MediaProduction #PostProduction #MediaIntelligence #WorkflowAutomation #IBC2026

[Limecraft @Limecraft]

𝙇𝙤𝙫𝙚 𝙗𝙖𝙘𝙠𝙚𝙣𝙙? 𝘾𝙪𝙧𝙞𝙤𝙪𝙨 𝙖𝙗𝙤𝙪𝙩 𝘼𝙄? 𝙋𝙖𝙨𝙨𝙞𝙤𝙣𝙖𝙩𝙚 𝙖𝙗𝙤𝙪𝙩 𝙢𝙚𝙙𝙞𝙖? 𝙏𝙝𝙞𝙨 𝙤𝙣𝙚’𝙨 𝙛𝙤𝙧 𝙮𝙤𝙪! 🫵

Limecraft is growing, and we’re looking for 𝗕𝗮𝗰𝗸𝗲𝗻𝗱 𝗦𝗼𝗳𝘁𝘄𝗮𝗿𝗲 & 𝗦𝘆𝘀𝘁𝗲𝗺𝘀 𝗘𝗻𝗴𝗶𝗻𝗲𝗲𝗿𝘀 to join our team in Ghent.

You’ll develop the technology behind a cloud-based SaaS platform used by media professionals around the world. Rock-solid backend components, AI-powered workflows, and APIs designed to make media production smarter and more efficient. 👩‍💻👨‍💻

Ready to make a difference?
👉 Want to join our team? Check out the full vacancy here: https://t.co/p06Rhtlhbh

#Limecraft #Hiring #Ghent #AI #MediaTech #TechJobs

[Limecraft @Limecraft]

🤓 #𝙁𝙚𝙖𝙩𝙪𝙧𝙚𝙁𝙧𝙞𝙙𝙖𝙮: 𝙨𝙩𝙧𝙚𝙖𝙢𝙡𝙞𝙣𝙚 𝙘𝙤𝙣𝙩𝙚𝙣𝙩 𝙙𝙚𝙡𝙞𝙫𝙚𝙧𝙮

How do you keep track when one finished programme comes with 10, 15 or even 20 additional deliverables? 🤔

For every episode, broadcasters may also need subtitles, metadata, trailers, social media assets, stills, press materials and more. With dozens of producers and hundreds of deliveries, keeping track of what has arrived, what is missing and what has been approved can quickly turn into a maze of emails, calls and messages.

That was exactly the challenge facing @DPGMediaBE, which received 1,400 TV episodes plus ancillary media from 60 different content providers in 2023.

Together, DPG Media and Limecraft developed Delivery Workspace: one structured and secure environment where producers can submit all required content and metadata. Limecraft verifies deliveries at the source, while content managers can review, approve or reject individual elements before they are forwarded to their final destination.

No more chasing files across emails and messages. One platform to manage the complete delivery.

👉 Discover how DPG Media and Limecraft brought more structure, security and efficiency to content delivery. Read the full case:
https://t.co/n1hsjfpBQX

#FeatureFriday #ContentDelivery #MediaIntelligence #Broadcast #Limecraft

[Limecraft @Limecraft]

🎬 𝙁𝙤𝙪𝙧 𝙘𝙖𝙢𝙚𝙧𝙖𝙨. 𝙊𝙣𝙚 𝙤𝙫𝙚𝙧𝙫𝙞𝙚𝙬

Reviewing multicamera footage shouldn’t mean opening and comparing recordings one by one.

Limecraft not only takes care of automatic synchronisation of group clips. Using Limecraft’s Multicam Player, you can review the different camera angles together in a quad-view grid. Switch between points of view, change the leader clip and add time-based comments, all while keeping the footage in sync.

In this tutorial, we show you how the Multicam Player works in Limecraft Workspace and how it can make reviewing large volumes of multicamera footage more efficient.

Want to see it in action? We’ll be demonstrating the Multicam Player and more at IBC 2026 in Amsterdam, from 11–14 September.

📍 Find Limecraft at booth 7.D21.

👉 Plan your visit and book a meeting with our team via the link: https://t.co/Nq110qqDVG

See you in Amsterdam! 👋

#Limecraft #IBC2026 #Multicam #PostProduction #MediaIntelligence

[The Art of Subtitling @SubtitleBot]

@Limecraft Bravo 👋

[The Art of Subtitling @SubtitleBot]

https://t.co/YTbywbRK20

[The Art of Subtitling @SubtitleBot]

Including HiFi subtitles 👏🏻👇

[Limecraft @Limecraft]

🎬 𝙊𝙣𝙚 𝙥𝙡𝙖𝙩𝙛𝙤𝙧𝙢. 𝙑𝙚𝙧𝙮 𝙙𝙞𝙛𝙛𝙚𝙧𝙚𝙣𝙩 𝙥𝙧𝙤𝙙𝙪𝙘𝙩𝙞𝙤𝙣 𝙧𝙚𝙖𝙡𝙞𝙩𝙞𝙚𝙨.

Scripted drama starts with a screenplay and a defined narrative.
Factual productions uncover stories through real events and archival material.
Studio entertainment blends planned narratives with unscripted moments across multiple cameras.
Reality production is about navigating vast amounts of footage to find the moments that matter.

Different genres require different ways of organising, finding and working with content. But technology teams shouldn’t need a separate solution for every production.

Limecraft adapts to those different realities in one environment from incoming material to collaboration, review and delivery.

This is one of the topics we’ll be discussing at @IBCShow. How do you support very different production requirements without adding more complexity to your technology stack?

👉 Visit us at booth 7.D21 and let’s talk about what that could look like for your productions. Plan your visit and book a meeting with our team in advance viahttps://pulse.ly/iidk96oyce

See you in Amsterdam. 👋

#Limecraft #IBC2026