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Wtaf! Nairobi And New York Both Got Their Comebacks This Weekend!!

Jay headlining in Philly and Camp Mulla headlining in Nairobi is exactly why NAIYORK is a thing!!

[Kalshi Music @Kalshi_Music]

Drake's Iceman is expected to sell 236K albums in its second week

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Ben Kenyan Claims Hell Is Overrated And Has Put It In Writing

"In hell you only suffer for the things you did in the past. The punishment criteria of hell is a bit selective and narrow."

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This Twisted Kenyan Writer Is Undermining Hell

"Hell is a bit monotonous and that's part of the reason why the idea of going there as punishment has never inspired anyone to be a better person."

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Ben Kenyan Has Reviewed Hell And Found Survival To Be More Complicated

"In life you get asymmetric suffering and struggles. You get punished for the things you do, the things you don't, and the things other people did."

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Kenyans Exposed To OnlyFans In America Will Be Sent To California For Rehabilitation

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The Central Government of the United States has confirmed a bilateral arrangement with Kenya for the safe repatriation of nationals exposed to harmful content while abroad. Officials say the California facility is equipped to handle full-spectrum rehabilitation including critical cases. Kenya has not been consulted on whether it would like its citizens back.

The arrangement comes amid growing concerns about the number of Kenyans encountering OnlyFans content on American soil. The Central Government of the United States described the California facility as state-of-the-art. Governor Gavin Newsom has not confirmed the facility exists. This has not stopped the arrangement from moving forward.

As part of the ongoing bilateral health exchange between Kenya and the United States, California has been designated the official rehabilitation centre for Kenyans exposed to OnlyFans content on American soil. Patients who require advanced care beyond California's capacity will be transferred to Nevada. Officials did not explain why.

Kenya considers this fair.

https://t.co/RFRSUNsS9U

[the address @THEADDRESS_KE]

The Central Government of the United States has confirmed a bilateral arrangement with Kenya for the safe repatriation of nationals exposed to harmful content while abroad. Officials say the California facility is equipped to handle full-spectrum rehabilitation including critical cases. Kenya has not been consulted on whether it would like its citizens back.

The arrangement comes amid growing concerns about the number of Kenyans encountering OnlyFans content on American soil. The Central Government of the United States described the California facility as state-of-the-art. Governor Gavin Newsom has not confirmed the facility exists. This has not stopped the arrangement from moving forward.

As part of the ongoing bilateral health exchange between Kenya and the United States, California has been designated the official rehabilitation centre for Kenyans exposed to OnlyFans content on American soil. Patients who require advanced care beyond California's capacity will be transferred to Nevada. Officials did not explain why.

Kenya considers this fair.

https://t.co/RFRSUNsS9U

[the address @THEADDRESS_KE]

Kenyans Exposed To OnlyFans In America Will Be Sent To California For Rehabilitation, Trump Administration Says

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Kenyans Exposed To OnlyFans In America Will Be Sent To California For Rehabilitation, Trump Administration Says

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King Kakas latest music video is part of his partnership or record deal with Universal Music Kenya, a subsidiary of the Universal Music Group conglomerate.

Now, I did spend my time with this new music video by king kaka which features Iyanii and the first thing I did when I saw it in YouTube was go to the description and see who is calling the shots on this project.

The music video is owned through a joint venture by King kaka and Universal. I consider establishing ownership of this project important bc understanding who funds artistic output is key to appreciating the entire scope of this video and what it means to king kaka and the impact it's expected to have on fans and listeners.

That being said, this is a new drop I've only listened to it a couple of times and my provisionary opinion on it is that king kaka is now universal’s flagship artist in the country and as such this song and music video are meant to be entirely mainstream as opposed to being edgy or provocatively creative. It looks like king kaka is pivoting hard on ‘okay’ music.

The tell is the Iyanii feature on the chorus. I can speculate that king kaka wanted to have Iyanii on this song bc Iyanii has a had a great year in music, he's made commercially successful and mainstream music that is loved by a significant portion of the general music fanbase.

The Problem with making music for the general audience is that it takes away the edge that comes with social, political and cultural commentary that king kaka is known for. I mean this man made some of the most politically incorrect music such as ‘Wajinga nyinyi’ and people have loved him for that.

King is lyrically gifted but that aspect of his talent has been stripped away in this music video and, instead he has leaned into light weight lyricism and what that means is that if you're looking for punchlines, bars, double entendres or witty lines that made you love king kaka in the first place, this music video is not the one.

I am of the opinion that king kaka is not currently trying to disrupt the music scene. This is his first single and project with Universal and you can expect any artist who is working witn major labels to put out music that is just good enough for the radio. This is meant to be popular with that the general audience, not people who listen to music for introspective purposes and critical listeners.

The video was done by Steve Mugo, and it looks okay, I wouldn't say this is Steve Mugos best work yet considering that he directed Nyashinski's first music video Tai Chi when Nyashinski joined Sony Music East Africa last year.

So the verdict here is that King Kaka has finally joined a major label and the first single from his record deal is here. Whether it's going to be critically acclaimed or go viral is highly unlikely due to how politically correct it is. If they decide to push it on TikTok in the coming weeks that might give it a bit of motion on social media but the take away here is that it's not very moving.

