Synoptique

Synoptique: An Online Journal of Film and Moving Image Studies is an English-French peer-review open access journal, housed in Concordia University, Montréal.

[Synoptique @Synoptique]

Synoptique is proud to present Issue 10.1: POSTHUMANISM AT THE MARGINS, co-edited by Marielle Coleman, Brianna Setaro (@brisetaro), and Jess Stewart-Lee (@Mixed_jpg). https://t.co/IpzG4Csr9S

[Synoptique @Synoptique]

Synoptique Issue 10.1: Festival Review: "The State of the Nation at the 50th FNC" by Max Holzberg

https://t.co/jmBszu9Mif

[Synoptique @Synoptique]

Synoptique Issue 10.1: Festival Review: "Rencontres Internationales du Documentaire de Montréal" by Jake Pitre (@jakeadampitre)

https://t.co/XHztnoxDO5

[Synoptique @Synoptique]

Synoptique Issue 10.1: Book Review: "William Brown and David H. Fleming. The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia" by Geneveive Newman

https://t.co/HIsASbtOpz

[Synoptique @Synoptique]

Synoptique Issue 10.1: Book Review: "Erin Y. Huang. Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility" by Agustín Rugiero Bader

https://t.co/Sf7EZ3ZN5i

[Synoptique @Synoptique]

Synoptique Issue 10.1: Book Review: "Colin Jon Mark Crawford. Netflix’s Speculative Fictions: Financializing Platform Television." by Tyler Klatt

https://t.co/7QYAhZkJDc

[Synoptique @Synoptique]

Synoptique Issue 10.1: Book Review: "Leanne Dawson, ed. Queer European Cinema: Queering Cinematic Time and Space" by Olive Zeynep Kartal (@lively_olive)

https://t.co/pmADfzPA6e

[Synoptique @Synoptique]

Synoptique Issue 10.1: Book Review: "Moya Bailey. Misogynoir Transformed: Black Women’s Digital Resistance" by Shania Perera (@shania_perera)

https://t.co/wRKnqroDIZ

[Synoptique @Synoptique]

Synoptique Issue 10.1: Book Review: "Roopika Risam and Kelly Baker Josephs, eds. The Digital Black Atlantic" by Aparajita De

https://t.co/MZBV6SAxqJ

[Synoptique @Synoptique]

Synoptique Issue 10.1: Book Review: "Leanne Betasamosake Simpson. As We
Have Always Done: Indigenous Freedom
through Radical Resistance" by Thomas Gow

https://t.co/oIqJ87RllV

[Synoptique @Synoptique]

Synoptique Issue 10.1: "Entering the *Beyond" by Rai Terry (@RaiMckTerry)

https://t.co/lqon2eROOn

https://t.co/QO0aIx9MOQ

[Synoptique @Synoptique]

Synoptique Issue 10.1: "Beneath Barelife:
Still-Birth, Slow Cinema, and the Camera" by Mark Sloane Ebbay

https://t.co/SFza9Jp7bo

[Synoptique @Synoptique]

Synoptique Issue 10.1: "The End" by Molly Joyce and Maya Smira

https://t.co/LSa31Wjk5U

https://t.co/iymxF3HN5U

[Synoptique @Synoptique]

Synoptique Issue 10.1: "Sideways Age" by Kellie Lu

https://t.co/dO6VOf9RsT

[Synoptique @Synoptique]

Synoptique Issue 10.1: "Queer Posthumanism Through the Wachowskis" by Claire Henry

https://t.co/QB4eNC1vEw

[Synoptique @Synoptique]

Synoptique Issue 10.1: "The Pool" by Geistė Marija Kinčinaitytė.

https://t.co/gIvfmJqzfc

https://t.co/EaQkfRWR8X

[Synoptique @Synoptique]

Synoptique Issue 10.1: "Time-Diffraction Stories:
Inuit Qaujimajatuqangit and Temporal Sovereignty in The
Journals of Knud Rasmussen and Split Tooth." by Sarah Best.

https://t.co/p3M4Cd5fzx

[Synoptique @Synoptique]

Synoptique Issue 10.1: Introduction: "Posthumanism at the Margins" by Brianna Setaro (@brisetaro) and Jess Stewart-Lee (@Mixed_jpg).

https://t.co/PBleCCiHPs

[Synoptique @Synoptique]

Synoptique is proud to present Issue 10.1: POSTHUMANISM AT THE MARGINS, co-edited by Marielle Coleman, Brianna Setaro (@brisetaro), and Jess Stewart-Lee (@Mixed_jpg). https://t.co/IpzG4Csr9S

[Synoptique @Synoptique]

In the email, please mention your name, programme (MA or PHD) and year of study, and if you can write in either English, French or both.

[Synoptique @Synoptique]

Synoptique is looking for one reviewer for the upcoming 2022 edition of the Festival International du Film sur l'Art (FIFA) (https://t.co/PizisWPW19)!

[Synoptique @Synoptique]

If you are interested in reviewing the festival for Synoptique, please send an email to [email protected] with the heading "Festival Reviewer Application" by March 9th.