Suss Müsik

Post-classical ambient minimalism for crepuscular airports.

[Suss Müsik @SussMusik]

If you've ever wondered about the mystery behind Suss Müsik, wonder no more. Lovely conversation with the great folks at @phlmake about DIY instruments and the joys of building weird things. https://t.co/DYpzDUDndw

[Suss Müsik @SussMusik]

@GatelessGate1 Propose a new concept called “experimental pricing” and see how that lands.

[Suss Müsik @SussMusik]

On Sunday 16 October, Suss Müsik will appear on the CKRL radio program La Croche Oreille, hosted by Gaëtan Gosselin. https://t.co/HCMBy3N1HA

[Suss Müsik @SussMusik]

More fun with electronic instruments built from recycled 1990's computer parts. https://t.co/hEtyZCjsnM

[Suss Müsik @SussMusik]

Download from here: https://t.co/cULu6XgLlk

[Suss Müsik @SussMusik]

Custom "beige box" synth device controlling loops created using SampleBrain, software developed by Dave Griffiths and @AphexTwin. https://t.co/wC2x85C78t

[Marc Weidenbaum @disquiet]

I wrote a review of Robert Fripp's new book, the 561-page The Guitar Circle, for the latest issue of The Wire (the one with Tyshawn Sorey on the cover). Full text is in the print and (paywall) online edition.

[Suss Müsik @SussMusik]

Glitchy Thursday. https://t.co/7q0CawD8QS

[Marc Weidenbaum @disquiet]

"Who's the suspicious character /
Strapped with the sounds profound?"

I wrote about Gang Starr's superb Moment of Truth (1998) for Pitchfork's "The 150 Best of Albums of the 1990s" list.

https://t.co/BVernBgi82

[Marc Weidenbaum @disquiet]

Oh, cool. Pitchfork's "The 250 Best Songs of the 1990s" came out, and my piece on Acen's “Trip II the Moon (Pt. 1 and 2)” is in there, at 198:

https://t.co/5ucNlWFdRs

[Suss Müsik @SussMusik]

Thank you @disquiet as always for your kind words and interest in Suss Müsik's activities. (Also, love the phrase "Complex Cumulus" -- need to steal that for a future title). https://t.co/aKXc32kxVA

[Suss Müsik @SussMusik]

Eight short electro-acoustic compositions for handmade sound-making devices, fake strings, piano, percussion, barely detectable vocals, and (in one track) a penny-whistle. https://t.co/gJeUlt0Kp2

[Suss Müsik @SussMusik]

@disquiet That's a zen riddle.

[Suss Müsik @SussMusik]

@disquiet Hahaha step 3. Nice.

[Suss Müsik @SussMusik]

@iankjoyce Part of the Blue Nile's genius is how they utilize composite chords of great complexity, even for mere instances between measures, yet end up creating such beautifully simple and approachable music. Underrated, brilliant band.

[Suss Müsik @SussMusik]

Suss Müsik recorded a five-song EP inspired by Nick Bostrom's theory of substrate-independent simulation. Heady stuff. Might release it "officially" at some point. https://t.co/gO6OIizE01

[Suss Müsik @SussMusik]

Another example of a DIY contact mic (using a reconstituted heat sink) run through a Wingie 2 (@MengQiMusic) and a @meris_us Hedra. https://t.co/sKSPkAr0mU

[Suss Müsik @SussMusik]

Suss Müsik's hands playing a customized MIDI device, featuring a reconstituted heat sink from an old Dell computer operating as a contact microphone. Not visible is the Meng Qi Wingie 2. https://t.co/7QZExXpa1H

[Suss Müsik @SussMusik]

@GatelessGate1 It’s terrific, although your cover of Stuart Adamson’s “Chance” is absolutely exquisite.

[Suss Müsik @SussMusik]

“Boil it down” and “flesh it out” are two metaphors that should not accompany one another.

[Suss Müsik @SussMusik]

A bird met its untimely demise on Suss Müsik's porch. The crime scene was transformed into a graphic score, then this happened: https://t.co/yInKvq6eO9 #DisquietJunto