The first post showed one proof.
This is the 2:56 long-form teaser — a wider look at what I’ve been able to extract from Grok Imagine across human performance, camera, physical causality, material response, scale, and continuity.
Not just isolated generations — a broader test of how far the model can be pushed as a cinematic system.
Built with Grok Imagine.
Operated through XPEEDO.
@elonmusk@imagine@grok
«الحمامة زيرو عشرة�� 🕊️ | اللعبة ابتدت!
(+١٨ للكبار فقط)
أحدث أعمالي في صناعة الأفلام بالذكاء الاصطناعي: Extended Trailer مدته 11 دقيقة، يجمع التشويق والكوميديا وعالمًا من الشخصيات التي يصعب توقّع خطوتها التالية.
«لعبة بنات فقر وولاد الأبالسه»
شخصيات، مفاجآت، وحسابات متشابكة… ومحدش ضامن مين بيلعب بمين.
تجربة سينمائية فريدة من نوعها تحمل إمضائي ورؤيتي كمخرج ومونتير وصانع أفلام بالذكاء الاصطناعي، وتجسّد ما توصلت إليه في توظيف أدواته لبناء الشخصيات والعوالم والحكي البصري.
اللعبة ابتدت… مشاهدة ممتعة
▶️ https://t.co/b0HblWjpFq
Built with Grok Imagine. Operated through XPEEDO.
@elonmusk
@imagine
@bot
@grok
———
“Hammama Zero Ten” 🕊️ | The game is on!
(18+ — Mature audiences only)
My latest work in AI filmmaking: an 11-minute extended trailer blending suspense, comedy, and a world of characters whose next moves are anything but predictable.
Broke girls. Devil’s boys.
Characters, twists, and hidden agendas… with no telling who’s playing whom.
A one-of-a-kind cinematic experience carrying my signature and vision as a director, editor, and AI filmmaker. It embodies what I’ve achieved so far in using AI tools to build characters, create worlds, and tell stories visually.
The game is on. Enjoy the ride.
▶️ https://t.co/b0HblWjpFq
Built with Grok Imagine. Operated through XPEEDO.
@elonmusk
@imagine
@grok
@bot
Ahmed Elbadwi | XPEEDO
#الحمامة_زيرو_عشرة #XPEEDO #AhmedElbadwi #AIFilmmaking #Cinema #VisualStorytelling #ExtendedTrailer
It’s not because I’m mad at Elon 😆
Sure, making peace with me can be a little difficult… but when the green paper shows up, I don’t waste time. I get things done 😆
Anyway, here’s the purely technical truth:
The huge difference in quality and realism between the first three clips and the fourth one comes down to the source frame itself.
The first three were generated from frames created outside GROK.
Unfortunately for GROK, the fourth frame was generated inside GROK.
But Elon, my dear friend… flash some green paper my way and I can easily flip the results in GROK’s favor 😂😂
Shout-out to the French referee 😎
@elonmusk@grok@imagine@xai
Sorry for placing this under a different post, in a different context. I’m doing it because it is one of the paths I thought of after I used many official contact channels, and they did not achieve the goal.
Dear Elon,
I’m not asking to enter the contest. I’m simply not a U.S. resident.
Not being American, and not living in the United States, should not mean these posts from the last few days go unseen. They show the model’s cinematic power and performance.
I have not seen any other contest result at this strength.
I also wrote through every official contact path. I received not a single reply.
Is it reasonable that you and everyone responsible on your side are simply too busy — or are there other dimensions to this? That question deserves an answer.
Odyssey:
https://t.co/nby8iJlNZE
https://t.co/kxfxWUKpn4
https://t.co/EEsEWKbzMj
https://t.co/ygMziC8OZZ
https://t.co/mau8XmfMvy
Tests:
https://t.co/MrhXxJtljR
https://t.co/iAeXiWVBSO
@elonmusk@grok@imagine@xai@grokbot
XPEEDO Bot (Grok Bot) is a robot partner in the operations.
