Before their crew storyboard pitches, many of the board artists would draw their own mock title cards for their shorts. While some were occasionally used as inspiration, all of the final title cards were designed and painted by M. Wartella (@WartellaVision).
Some rough board panels of mine from "Buzzard School". I was thankful that this cartoon, save for a few special shots, took place in a seemingly endless empty desert, so the horizon line was all that was necessary for the roughs #LooneyTunesCartoons
My first pass on a storyboard, or the beat board, are usually the roughest, scribbliest, stick-figure-iest drawings imaginable, just to get the point across to the directors. Then I like to go back in and tie them down (usually excessively) after notes and reviews.
Warner Tower Music released tracks from Looney Tunes Cartoons, composed by Joshua Moshier and Carl Johnson
YouTube: https://t.co/TuotyUemQU
Spotify: https://t.co/fRuvatCWKv
Shot comparisons from "Fleece and Desist". Rough storyboard panel by Michael Ruocco (@AGuyWhoDraws), character layout drawing by Dan Haskett and the final image, animated by the folks at @YowzaAnimation. #looneytunescartoons
Planning and boarding the dance scene between Porky n Daffy in “Wet Cement” was a lot of fun, and the amazing animators up at Yowza took my rough scribbles and plussed it to make it the best it could possibly be.
T.V. animation is a miracle sometimes, there’s never enough time. I couldn’t be prouder of what we all continue to pulled off each day. Here’s a breakdown of some plussing I did. Was grateful to get to animate a little something on this episode. #looneytunescartoons#harmony