Zero Frames per Second

The stranger.
Making life cinematic.
Small human moments.

[Zero Frames per Second @TheSteveZer0]

@ultraorb93 if this is Teo's brother that survived, would be great for him to be an antihero that destroys kaiju with no hesitation, opposite of teo.

[aisa @aisatsaa]

echoes of a full house

[Zero Frames per Second @TheSteveZer0]

@SuperSagaNews @nickbeest9 The color makes it look 3D printed somehow. Vibrant green and purple plastic.

[Zero Frames per Second @TheSteveZer0]

You too can become a Heehee

[Deku @Izuuku_Midoriya]

Why it look like Michael is passing down One for All

[Anish Moonka @anishmoonka]

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild.

Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real.

The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later.

Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him.

Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman.

Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact.

95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

[Zero Frames per Second @TheSteveZer0]

FX30 Vs The shots

[Out of Galaxy @OutofGalaxyy]

what’s your best purchase of 2025?

mine: iPhone 17 👅

[DonnieTheGuy @DonnieTheGuy]

THERE'S AN ALTERNATE VERSION OF LAST CHRISTMAS HELLO??????

[Zero Frames per Second @TheSteveZer0]

why do I think Danny Pudi would be a good Papyrus

[Zero Frames per Second @TheSteveZer0]

felt vibrations from the recoil

[Aladoof 💿 @Aladoofus]

Why that part ⁉️

[Zero Frames per Second @TheSteveZer0]

growth's lookin better

[Elliboon @elliboono]

That one game that changed my life <3
#undertale10thanniversary #undertale

[tului ^-^ @geneslovee]

[rsm] 100% disagree

[Tom🕷 BND era @TomAndrewTobey]

Yeah I will say it again... THE BEST LIVE-ACTION SUPERHERO SUIT OF ALL TIME.

[wonder. @godsandmortaIs]

clumsy reporter https://t.co/o03OvrGeoY

[{✦} BIG RAD DEMON DAD {✦} @_VioMarks_]

took me long enough to get this done lmao

[Zero Frames per Second @TheSteveZer0]

me after making her cum 30 times

[Commissions are NOW CLOSED @redandblacktac]

"This is 1 month old Franklin we're dealing with"

[The Cats 𝕏 @TheCatsX]

"do you have games in your laptop?" 🥹

[Zero Frames per Second @TheSteveZer0]

Henry Cavill as Batman works for me.

• Henry originally auditioned for Batman.
• His superman would've worked if the writing was better.
• Clark and Bruce actually looks similar to each other in the comics.
• James Gunn wants an older Batman.
• Snyder monkeys would shut up.