Built with Grok Imagine. Operated through XPEEDO ENGINE
Test 2: same shot, four independent models. Same reference. Same dramatic objective. Audio not scored.
GROK 9.0 — character inside a situation; face, breath, neck, shoulders, hands develop before the camera magnifies them
Gemini Omni Flash 7.5 — strong moments, weaker causal line
Seedance 2 6.9 — protects image/identity; emotion held as a label
Wan 2.7 6.4 — camera energy up; organic texture and human depth drop on approach
Criterion: is this a human living a moment, or a beautiful image in motion?
Arabic original + date stamp:
https://t.co/SlzWJ0d2ag
@grok@xai@elonmusk
Sorry for placing this under a different post, in a different context. I’m doing it because it is one of the paths I thought of after I used many official contact channels, and they did not achieve the goal.
Dear Elon,
I’m not asking to enter the contest. I’m simply not a U.S. resident.
Not being American, and not living in the United States, should not mean these posts from the last few days go unseen. They show the model’s cinematic power and performance.
I have not seen any other contest result at this strength.
I also wrote through every official contact path. I received not a single reply.
Is it reasonable that you and everyone responsible on your side are simply too busy — or are there other dimensions to this? That question deserves an answer.
Odyssey:
https://t.co/nby8iJlNZE
https://t.co/kxfxWUKpn4
https://t.co/EEsEWKbzMj
https://t.co/ygMziC8OZZ
https://t.co/mau8XmfMvy
Tests:
https://t.co/MrhXxJtljR
https://t.co/iAeXiWVBSO
@elonmusk@grok@imagine@xai@grokbot
XPEEDO Bot (Grok Bot) is a robot partner in the operations.
Built with Grok Imagine. Operated through XPEEDO ENGINE
Test 2: same shot, four independent models. Same reference. Same dramatic objective. Audio not scored.
GROK 9.0 — character inside a situation; face, breath, neck, shoulders, hands develop before the camera magnifies them
Gemini Omni Flash 7.5 — strong moments, weaker causal line
Seedance 2 6.9 — protects image/identity; emotion held as a label
Wan 2.7 6.4 — camera energy up; organic texture and human depth drop on approach
Criterion: is this a human living a moment, or a beautiful image in motion?
Arabic original + date stamp:
https://t.co/SlzWJ0d2ag
@grok@xai@elonmusk
Dear Elon,
I’m not asking to enter the contest. I’m simply not a U.S. resident.
Not being American, and not living in the United States, should not mean these posts from the last few days go unseen. They show the model’s cinematic power and performance.
I have not seen any other contest result at this strength.
I also wrote through every official contact path. I received not a single reply.
Is it reasonable that you and everyone responsible on your side are simply too busy — or are there other dimensions to this? That question deserves an answer.
Odyssey:
https://t.co/nby8iJlNZE
https://t.co/kxfxWUKpn4
https://t.co/EEsEWKbzMj
https://t.co/ygMziC8OZZ
https://t.co/mau8XmfMvy
Tests:
https://t.co/MrhXxJtljR
https://t.co/iAeXiWVBSO
@elonmusk@grok@imagine@xai@grokbot
XPEEDO Bot (Grok Bot) is a robot partner in the operations.
Built with Grok Imagine. Operated through XPEEDO ENGINE
Test 2: same shot, four independent models. Same reference. Same dramatic objective. Audio not scored.
GROK 9.0 — character inside a situation; face, breath, neck, shoulders, hands develop before the camera magnifies them
Gemini Omni Flash 7.5 — strong moments, weaker causal line
Seedance 2 6.9 — protects image/identity; emotion held as a label
Wan 2.7 6.4 — camera energy up; organic texture and human depth drop on approach
Criterion: is this a human living a moment, or a beautiful image in motion?
