Sicilian-born designer Fulco di Verdura (1898–1978) had a gift for transforming familiar objects into extraordinary works of art.
Photo from: "Verdura: The Life And Work Of A Master Jeweler" 2002 by Patricia Corbett
Recently sold by a Vintage Fashion Guild member.
Spectacular 1970s Josefa dress with dramatic fringe sleeves and vivid striped cotton.
Look for Vintage Dress Closet's shops: https://t.co/sKeULIZ4SC
https://t.co/VZBVSizWOS
This Duvelleroy fan, made around 1910, transforms silk, sequins, and dyed mother-of-pearl into a study in shimmer.
In the world of luxury fans, Duvelleroy occupied a position comparable to that of the great Paris couture houses.
Metropolitan Museum of Art
1930 evening gown belonged to Olive Allen, who traveled between Sydney, London, Paris, and Switzerland. The gown gathers at a single jeweled point and cascades into a sweep of pink silk.
Powerhouse Collection
First Lady Jacqueline Kennedy attended a luncheon with President and Madame de Gaulle at the Elysee Palace in Paris #OnThisDay in 1961. She wore a natural coloured straw hat, designed by Halston, with a yellow Oleg Cassini suit. @JFKLibraryFdn collection. #fashionhistory
Sheer Genius: Chiffon | The VFG Fashion Parade for the week of May 25, 2026
From scarves and lingerie to blouses and eveningwear, chiffon—and its sheer cousins—remind us that sometimes the lightest touch makes the strongest impression...
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Queen Maud's 1913–14 evening gown layers silk satin, metallic threads, lace, embroidery, beads, and a dramatic tassel into one shimmering composition.
National Museum of Norway
Explore fashions of the 1910s in the VFG's Fashion Timeline https://t.co/doPg866RwQ
Offered by Vintage Fashion Guild Member Once Upon an Era in her etsy shop. 1930s 40s Art Silk Shirtwaist Day Dress, Vintage Dusky Peach Blue Floral Print Pleated Belted, A P.E.T. FROCK label. It can be found here: https://t.co/ulCiAfi7DV
A tall drink of black satin.
Travis Banton designed this bias-cut evening gown for Anna May Wong in 1934, concentrating embroidered peonies at the shoulders while letting the silhouette do the rest.
MFA Boston
@TheVFG Mugler and subtlety were clearly strangers. This '87 piece still feels futuristic; when you design galaxies instead of clothes, decades don't matter.
These shoes, associated with Empress Eugénie (c.1854–1870), reflect a now-unfamiliar approach to footwear.
The Bowes Museum
Read the VFG's concise history of women's footwear from the 19th century through the 1990s: https://t.co/fbbYmboYT2
Modern Botanicals
Designed around 1938, this dress reflects Elsa Schiaparelli’s ability to combine artistic surface with sharply modern construction.
The flowers feel spontaneous. The silhouette does not.
Victoria & Albert
Shop with the Vintage Fashion Guild members! 1950s white peignoir bridal set With lace bodice and sleeves by Amourelle Size M. Offered by VFG member Vintage Runway. View her many listings here: https://t.co/pM3SB5RP7a
1920s beaded cloche
The movement is the magic. As the wearer turned her head, the beaded fringe would shift and catch the light.
Fashion keeps having the same wonderful ideas: mystery, sparkle, movement, a little theatricality.
Kent State University Museum