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This isn't about pushing a crew aside.
It's about whether an AI-assisted workflow can give that crew more information sooner.
Put the extra options in the hands of the people who have to shoot the scene.
He talks about camera language, not just 'make it cinematic.' That's interesting.
A Cooke lens is a specific request.
“Make it feel like a movie” is an assignment with no brief.
The production pipeline includes more than a finished frame.
Erwin’s point about rights and actor agency is part of why the question of who owns the footage matters.
I'd watch the clearance breakdown with the same interest as the shot breakdown.
A question for directors: would you rather see ten quick visual options early, or one polished treatment later?
The context matters.
Ten quick options aren't much use if all ten make the same creative choice.
I was exploring an ancient jungle temple during my livestream… when a HUGE dinosaur suddenly appeared behind me! 😱🦖
This adventure just turned into a nightmare. I'M OUT OF HERE! 🏃♀️💨
#PixVerseTrend#EscapeCam@PixVerse