西新宿二丁目MJリーグ★初代雀皇

雀は流れ、馬は屋根、輪は番手、球は箕島⭐色川武、小島武、近藤誠、醍醐大、中野浩↔️井上茂、佐藤慎、園田匠、尾藤公、巨泉師、伊東四、吉田照、武田砂、及川サ、綿貫弘、ZEP、サバス、judas、MAIDEN＆MAIDENS、AC/DC、leps、MSG、宮川泰、徳永二男、ハネケン、大友直、八神純子、はなわ家、微笑みの貴公子

[Oscar Barbera @OscarBarbera7]

Fue en 1992 cuando #AxlRose irrumpió como una bestia en el escenario de Wembley y dejó totalmente alucinados a todos cantando "Bohemian Rhapsody" junto a #Queen El #Rock en su máxima expresión de peligro y gloria. Una locura total 👑🔥

[Fauna Natural @MiguelM73104161]

AC DC -Shoot To Thrill 😎⚡🤟

[🎸 Rock History 🎸 @historyrock_]

The legendary Freddie Mercury would have turned 80 today 🙏🏻👑

[Alexander Delarge 655321 @AlexDelarge6553]

As we all love the late great Randy Rhodes with his co-writing efforts on Blizzard of Oz and Diary of a Madman. Is this enough to consider him as a top Guitarist of all time. I have my opinion. Thoughts?

[amass @amass_jp]

NHK BS『クイーン ライブ '86 at ウェンブリースタジアム ロンドン』が9月12日深夜放送。クイーンが1986年7月にロンドンのウェンブリースタジアムで行ったコンサートの模様をデジタルリマスター（ビデオレストア）による映像で放送　https://t.co/kcUVA47GmA

[MUSIC LIFE CLUB @musiclife_club]

本日、9月5日はフレディ・マーキュリーの80歳の誕生日です。彼の誕生日を祝い、エイズ撲滅を願う “FREDDIE FOR A DAY” を祝して、弊社1Fショーウインドウを一面フレディ仕様にしました！
お近くにお越しの際はぜひお写真撮ってください！
#HappyBirthdayFreddieMercury
#FreddieForADay

[西新宿二丁目MJリーグ★初代雀皇 @Switch625_leps]

な❔☝️
案の定…＿|￣|😐

兎にも角にもこの無駄自摸其の弐は
ほんなこつキビ四位〜
四〜位‼️四〜位‼️（うるせぇよオイ💢風）

続戦で砂🏖️‼️🫵

#POG
#ブックオブケルズ

[西新宿二丁目MJリーグ★初代雀皇 @Switch625_leps]

say say say‼️💢

次走阪神未勝利千八はヨカヨカとして…
砂🏖️やのぉてしっ…芝〜⁉️🌱

んもぉ〜‼️
これやとまたまたニチャ〜ヨンチャくらいの
無駄自摸其の弐で確定や〜ん
今からでも遅うなかけん路線変更を
何卒なにとぞ〜関係各位〜🙏

芝でSPAT‼️はモームリ…＿|￣|😭

#POG
#ブックオブケルズ

[西新宿二丁目MJリーグ★初代雀皇 @Switch625_leps]

say say say…

結局南極🇦🇶放送局で🌱ってあ〜た…
🌱で前の🐴を交わせるタイプやないっちゃけん
素直に🏖️の方でよかろうも〜ん‼️

5🐴立てでも道中の番手より前の着はないだけに
逃げられんかったらキビ四位なコリャ…
っちゅうことでくれぐれもS頼むけんね〜淳也叔父貴〜🫵

#POG
#ブックオブケルズ

[西新宿二丁目MJリーグ★初代雀皇 @Switch625_leps]

tks‼️
堀江"ホリエモン"貴文叔父貴〜👏

あと、T崎K太Jも好発で
ナイスナイスナイス‼️（栗東：長浜）

😏

#POG
#イッテラッシャイ
#堀江貴文
#戸崎圭太

[西新宿二丁目MJリーグ★初代雀皇 @Switch625_leps]

サァ〜‼️（愛ちゃん風🏓）
信じてヨカヨカ（栗東：谷潔）よね〜❔
堀江"ホリエモン"貴文叔父貴〜

兎にも角にも枠がビミョ〜だけに
なんとしてもS取っちゃり〜よ〜
T崎K太J〜‼️🫵

#POG
#イッテラッシャイ
#堀江貴文
#不来方賞

[Brian Johnson Archives @BrianJ2_n8]

“BACK IN BLACK”… ⚡️🖤

You should’ve felt the electricity in Houston, Texas! We rocked it, O’Brien! 🤘🔥

You wanted rock… YOU GOT ROCK, HOUSTON! 🔔⚡️

#ACDC #PowerUpTour #BackInBlack #Houston #RockNRoll

[（株)アルカンシェル/中野尚美 @naomi_nakano703]

お着物👘
#2006年春の叙勲
#中野浩一🚴‍♀️

[AC/DC @acdc]

Did you get your thrill Houston? #PowerUpTour 🎥 @ChristieGoodwin

[AC/DC @acdc]

We salute you Houston, TX! #PowerUpTour 📸 @ChristieGoodwin

[🎸 Rock History 🎸 @historyrock_]

In 2000, a street named after the Australian hard rock band AC/DC was inaugurated in Leganés, Madrid, Spain, with brothers Angus and Malcolm Young in attendance.

