m.eth

Lazy. Impatient. Hubristic.

[m.eth @ThatQuiet1]

JavaScript slowly becoming the "language for everything" is the exact punishment this cruel world deserves.

[المنوفي الأخير!🪙🔻 @Last_Meunif]

أي خبر عن مفاعل الضبعة، بأفتكر الفيديو ده،

والغريب انه بيبقى متماشي من سياق الخبر!!

[NoLimit @NoLimitGains]

Argentina's Peso is officially worthless.

[Ali @TheH0nered0ne1]

تاريخي يا دود والله

[m.eth @ThatQuiet1]

@TVietor08 VAR wouldn't take it way, it wasn't a goal against Argentina.

[m.eth @ThatQuiet1]

فكرة جميلة جدا بس مش قادر اتخطى فكرة ان ال legibility بتاعتها تقريبا مش موجودة.

[شيء لله يا فرحة @Rababoush]

ايه الجمال ده! ❤️

[Ahmedõv 🇪🇬 @a5medv]

أحد لاعبي المنتخب الأرجنتيني ينظر بغضب لـ حارس المنتخب المصري مصطفى شوبير بعد تألقه في شوط المباراة الأول

[ettingermentum @ettingermentum]

This brings me back to when they kept trying to dig up shit on Zohran

[Archaeo - Histories @archeohistories]

Portrait of an unidentified man that was placed over the face and upper torso of his mummy. Dated to 150–170 AD, it is painted in encaustic on a panel of linden wood, and it was originated in Roman Egypt.

This remarkable portrait belongs to a group of artworks known as the Fayum mummy portraits, a tradition that flourished in Roman Egypt between the 1st and 3rd centuries AD. Unlike the stylized depictions of faces seen in earlier Egyptian funerary art, these portraits were painted in a strikingly naturalistic style, giving us lifelike glimpses of people who lived nearly 2,000 years ago.

Painted in encaustic, a technique using hot wax mixed with pigment, the colors remain vivid even after centuries. The medium gave artists the ability to capture depth, texture, and warmth, preserving the humanity of their subjects with astonishing realism. In this particular piece, the curly hair, sharp eyebrows, and direct gaze make the man seem almost alive, as though he could step out of history and into the present.

The portrait was originally placed over the face and chest of the deceased’s mummified body, merging Egyptian burial practices with Roman artistic sensibilities. These works represent more than individual likenesses—they reflect the cultural blending of Greek, Roman, and Egyptian traditions in a society at the crossroads of the ancient Mediterranean world.

What makes the Fayum portraits so moving is the intimacy they provide. Unlike statues of emperors or gods, these images show ordinary people: merchants, soldiers, mothers, and children. Each one is a reminder that behind the ruins and relics of antiquity were lives full of stories, emotions, and identities. This man’s name may be lost to time, but his face survives as one of history’s most hauntingly personal echoes.

#archaeohistories

[All About Berlin @aboutberlin]

The beatings will continue until morale improves

[Vivian @suchnerve]

Autistic men getting accused of mansplaining for sincere infodumping is an example of ableism masquerading as feminism.

[luffy @0xluffy]

fable 5 reading the code written by opus 4.8 after going afk for 19 days

[Abdelrahman El-Adawy 🇵🇸 @_Adawy_]

تلخيص بليغ للغاية لو تعلمون
ومحدش حيفهمه فعلا غير اللي سافر

[المصدر المُطَّلِع @N0R_SM]

اذكى ميم شوفته النهاردة 😂

[Mohamed Sayed @mohamedmsayed]

إنسان جميل.

[WANA Visuals @wana_visualss]

🇮🇷🇪🇬 An Iranian father uses a handmade cardboard football pitch to help his visually impaired son experience the Iran–Egypt match through touch.

[nonexistent @doiibelong]

مفيش حاجة اسمها مش عارف اكون فيت
بدل ما تاكل فاست فود كل في مطاعم fine dining
بدل ما تطلع بالاسانسير اطلع عالسلم
بدل ما تخلي الطباخ يجيبلك الفطار لحد السرير اعمل فطار واجري فالكومباوند
بدل ما تاكل سندوتش مكرونة ولا رز كل سالمون وجاسمين رايس
الحلول متاحة انت اللي بتختار راحتك