Around eight thousand years ago, someone painted a small human figure on the back of a wild bull.That was more than four millennia before the famous bull-leaping fresco of Knossos in Crete.
The scene comes from the decorated Level V structure at Çatalhöyük often called the “Shrine of the Hunters.”
Çatalhöyük was a large Neolithic settlement near Cumra, Konya, in modern-day Turkey. Its East Mound was occupied from about 7400 to 6200 BC, while the West Mound continued into the Chalcolithic from about 6200 to 5200 BC.
It has been a UNESCO World Heritage Site since 2012. Its houses were packed tightly together in a streetless layout; people moved across roofs and entered interior spaces through roof openings by ladder.
The mural was part of the richly decorated structure F.V.I, excavated during Mellaart’s 1960s campaigns. The room’s walls carried a sequence of animal-and-human scenes, among the most dynamic images known from Çatalhöyük.
The “bull” is best understood as an aurochs, the extinct wild ancestor of domestic cattle. Male aurochsen could stand close to two metres at the shoulder, with long legs, heavy horns, and a more athletic build than many modern cattle.
The last known aurochs died in 1627 in Poland’s Jaktorów Forest. Royal protection kept the remnant herd alive for a time, but it could not save the species.
The fascinating part is that this may not be a straightforward kill scene.
The human figures seem to be surrounding, teasing, or baiting the animal. Some carry objects such as bows, sticks, or axes, while others reach toward tails, tongues, horns, or bodies. There is no clear scene of slaughter, and the action feels closer to a dangerous spectacle, ritual, or game than to a simple hunt.
At Çatalhöyük, wild bulls were more than meat. Their size, danger, and difficulty made them powerful social and symbolic animals.
At Çatalhöyük, walls and floors were repeatedly renewed. Some floors were replastered dozens of times, and some walls hundreds of times over the life of a house. Each coat sealed the surface beneath it, and some phases carried new painted images.
🚨🌕 ALIEN STARBASE ON THE MOON CONFIRMED IN NEW PENTAGON UFO DUMP?! 🔥🛸
BREAKING: Just hours ago on, the Pentagon dropped its third batch of declassified UAP/UFO files under the PURSUE initiative. Among the bombshells: over two hours of secret NASA audio from a post-mission scientific debrief following Apollo 16 (April 16–27, 1972).
In the recording (NASA-UAP-D025), while discussing lunar anomalies, including unusual gravity readings, laser data, and a "great big hole" near the Van de Graaff crater on the far side of the Moon, a speaker casually drops: "It could be an alien star base or something. Anyway, the next slide shows the front side of the moon."
This off hand remark during a technical briefing was never in official transcripts. Apollo 16 astronauts John Young, Charles Duke, and Ken Mattingly explored the highlands and orbit, and now we're hearing NASA insiders openly speculating about non human infrastructure on our nearest celestial neighbor.
This isn't fringe theory, it's straight from declassified government archives. Ties directly into decades of UAP/NHI whistleblower claims: lunar anomalies, ancient bases, interdimensional tech, and the massive coverup that's finally cracking under public pressure.
With Trump era transparency pushing more releases, how long until we get full disclosure on what's really up there and who's been hiding it?
The Moon isn't just a rock. It's a staging ground. The question isn't if, it's what else have they known since the 1970s?
The squared geometry carved directly into this massive boulder at Sardinia's Domus de Janas is hard to ignore.
Standard timelines insist these structures were excavated during the Neolithic era using only primitive bone and stone tools.
Yet the crisp, uniform doorways cut into such dense bedrock seem strangely out of step with the basic technology supposedly available at the time.
I've spent the last few weeks writing, researching and sourcing stock footage for a new video. I've already begun principal photography.
I will need some time to get all the in camera work shot and uploaded, then I will need to edit everything.
I appreciate y'alls patience as I work on these projects. I'll have the new video for you guys as soon as I can.
-Jason
This Ancient Hall Is Still Alive After 2,000 Years
Hidden inside the sacred halls of the Dendera Temple complex, something impossible still breathes.
Step into the Great Hypostyle Hall of the Temple of Hathor, and you’ll find towering columns that look less like stone… and more like frozen life. Built over 2,000 years ago during the Ptolemaic and Roman eras, these massive pillars still glow with shades of blue, red, and gold—as if time itself forgot to touch them.
How did these colors survive when entire civilizations vanished?
The tops of these columns bloom like giant bouquets, carved to resemble papyrus and lotus plants—symbols of life, rebirth, and the divine. Above them, ceilings whisper secrets of the cosmos, filled with ancient astronomical carvings and sacred symbols no one fully understands even today.
Stand beneath them, and something strange happens. The silence feels heavy… almost alive. It’s as if these walls are watching, remembering rituals, prayers, and voices that faded thousands of years ago.
Were these just decorations?
Or were they meant to preserve something far deeper… a message meant to outlive time itself?
Because in this stone forest, one thing becomes clear—
some colors don’t fade… and some mysteries were never meant to.
@RodePhilli907 Anunnaki Origins has always been a spotify podcast. EVERY single thing ever produced is hosted there. Other platforms vary. And are often censored. Spotify and X are theclast bastions of truth.