The street sign didn’t stay in place for even a full day. Just a few hours after it was installed, someone had the brilliant idea of ripping it down and taking it home. The city council replaced it several times, but it kept disappearing. Finally, they raised it a few meters to make theft more difficult, and the city council began selling identical replicas of the plaque for 3,500 pesetas ($25)

[Guitar Gods Unleashed @gguworld]

Wake Up to Guitar Greatness

Today's Pick: Tipton & Downing - "Living After Midnight" (Live Aid '85)

The title came from Halford yelling at Tipton to stop playing riffs at 4 a.m.

[Emotion & Music @Emotion78687]

The Night Metallica Made 50,000 People Stop and Listen

You expect Metallica to make a stadium explode. You expect the drums to hit hard, the guitars to come in loud, and thousands of people to lose themselves in the noise. But when James Hetfield begins playing the opening notes of “Nothing Else Matters,” something completely different happens. The noise seems to fall away, and the stadium starts listening.

That moment at Dublin’s Aviva Stadium on June 19, 2026, is striking precisely because of how little it needs. There is no rush to overwhelm the audience. The guitar is clean and familiar, the melody moves patiently, and the band allows the song to breathe. For a group whose concerts are built around enormous sound, there is something almost surprising about seeing so many people become quiet at once.

“Nothing Else Matters” has always occupied a different place in Metallica’s music. It is not complicated in the way many of their heavier songs are. Its strength comes from a melody that is easy to remember and lyrics that speak about trust, distance, and the things that remain important when everything else becomes noise. That simplicity is probably one reason the song has traveled so far beyond the usual metal audience.

Live, the song gains another layer because Hetfield himself has changed. His voice no longer carries exactly the same sound it had when the song was recorded decades ago. There is more roughness and weight in it now, but that can make the words feel more believable rather than less. He is not simply repeating a famous song; he is singing something he has lived with for most of his adult life.

Then the audience joins in, and the meaning of the song changes again. A person standing in the middle of thousands of strangers suddenly becomes part of something shared. Some people may be thinking about someone they love, others may remember a particular period of their lives, while some may simply be caught up in the beauty of hearing an entire stadium sing together. The details are different, but the feeling is surprisingly common.

That is what makes this performance more interesting than just another great Metallica moment. A song that began as something personal has become something communal. The audience does not need to know each other, and they do not need to share the same musical tastes. For a few minutes, they only need to know the same words.

There is also something fitting about the contrast. Metallica has spent decades proving how powerful loud music can be, yet one of their most enduring live moments comes from doing almost the opposite. The band does not need to push harder. The song already has enough emotional weight to fill the space.

Perhaps that is why “Nothing Else Matters” continues to work after all these years. It does not depend on a particular fashion, generation, or musical trend. It speaks to something much simpler: the people and things we continue to hold close even when life becomes complicated.

Watching tens of thousands of people sing it together, you realize that the quiet was never really the absence of sound. It was the moment when everyone was listening to the same thing.

And for a band like Metallica, there may be no greater demonstration of power than that.

[Ladytron Fan Account @Lady_FanAccount]

“Back in Black” was written by Angus Young, Malcolm Young and Brian Johnson as a tribute to AC/DC's former lead singer Bon Scott, who died in February 1980. Rather than creating a mournful song, the band wanted to celebrate Scott's life with something powerful and triumphant. The track became the title song of AC/DC's seventh studio album, produced by Robert John “Mutt” Lange and released later that year.

Although “Back in Black” was not initially a major singles-chart hit in the US, the album became a monumental commercial success and eventually one of the best-selling albums in music history. The title track has since become one of AC/DC's most recognisable songs and one of the defining anthems ofrock. Malcolm Young originally used the famous opening guitar riff as a warm-up exercise before it evolved into the foundation of the song.

[Ladytron Fan Account @Lady_FanAccount]

"You Shook Me All Night Long" is from Back in Black (1980), AC/DC’s first album with Brian Johnson on vocals following the death of Bon Scott. One of the record’s defining singles, it became the band’s biggest commercial success in the US up to that point, peaking at #35 on the Billboard Hot 100 and giving AC/DC the first Top 40 hit of their career.

Brian Johnson says he wrote the entire lyrics in just one night, wanting to impress the Young brothers.

[amass @amass_jp]

デフ・レパードのフィル・コリンは、バンドの80年代の成功においてプロデューサーのマット・ラングがどれほど貢献したのか尋ねられて、成功の「約99％」はマットのおかげだと語る。「彼は俺たちにすべてを教えてくれた。歌い方も、ギターの弾き方も。彼はすごいよ」　https://t.co/vntLtKPMG2