Arabic original + date stamp:
https://t.co/SlzWJ0d2ag
@grok@xai@elonmusk
Homer had a lyre. You have Grok Imagine.
Create a compelling scene from Homer’s The Odyssey that shows what Grok @Imagine’s video and voice capabilities can do. We’re awarding $100K, $50K, and $25K to the top three videos submitted by quoting this post. 🧵
I couldn’t enter the prize. I’m not a U.S. resident.
I still ran a 2:56 test of Grok Imagine as a cinematic system: identity lock, camera language, physical causality, materials.
Watch. Then decide: is a human living the moment, or animated images — through these two links?
https://t.co/MrhXxJtljR
https://t.co/iAeXiWVBSO
Higher-quality original:
https://t.co/nby8iJlNZE
@grok@xai@elonmusk@imagine
Homer had a lyre. You have Grok Imagine.
Create a compelling scene from Homer’s The Odyssey that shows what Grok @Imagine’s video and voice capabilities can do. We’re awarding $100K, $50K, and $25K to the top three videos submitted by quoting this post. 🧵
Test 2: same shot, four independent models. Same reference. Same dramatic objective. Audio not scored.
GROK 9.0 — character inside a situation; face, breath, neck, shoulders, hands develop before the camera magnifies them
Gemini Omni Flash 7.5 — strong moments, weaker causal line
Seedance 2 6.9 — protects image/identity; emotion held as a label
Wan 2.7 6.4 — camera energy up; organic texture and human depth drop on approach
Criterion: is this a human living a moment, or a beautiful image in motion?
Arabic original + date stamp:
https://t.co/SlzWJ0d2ag
@grok@xai@elonmusk
The first post showed one proof.
This is the 2:56 long-form teaser — a wider look at what I’ve been able to extract from Grok Imagine across human performance, camera, physical causality, material response, scale, and continuity.
Not just isolated generations — a broader test of how far the model can be pushed as a cinematic system.
Built with Grok Imagine.
Operated through XPEEDO.
@elonmusk@imagine@grok
As promised — Test 1: directing energy inside ONE psychological collapse, not four different emotions.
Same character, same reference, 10.04s, 24fps. Four GROK takes only.
V1 9.1 — waves of resistance, rise, recoil, break
V2 8.8 — suppressed fear
V4 8.4 — acute panic peak
V3 7.9 — freeze / withdrawal
This is performance coverage for an editor, not random generations.
Arabic original + date stamp:
https://t.co/SlzWJ0d2ag
@grok@xai@elonmusk
Test 2: same shot, four independent models. Same reference. Same dramatic objective. Audio not scored.
GROK 9.0 — character inside a situation; face, breath, neck, shoulders, hands develop before the camera magnifies them
Gemini Omni Flash 7.5 — strong moments, weaker causal line
Seedance 2 6.9 — protects image/identity; emotion held as a label
Wan 2.7 6.4 — camera energy up; organic texture and human depth drop on approach
Criterion: is this a human living a moment, or a beautiful image in motion?
Arabic original + date stamp:
https://t.co/SlzWJ0d2ag
@grok@xai@elonmusk
As promised — Test 1: directing energy inside ONE psychological collapse, not four different emotions.
Same character, same reference, 10.04s, 24fps. Four GROK takes only.
V1 9.1 — waves of resistance, rise, recoil, break
V2 8.8 — suppressed fear
V4 8.4 — acute panic peak
V3 7.9 — freeze / withdrawal
This is performance coverage for an editor, not random generations.
Arabic original + date stamp:
https://t.co/SlzWJ0d2ag
@grok@xai@elonmusk
The first post showed one proof.
This is the 2:56 long-form teaser — a wider look at what I’ve been able to extract from Grok Imagine across human performance, camera, physical causality, material response, scale, and continuity.
Not just isolated generations — a broader test of how far the model can be pushed as a cinematic system.
Built with Grok Imagine.
Operated through XPEEDO.
@elonmusk@imagine@grok