If, in the five stages of grief, @harrisongordo13's “Yuppies” served to represent depression, then their sophomore LP, “BLISS,” surely depicts acceptance. Read @numetalrev's review of the band’s self-deprecating punk masterpiece right here. https://t.co/ze6EsubDwk
The end of the month can only mean one thing: it’s time for another new music roundup! Click here to see 50 albums and 30+ tracks that our team has been loving this month. https://t.co/YfbYc3MkHA
Clutch is back after four years with “The Drifter Returns,” and @VERTICALCOFFIN gets to dive deep into it for this week’s Swim Select. Press play if you like: survivalistcore, road-cruising rock and roll, blasts of all kinds. https://t.co/YKszDftxVK
The end of the month can only mean one thing: it’s time for another new music roundup! Click here to see 50 albums and 30+ tracks that our team has been loving this month. https://t.co/YfbYc3MkHA
Cover Collector returns, and this month the Swim Team is breaking down our favorite BROWN album covers. Click here to explore a wide-ranging selection of our favorite earth tones. https://t.co/DyCAD05TO1
"burying complex feelings about life between opinions on Mark Wahlberg’s acting career and a cruisin’ guitar make “Box Store” a total dudes rock song, maybe the first in years that makes me think dudes rock is worth saving."
dudes rock i guess: https://t.co/AcE8XGomkV
PLAY THIS ALBUM LOUD. Guest writer @cooldetat reviews Still Coming Down, the latest from @WildPinkNYC and a refinement of the dusted-up indie rock that preceded it. https://t.co/0uYrwvgDCd
For the latest Paste Pick, I wrote about the new album from Minnesota-by-way-of-Nashville’s daughter of Lucinda Williams and Liz Phair. Brennan Wedl stocks are about to go way up, tap in: https://t.co/iQ8KNVl6KO
Crush Fund's GO is a record that starts with internet-inflicted drama but grows to encompass the joy, rage, trauma, and self-discovery of the trans experience. Caroline Liaupsin reviews the album here. https://t.co/3x4qLUOV6P