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King Kaka is Now Universal’s Problem

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King Kaka is Now Universal’s Problem

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https://t.co/q60jdZoDrz

[Ben Kenyan @1benkenyan]

The strategy I have rn requires me to post this on X too

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Khaligraph turns 36 on June 12! This man is a mainstream, commercially successful, A list and independent recording and performing artist. We know that. 

Last time I talked to him it was on X and he said his new album was meant to arrive in April but he seems to have changed his mind and adjusted his plans, eventually scrapping the April release and opting to drop more singles instead. 

We're living in times when albums are not a big deal for fans and what that means is that the music community especially in places like Kenya is not well acclimated to the album model. Fans just don't care about albums like that, they want good music and the shape or form it arrives in doesn't really matter. Many listeners (especially younger ones) stream singles or short playlists more than full albums. In Kenya, the market rewards consistent drops and viral moments over traditional album cycles.

So it's easy to understand Khaligraph when you look at things from that perspective. 

The other thing is, Khaligraph is also independent and he has the option to roll out his music the way he chooses to. That would mean releasing music in way that's commercially feasible. Releasing singles is relatively cheaper compared to rolling out an album. 

Mind you he's still running a sustainable business model with three albums in his discography. If you will recall his debut album was Testimony 1990 released in 2018, then he shared Invisible Currency in 2022, at the beginning of this decade and just last year he dropped The Book of Jones. That's roughly an album every three years.. Which says alot about the way he chooses to space out his studio albums… 

Khaligraph has always been one of the most skilled lyricists and technicians in East African hip-hop. Dropping music  consistently while running his own ship is impressive. Whether the next full project is another "Chapter" from the Book of Jones  or a completely new one, the man clearly understands his audience and his business.

Cc @KHALIGRAPH

[the address @THEADDRESS_KE]

@KHALIGRAPH turns 36 on June 12! This man is a mainstream, commercially successful, A list and independent recording and performing artist. We know that. 

Last time I talked to him it was on X and he said his new album was meant to arrive in April but he seems have to changed his mind and adjusted his plans, eventually scrapping the April release and opting to drop more singles instead. 

We're living in times when albums are not a big deal for fans and what that means is that the music community especially in places like Kenya is not well acclimated to the album model. Fans just don't care about albums like that, they want good music and the shape or form it arrives in doesn't really matter. Many listeners (especially younger ones) stream singles or short playlists more than full albums. In Kenya, the market rewards consistent drops and viral moments over traditional album cycles.

So it's easy to understand Khaligraph when you look at things from that perspective. 

The other thing is, Khaligraph is also independent and he has the option to roll out his music the way he chooses to. That would mean releasing music in way that's commercially feasible. Releasing singles is relatively cheaper compared to rolling out an album. 

Mind you he's still running a sustainable business model with three albums in his discography. If you will recall his debut album was Testimony 1990 released in 2018, then he shared Invisible Currency in 2022, at the beginning of this decade and just last year he dropped The Book of Jones. That's roughly an album every three years.. Which says alot about the way he chooses to space out his studio albums.

Khaligraph has always been one of the most skilled lyricists and technicians in East African hip-hop. Dropping music  consistently while running his own ship is impressive. Whether the next full project is another "Chapter" from the Book of Jones  or a completely new one, the man clearly understands his audience and his business.

[the address @THEADDRESS_KE]

https://t.co/9ASZiy9PCl

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Lupita Nyong’o on the discourse around her casting as Helen of Troy in ‘The Odyssey’ 🎞️ 📽️

“this is a mythological story”

“I’m very supportive of Chris’s intention with it and with the version of this story that he is telling. Our cast is representative of the world. I’m not spending my time thinking of a defense. The criticism will exist whether I engage with it or not."

- Via Elle magazine.

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Drake never went to college - he didn't need to.

That decision, conscious or not, became his career blueprint. 

The time he should've been studying higher education was spent on set acting for Degrassi.

Being an actor taught him everything the classroom couldn't, stuff like how to hold attention, how to make people believe you, how to make a moment feel authenticallyl true and real.

You could argue that nobody who goes to college has the bandwidth to command culture the way Drake has been able to.

He is part of Virginia Black because he wants to get even richer. He made it clear to Forbes that his goal in life is basically climbing higher up the magazine's list of the wealthiest people.

"That's pretty much his objective every year, other than making good music," he said.

He knows exactly what storytelling is worth, and he has built accordingly.

Speaking of beating the odds, he practically did it all. He has a betting company in his hands : Stake. A whiskey brand, although he prefers to sip wine. A record label. Multiple albums. He also created A Better World Fragrance to make life smell better for those who can afford it.

Drake's resume is nuanced — not only because he has created commercial success out of telling stories, but also because of the choice he made to opt out of university education and pursue his creative dreams.

That's what made him the ICEMAN.

Not only did he survive the system. He also made the system irrelevant.

I'm a college dropout too. And there's no telling if I'd still be here telling stories if I had committed to finishing my university degree. That thought stays with me like a roommate

 I understand and appreciate what Drake chose — and what it costs, and what it returns in the long run. 

Telling stories at Drake's level is an executive function. It turned him into a multi-millionaire. An icon. And someone the world can look to for emotional and lyrical articulation.

All he ever needed was the ability to read, write and do it with just enough precision to make everyone who encounters his work feel seen.

That's everything a high school education can give you.

The university degree is important — but not essential. If you need a sign to to commit to your creative vision, just look at Drake. 

The Address | Talk Of Toronto 

#drake​ #iceman​ 

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