👾

Beats / Mixing / Mastering 📩[email protected]

[👾 @three2digit]

Dear rappers, you're free to release songs using unpaid beats, but what's the actual point? Doesn't matter if I catch it in a week or a year — once I file the claim, it's off streaming in 48 hours.

Sent 7 strikes today. Sitting back waiting for the DMs to roll in lol

[👾 @three2digit]

“This one's definitely going on the tape.”

I've heard that enough times to know the tape's never coming out.

[👾 @three2digit]

A good beat won’t save a bad song.

But a bad beat can absolutely ruin a great one.

[👾 @three2digit]

Reaching out to an artist means I trust you not to ruin the beat.

“You hit me up first” was never a discount code.

At what point did producers become a charity?

[👾 @three2digit]

Making the beat: fun.
Selling the license: fun.
Setting aside 30% of that check for taxes you forgot existed: not fun.

[👾 @three2digit]

if you produce your own stuff - this ain't about you then, go off

[👾 @three2digit]

The first thing anyone hears when they press play is the beat.

Not the bars. Not the message. The beat.

Act like it.

[👾 @three2digit]

Logic

[TOBIN @THROWEDTOBIN]

What’s the best DAW to start making beats on?

[👾 @three2digit]

A lot of producers are worried Suno is gonna take their jobs.

Seriously?

Half these rappers can’t even afford a damn $30 lease. Where are they getting money for a Suno subscription lol?

[👾 @three2digit]

Legend has it the artist who said “I got you on Friday bro” is still waiting for that check to hit🙃

[👾 @three2digit]

“I don’t pay for beats, I give royalties” is the greatest scam in the industry.
If your royalties are actually worth something, you have money for a lease. If they’re not, you’re just offering me 50% of zero.

[👾 @three2digit]

Artists won't pay for beats at first, and then get offended when their songs get pulled from streaming.

[devencruz @devenxcruz]

@euIVmusic Most “boom bap” producer I know can make a “modern trap” type beat, but not the other way around lmao

[👾 @three2digit]

production. mix. master. daily grind.

[👾 @three2digit]

I’m not that active on socials, but not because I have nothing to say.

Real life is just so dope and there’s so much cool stuff happening every day that I simply don’t have time to post lol

[👾 @three2digit]

Looking for Modern Boom Bap loops.
Vibe: Alchemist, Griselda, Evidence.
Only original compositions (no samples). Written from scratch.
Send to: [email protected]
Include:
•Audio tag
•Rates for exclusives
•BeatStars link
Splits: 50/50. BeatStars is a must!
Let's work!

[👾 @three2digit]

Crate digging💾

[👾 @three2digit]

Vinyl vibes💾

[Fdrlmdmx @OlumideFdrl_Esc]

Dear artistes, you'll continue to have problems with producers as long as you keep viewing your music as "my song" instead of "our song". You are the face, that's enough leverage to build on and earn than the producer who you said "just sat", this is where contracts comes in.

If you want it to become "my song" you have to buy out the producer's "my beat" perception hence you pay for a buy out license, you can even buy out his tag, ghost production even dey gam, you can buy out his credits if he let you, all of these boils down to negotiation(contracts). No, producers ain't cheating you automatically by earning royalties, 50% of what people hear alongside your vocals is their creation, don't cheat rob them of being ok in life.

[DJ Pain 1 @djpain1]

Key Glock said he picks beats that other rappers reject.

His beats have become part of his overall musical brand. This point gets missed by a lot of rappers who are looking for beats that sound like ‘hits.’ Your unique sound is part of your brand, & beat selection is a big part