The best action sequences reveal character rather than replacing it. One Last Kill uses both fights to show us the one thing Frank can't walk away from โ even when he has nothing left.
What other action films use fights to tell you who someone is? ๐บ 3/3
Frank Castle spends the entire film listless, purposeless, hollow.
Then someone threatens a child. And he's back.
That one trigger โ always a child in danger โ is the most Frank Castle thing in One Last Kill. ๐บ
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It happens twice. First: the neighbour and her young son in the apartment building. Second: Andre being beaten down in his bodega while his daughter screams for help. Both times Frank goes from empty to fully operational in an instant. 2/3
Which origin do you prefer for Frank Castle โ the mob conflict or the Billy Russo/Jigsaw betrayal? And does it matter which version a new Punisher story uses? ๐บ 3/3
Jon Bernthal didn't just play Frank Castle in One Last Kill.
He co-wrote the script alongside director Reinaldo Marcus Green.
That's why this short film understands the character better than most full-length Punisher productions. ๐บ
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The case for that choice: Frank's story is more elemental when the mob did it. The Billy Russo arc added personal betrayal on top of the grief. Stripping it back to the original gives the identity crisis at the core of One Last Kill more room to breathe. 2/3
What other superhero story has genuinely grappled with identity loss after the mission ends โ not just grief or trauma during it, but the emptiness after? This is rare territory and One Last Kill earns it. 3/3
โ ๏ธ CW: mental health themes.
The Punisher: One Last Kill looks like a revenge story. It isn't.
It's about what Frank Castle becomes when the revenge is done and there's nothing left to justify the war.
Patreon exclusive review. ๐
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Bernthal's Frank has been the best screen version since Daredevil S2. No disrespect to Thomas Jane or the late Ray Stevenson โ both did real work with the role. But what Bernthal does with the silence and the weight of this material is something else entirely. 2/3
One Last Kill draws from Ennis, Dillon, and Palmiotti's "Welcome Back, Frank" (2000) โ considered one of the defining runs for Frank Castle. The review tries to engage with the psychological weight of that material honestly. 1/1
โ ๏ธ CW: mental health / self-harm ideation.
My Punisher: One Last Kill Patreon review opens with a personal disclosure. I wanted to flag it clearly so you can decide whether to engage.
Full review for King's Square Patreon members. ๐
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Full exclusive review โ https://t.co/lb3UoO7CGy ๐
If you're struggling: Crisis Text Line โ text HOME to 741741 ยท 988 Lifeline โ call or text 988.
If you've played or run an Exec in Cyberpunk Red โ what's the most interesting way the corporate loyalty mechanic has created conflict at your table? ๐ฒ 3/3
The Media deep dive is done. The Exec is next.
How to Run Cyberpunk Red โ Exec Role Deep Dive script is live now for Patreon subscribers. ๐ฒ๐
The most politically dangerous role in Night City.
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The tension built into the Exec role: everything they have comes from the corporation. And corporations in Night City don't keep assets around when those assets become liabilities. The Exec is always one bad quarter away from being the target. 2/3