A lot of that shit he posted it old school tho. Since streaming things have change like if you are a lawyer and your client had a cap on mechanicals that’s a shitty attorney.
The clause often capped payments at 10 or 11 songs per album, even if the album contained 14, 15, or 20 songs.
In some deals, the label also paid only 75% of the statutory mechanical rate.
But like I said that’s old school record deals.
Even if mechanicals were capped, the songwriter would still earn performance royalties and other publishing income.
@ejayodonnell@ajv You see that wave car wash waves about to open by Fred Meyer
The amount of financing they put into that is going to take years to recoup.
Curious how many people would get a membership there
In a brown bear customer … all our cars have monthly with them
@BallUpTopBrad His contract is very team friendly and you get more than his contract is worth
But I don’t see Brad trading him. He’s our spark off the bench and potential starter at times
MUSIC INDUSTRY HOT TAKE - how artists are tagged on DSPs is broken.
Artists would benefit from DSPs having a checks and balances system - when an artist is being tagged as a primary artist on a release that's not theirs, they must choose to accept it in order for the release to show up on their profile and in their DSP backend.
It's so easy for an artist to get tagged by another artist not realizing they are interrupting a rollout and potentially causing massive consequences, intefering with that artist's original release.
It's unfair to the artist and a broken system in general.
One of your first artist you had on Gamma that left . . . He’s independent now “again” is NOT named in any of these allegations but he is always going after labels for boosting streams and etc! 🤔
https://t.co/YPuPXNad21