たかもとみつき

たまにタルモゴイフになる。

[たかもとみつき @T_M_bass]

井の頭公園。いつもの適当な写し方。

何時行っても人が居て、流石。

Nikon Zf +Z 50mm f/1.2

[♜⃤ un8e 언비 @un8ehold]

@289065368585sio 아무래도 근본부터 엔드필드는 액션이 아닌 "전략"을 장르적으로 표명하고 있으니, 같은 3D 게임이라고 해도 비교하는 게 억지라고 생각해요.

[たかもとみつき @T_M_bass]

富裕層と断じているのがあまりに阿呆

クリエイターが魔法を使って生み出しているかの如く発言しているが、その魔法とは多くの人々から搾り取られた血と汗の結晶なんだよ

そもそもデータばかり盗む時点でお里が知れてんだ

[Del @TheCartelDel]

Hello Japanese Twitter. I want to explain why Western consumers are often willing to push the boundaries of copyright, even when it's controversial:

Historically, in the West, challenging copyright restrictions has SOMETIMES led to better outcomes for everyone, including the copyright holders themselves.

Take "fair use".

In the US, copyright law allows people to use pieces of copyrighted material for criticism, reviews, education, research, and parody, depending on the circumstances. It's why anyone can make YouTube essays using gameplay footage, review movies using clips, parody existing works, or study copyrighted material.

These freedoms developed over decades of folks challenging copyright restrictions in court. People pushed boundaries, courts established new rules, and consumers benefited. Hooray!

Something similar happened with the "right-to-repair" movement. Manufacturers have used copyright restrictions, software locks, and other barriers to stop people from repairing products they own. Consumers challenged those restrictions, by repairing them anyway, then being sent to court, which helped bring about laws that expanded our repair rights.

Basically we said: "This law sucks. If I buy this shit, I should have basic rights over how I use and repair it."

Now consider Piracy. I don't condone piracy, but I recognise that it has sometimes exposed problems with how entertainment is sold.

Music piracy EXPLODED when people wanted digital music. Then iTunes was created in response, and helped prove that millions of those same pirates were happy to pay for a convenient, affordable service that didn't exist. Movies and TV experienced similar problems, so streaming services were made which helped massively reduce Piracy. PC gaming saw something similar with Steam.

But my favourite example is Crunchyroll!

Crunchyroll started as a website hosting Pirate anime. Western audiences wanted to watch Japanese shows that often weren't legally available in their countries. Eventually, it becamse so big Japan made a deal with Crunchyroll to become a legitimate streaming business. The site now licenses anime directly from Japanese companies.

Today, it has millions of paying subscribers and generates MASSIVE revenue for the Japanese anime industry.

An audience that once watched anime without permission became a massive international customer base willing to pay Japanese companies. Imagine if that demand had simply been dismissed as criminal behaviour, without anyone recognising the business opportunity??

This is the pattern I'm trying to explain.

We see that when consumers push against restrictions, they sometimes expose problems with the existing business model. Companies respond with better services, laws change, and both consumers and creators can benefit.

None of this means piracy is justified or that creators shouldn't be paid. Only that challenging a restriction can SOMETIMES reveal that the damn restriction itself is preventing a better solution, and pressing on that restriction can create to fix.

I think this helps explain a cultural difference between some Western and Japanese attitudes towards copyright. Western consumers often see copyright disputes as ordinary folks fighting against wealthy corporations controlling access to entertainment. Japanese audiences seem to place greater emphasis on respecting the people and companies who created that entertainment.

Of course, neither perspective represents everyone. And I respect both views.

But where one person sees disrespect towards an artist's work, another sees consumers challenging a corporation's control over something they love. And because Western history contains examples of those challenges producing positive results, some Western consumers are more comfortable pushing those boundaries.

(Hope you can see how these points are relevant to old videogames like Tekken 6 that have no modern re-release/re-print)

ALSO I accept that sometimes piracy means consumers don't want to pay. They are just thieves. But other times, it means consumers were never given the opportunity to pay, and the solution will arise from pushing boundaries.

Please understand I'm not defending piracy. Just explaining why some Western consumers are willing to challenge copyright restrictions and not hate it so much.

We see things differently because history has shown us that sometimes, when people push back, everyone can end up way way way better off.

Sorry this was so long.

[モル @Morpho95]

OC🕊️

[なるほよ。 @naruhoyo23975]

後輩が大好きな先輩

[茅ヶ崎ゆかり @chigasaki_y]

らくがき天津風

[紅魚群 @akagyogun0]

ちゃんと制服で来てくれたね

[【透明9/8,9/19】𝐀𝐃𝐀𝐏𝐓𝐑𝐈𝐁𝐄 @makala_1025]

【死ぬまでに聴きたい曲】
山口一郎が作曲したアダルトゲームの音楽

[たかもとみつき @T_M_bass]

ストラト欲しいから当たってほしい
【3問正解】全問正解！American Professionalマスター認定！スペシャルプレゼントが当たるチャンスをゲット！ https://t.co/QDiqIowc00 #アメプロクイズ

[小檜山青 Sei Kobiyama @Sei_Kobeee]

でも中国人が日本で料理を褒めてくれるのってなんかこう、うれしくならない？あの美食の国の民が褒めてくれるなんて光栄じゃない？と思うんだけどなぁ

[がらにゃ（がらななひと）＠しゃべるよ @guarana8240]

イーロンのおかげでわかったこと

日中韓のやりとりは差別じゃなくて嫌悪であって差別意識の本場は格が違うってこと

[たかもとみつき @T_M_bass]

やっぱり乱で認識力底上げかなぁ
譜面総ざらいでゴリ押しでもいいけど

[じゃぎ @nekosenmu_naoki]

土岐綾乃2087日目

[たかもとみつき @T_M_bass]

DP 桂馬押し　練習方法　ワザップ

[ギタリン @Presto_guitarin]

エレキギターの音は材質で変わるか？
結論は「変わる」です。

図のように元々の弦振動をギター側で吸収してしまいます。

分かりやすいのはデッドポイントです。
これは特定の周波数を吸収し過ぎたことでサスティンが短くなった現象です。

失われた音はピックアップやアンプ側では元に戻せません。

[ナギサ✨ @nakatokungv3]

ケイちゃんは可愛いですね

[めるきお @melciort]

会長好きすぎる… rkgk
#生徒会にも穴はある #アニメ生穴る

[たかもとみつき @T_M_bass]

毎日落とすほどメモリリークが起きる貧弱なモン使ってるやつがガチゲーマー...？

[ソルトマン @saltmanllllllll]

ガチのPCゲーマーは毎日シャットダウンしてる。PCはスリープで運用し続けているとメモリリークが起きたりエラーやバグが蓄積していって動作が重くなっていくので使い終わったらシャットダウンするのが基本

あと、高速スタートアップはオフにしてシャットダウンは基本中の基本だよね