Founder of OnWired - love #bitcoin - Not Left - Not Right - Somewhere in the middle. Contrarian opinions and thoughts on the world at large. Aka @tonychester
Aaron Rodgers: “Every conspiracy that we were getting ridiculed for, it’s all been proven true.”
“Politics is a total sham.”
“The government’s a uniparty.”
“They don’t give a fuck about regular people.”
“If voting actually mattered, they wouldn’t let you do it.”
“Trump gets into office running on all these policies.”
“He’s going to go after the swamp.”
“And go into Fort Knox.”
“And cut the vaccine stuff.”
“And not go into foreign wars.”
“And end the Ukraine stuff.”
“And transparency in the Epstein files.”
“And what’s actually happened?”
“Absolutely nothing.”
“This is a pro-Israel first administration.”
“And when you dig into it, that’s the uniparty.”
“How many members of Congress are sponsored by AIPAC?”
“There’s no MAGA movement.”
“The guy you elected hasn’t done any of his campaign promises.”
“Politics is a crazy psyop.”
@AaronRodgers12@CamHeyward@NotJustFootball
Absolute Hero 🏆
Aaron Rodgers: “Covid was a multi-trillion dollar worldwide Psyop meant to see how much they can control us. That’s why people dislike me…because I don’t give a shit. I’m going to tell the truth”
She Isn’t Walking Backward. She’s Making the Floor Look Like It’s Moving.
That’s the strange thing about a really good moonwalk. You know exactly what you’re looking at, yet your eyes still have trouble explaining it. Her feet are doing the work, but her upper body barely gives anything away. No strained face. No big signal that the trick has started. She just begins to glide, and the space beneath her seems to change its rules.
A moonwalk can look impressive without being mysterious. You can see the steps, name the move, and leave it at that. This one doesn’t give you that much evidence. The mechanics thin out. Your attention stops tracking each foot and starts following the illusion as a whole.
There is a difference between moving backward and creating the feeling of sliding. The first is a physical action. The second is a vanishing act. One foot holds the body still. The other seems to lose its argument with friction. The tiny gap where your brain expects to see the weight shift is where the whole thing lives. The cleaner the control, the less proof you get.
Then you notice the golden Crocs.
They shouldn’t help. They look too thick, too casual, too much like something worn to a campsite rather than a stage. For a second they threaten to break the spell. They don’t. If anything, they make the smoothness harder to dismiss. You glance down expecting the illusion to snag. It keeps going.
She isn’t dressed to recreate a famous stage. There is no attempt to turn the moment into a museum piece. The platform is improvised, the setting ordinary, the shoes stubbornly themselves. She takes one of pop culture’s most recognizable illusions and lets it live in her own world.
That may be why the clip holds. Great dancing doesn’t always announce how difficult it is. Sometimes it does the opposite. It removes so much visible effort that you’re left with the only question worth asking:
How did she just do that?
The Crocs are funny at first. After that, you stop looking at the shoes. You start watching the floor.
Constance Fisher drowned her three children in a bathtub in 1954.
Mental hospital. Declared better. Released.
Husband stayed. They had three more kids.
She drowned those three too.
Same house. Same bathtub. Same excuse. Six dead children because a system treated a child killer like a patient who just needed time.
That is the whole argument. Not “was she sad.” Not “did she hear voices.” What happens after you let them out, and who pays for it the second time.
Lindsay Clancy strangled her three kids. People are already writing her a sympathy card and calling prison cruel. Cruel is three little bodies. Cruel is doing it once and getting a path back to freedom. Cruel is pretending history didn’t already run this experiment and lose six kids.
Mental illness can explain how someone gets there. It does not give you a free murder. It does not entitle you to more children. And it does not require the rest of us to wait around and see if the next round dies too.
If you kill your kids, you don’t get to be a mother again. You don’t get a soft landing and a second family. Life without parole. Lock the door. Stop experimenting on other people’s children and making excuses.
Convict her. Convict those who harm children. Period.