TRAYLORCAT

[TRAYLORCAT @TRAYLORCAT1]

@MilesParkerBets USA

[TRAYLORCAT @TRAYLORCAT1]

@LAYS #LaysFWC26

[TRAYLORCAT @TRAYLORCAT1]

@goldstarchili @TheSavBananas @KochSports 🍌

[Kentucky High School Sports History @KYHSHistory]

Listen no politics but if you want to know what the libruls took from you, check out the Long Johns menu from the 1970s. We didn’t know we were kings.

[NotKennyRogers @NotKennyRogers]

I knew it.

[Super 70s Sports @Super70sSports]

Kids today fart around on their phones on road trips. We had these.

[Hair Metal Messiah @HairMtlMessiah]

Thoughts?

[Batfox Pictures @Batfox_Pictures]

Exploding with punk energy, distorted bass and one of the most recognisable riffs of the 1990s, "Sabotage" marked a dramatic shift in sound for the Beastie Boys. Performing it on Late Show with David Letterman in 1994, the trio delivered a ferocious live version of the standout track from Ill Communication.

[TRAYLORCAT @TRAYLORCAT1]

@Batfox_Pictures Axl was a force. Love the energy.

[Batfox Pictures @Batfox_Pictures]

Unlike most Guns N' Roses songs, "Dead Horse" opens with Axl Rose alone on acoustic guitar before the full band crashes in. Performed in Argentina in 1993, the track came from Use Your Illusion I and reflected a more personal, reflective side of the band's songwriting.

[SurfSkateThrash @SurfThrash]

Dinosaur Jr.
Feel the Pain
Without a Sound (1994)
Director: Spike Jonze

[𝐒𝐨𝐥𝐞𝐝𝐚𝐝 𝐆𝐨𝐭𝐡𝐢𝐜. @GoticSoledad]

Este temazo "TRUST" del disco "Cryptic Writings" fue realmente un acierto en ese momento de lanzarlo como sencillo principal del disco. Esa batería y esos riffs en esa intro formidable, que gozada es oir, ver a Marty Friedman tocar con esa pasión, que alineación!
MEGADETH👉🏻🔥👈🏻

[Super 70s Sports @Super70sSports]

Somebody told me Cannonball Run II is better than Cannonball Run. I’m not here to debate the matter, just to point out anyone who has a strong opinion on the relative merits of these films is a friend of mine.

[TRAYLORCAT @TRAYLORCAT1]

@Batfox_Pictures Love seeing footage of Nirvana with Jason Everman (also briefly in Soundgarden). Fascinating story.

[SPIN @SPIN]

Still concerned with the sweetness after all these years. This rocks 🔥 @jimmyeatworld

(📹 via @vanswarpedtour)

[Batfox Pictures @Batfox_Pictures]

Fueled by frustration and packed with some of Dave Grohl's most aggressive vocals, "Wind Up" stood out as one of the heavier moments on The Colour and the Shape. Performed in London in 1997, the song captured Foo Fighters as they evolved from a studio project into a fully fledged band.

[Alice in Chains @AiCLayneStaley]

“[AiC] played on the ‘Clash of the Titans’ and on the first couple of dates we’d be backstage going, ‘who is that with that fucking voice?’

And we started going out to watch the entire set every night. It was just one of those moments.”

Kerry King
Slayer

📷 David Tan
June ‘91

[Roy Rogers Happy Trails Music Shop  @RoyRogers_HTMS]

Queensrÿche — “Jet City Woman” live in Oakland, October 12, 1991 🔥
This is peak-era Queensrÿche — right in the middle of the massive Empire tour. Geoff Tate’s powerful voice, Chris DeGarmo and Michael Wilton trading those razor-sharp riffs, and the whole band sounding tight as hell.
“Jet City Woman” has always been one of their most fun, driving tracks — a straight-up celebration of Seattle (Jet City) with that perfect mix of hard rock energy and melodic hooks. Hearing it live like this, with the crowd going wild, just hits different.
This show captured the band at their commercial and creative height. Progressive metal done right.
Who else was a big Queensrÿche fan back in the day? Drop your favorite song from the Empire era 👇
#Queensryche

[The Extreme Music Enthusiast @TheExtremeMusi1]

MGMT covered Talking Heads' "This Must Be the Place" on their college campus in 2003.

[Guitar Gods Unleashed @gguworld]

Wake Up to Guitar Greatness

Today’s Pick: Chris DeGarmo – "Take Hold of the Flame" (Live, ‘91)

Rise, Queensrÿche faithful! DeGarmo's melodic leads cut clean and precise as a surgeon.