My second album landed on streaming today! It’s basically a game soundtrack without the game. It’s on all the streaming services. Check it out! #gameaudio
https://t.co/PiImFYzuSC
Here’s a quick peek at the boss music for Owlet’s Embrace. I’ve decided to only use soundfonts that I make! Makes
for extra work, but it’s totally worth it! #owletsembrace#playdate#IndieDevs
Super excited to announce that I’ll be composing the soundtrack for the game Owlet’s Embrace, releasing on the Playdate! It’s been an absolute pleasure working with @thestrupf. #owletsembrace#gamedev
Check out my new #zelda#8bit remix. Proving Grounds are a great addition to the game and the music is awesome! #ZeldaTearsOfTheKingdom#gaming
Hear the full version on YouTube:
https://t.co/oHvWmwhuXG
Playing recent games and noticing (again) that music design (interactive music) is still very basic.
It’s been decades like that.
I don’t care if most don’t care, I won’t stop pushing for the games I’m working on. I can only encourage anybody that is pushing as well, merci!
Join us THIS WEEK at Game Audio Boston as we speak with @oscar_coen , principal sound designer at Respawn Entertainment to chat about sound design!
This Wednesday, 7:30pm EST at our Discord!
RSVP:
https://t.co/MI6bfvA43O
I CAN FINALLY SAY IT!
Airwiggles Online Audio Conference #AirCon23
- from the 5th-16th of June
- live on https://t.co/X9tbweqqPL
- completely FREE and open to all
- 50+ Talks, AMAs, Panels & Interviews
Hosted by @lewisthompsound and yours truly
Thank you to everyone involved <3
READ: Boston Conservatory at Berklee has named Mischa Salkind-Pearl as the chair of composition, contemporary music, and core studies. https://t.co/Vb9HvDNqmi