Hay actores que fingen llorar en pantalla. Y luego está Emma D’Arcy, cuya entrega es tan absoluta que hasta un moco involuntario termina por convencernos de que no estamos viendo una interpretación, sino una emoción real. Denle el Emmy de una vez.
"We must, then, avoid the 'Babel syndrome,' namely the idolatry of profit that sacrifices the weak, a uniformity that neutralizes differences, and the pretense that a single language — even a digital one — can translate everything, including the mystery of the person, into data and performance."
Pop Autopsy praises Lady Gaga’s MAYHEM Requiem in new review:
“Gaga performed every track from MAYHEM (excluding the deluxe edition songs), with each reimagined and reshaped so distinctly that they felt like entirely new compositions. It was as though Gaga and her collaborators returned to the studio, stripped back the original vocal layers, harmonies, and instrumentals, and reconstructed them entirely – blending new synths and effects to breathe fresh life into every track. The result was unlike anything she has produced across her entire career, and it is precisely why we are awarding this show a well-deserved 5/5.”
Lady Gaga released these two live concerts within five months of each other. How anyone can watch this video and still say that Lady Gaga is stuck in 2011 is insane to me.
There’s a reason why this woman’s versatility is always mentioned whenever her name is spoken
People surprised by this as if being over the top and dramatic isn’t her literal brand , Only she can be weird and get away with it because she has the talent to back it up
A music video for ‘THIQUE’ by Beyoncé was filmed but presumptively scrapped, Barbie Ferreira reveals.
The video featured Ferreira herself, Megan Thee Stallion, Carmen Electra, Shygirl and more.
(https://t.co/ies5Lxuoxv)