@Riley_Aster@NotScrimRules I mean I’d probably say like $15 and it could take less than an hour. If they wanted super fucking cool custom ones I’d charge more. It’s not a lot of work it’s pretty simple to do and especially when it’s like 90% fucking text and all stats.
@dement427@PaulTassi 40-50% to theatres, since it was bought by focus features for $15 million for distribution rights they will roughly get 30-35% and the remaining is mainly producers. We don’t know if any of the talents of crews have backend deals because small films usually go negative.
@pastelETH@KubricklynchYT It sucks, but I mean they signed up for it. You use the success of the film to get bigger projects. When you make a film that highly regarded you use it as an insane portfolio piece. And none of them knew it would make that amount of money, they made it to make it.
@pastelETH@KubricklynchYT theatres roughly get 40-50% of box office, Production company will also get a majority. It’s not like the entire crew is making that money/profit, everything goes to production companies and theatres, mainly. They don’t necessarily care or want to give crew members more money.
@MrayArts I’m slacking a lot but my short film I’m currently working on is gonna roughly be 10 mins and I’m trying to squeeze it into 4 months 😭. It takes so much time, I’ll probably be on the end of 6 months. I’m halfway there though.
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@ONEBIGWERM I’m the same. It’s also kinda bummer that they canceled s3 of Gen V otherwise they would’ve def had a bigger part. She was honestly just there.
@AxelTalksFilm While yes most of the film is shot in doors so light is easier to control. So much of the lighting is obviously still being manipulated, to what they envisioned. They used so much techniques to make the lighting perfect in every scene.