I’ll resist all attempts to shoehorn in some corny panto jokes and simply say that the Palladium panto this year is better than ever. Here’s my review: https://t.co/nCDmDa0NWX
Inside No.9 Stage/Fright is moving on from @marlowetheatre touring through to December. I just saw Reece Shearsmith and Steve Pemberton @SP1nightonly doing what only they can. Check out my review for more and the tour dates: https://t.co/SbVPkdjcy2
Big laughs, big thrills and two writer/performers at the top of their game. Inside no. 9 Stage/Fright is a unique and unmissable theatrical treat. Seen @marlowetheatre this is my review: https://t.co/SbVPkdjcy2
The Party Girls in the first touring production produced by Canterbury’s @marlowetheatre. It tackles the difficult story of the Mitford sisters and the rise of fascism with power and flair. Read my review: https://t.co/8XEpW2dmmw
There’s still time (although not many seats) to see the London Palladium’s Robin Hood @PalladiumPanto. And if you can, you should! Here’s my review: https://t.co/WO6oyPWt37
The future part of Back to the Future is now further in the past than the past part was when the film came out. But fortunately @BTTFmusical doesn’t let you worry about that! https://t.co/mMwiAIGGGK
@FionaDolman @felixemilkai@felixemilkai was compelling. Loved references to at least 2 famous cross-dressing movies - in the title and Felix’s comeback to Nigel’s claim to be mostly straight: ‘Nobody’s perfect!’ the famous end line from Some Like it Hot. Got to love a show that pays that sort of homage.
REAR WINDOW was released 70 years ago this month. One of the most enduring Alfred Hitchcock thrillers, and among the most popular films of James Stewart and Grace Kelly, the story of how it was made might give you the feeling you’re being watched…
1/40