2004 yapımı Reprimidos (Días de Campo / Taşrada Günler) adlı filmden sahneler
Şilili usta yönetmen Raúl Ruiz tarafından yönetilen, Şili taşrasının melankolik atmosferini, nostaljiyi, ölüm ile yaşam arasındaki geçişkenliği absürt ve şiirsel bir dille ele alan gerçeküstü bir sinema yapımıdır. Şilili yazar Federico Gana’nın öykülerinden esinlenen film, aslında çoktan ölmüş olan fakat öldüğünün farkına varmadan ya da bunu kabullenmeden geçmiş günlerin, eski dostlukların ve taşra hayatının muhasebesini yapmaya devam eden yaşlı yazar Don Federico’nun zihninde ve anılarında yaptığı sürrealist yolculuğu merkezine alır. Doğrusal olmayan karmaşık bir zaman çizelgesine sahip olan yapımda, karakterlerin bastırılmış duyguları (reprimidos), yerine getirilememiş arzuları ve Şili kültürüne has melankoli (saudade), hayaletlerin ve hatıraların birbirine karıştığı bir meyhane masasında veya uçsuz bucaksız kır manzaralarında Ruiz’in kendine has ironik ve felsefi anlatımıyla işlenir; izleyiciye gerçeklik algısını sorgulatan bu rüya benzeri atmosfer, ölümün bir son değil, anıların ve hikayelerin içinde devam eden mistik bir varoluş biçimi olduğunu sarsıcı ve incelikli bir görsellikle aktarır.
Emily Willis reveals she was filming an@l scenes two or three times a week for months, describing the exhausting preparation required to work with one performer she calls a “horse.” She explains that the process involved strict eating restrictions, hours of preparation, and back-to-back shoots that left her struggling to get through the day, admitting she eventually learned never to put herself through that schedule again.
“I would one thousand percent say that I would rather take it in my ass than in my pssy. My butt takes a way better pounding than that.”
“Your butt is a muscle, and it’s very easy — it’s not easy, but if you just do the work and you warm up, it’s a muscle that can be trained.”
“That guy’s a horse. There’s no way he has a regular human…”
“It was a challenge, guys. It was a freaking challenge. I will say, I was doing an@l all the time in 2020, the first time that I worked with him.”
“There was a couple of months that I was doing an@l scenes like two or three times a week. That’s a lot of prep time.”
“By the time you shoot your next scene, it’s anywhere from like one or two to like four, and then you have a certain little window again to eat, so you’re dying at that point. I learned my lesson to not do that ever.”
In 2012 when Adriana Chechik was 21 she had hard public sex with squirt on the car with a guy she’d known for 10 minutes like it’s nothing.
She was stripping in Miami at the time and making serious cash. Some nights she cleared $5,000–$7,000+.
On one night she made $7,200 just from the club.
She squirted out of a car in public recently and said it’s “not a big deal.”
“I’ve done that before.”
At 21 she got fucked on a car right outside Liv club while people walked past and took photos.
“That was the first time I was like… I like this. Public sex is my shit.”
Before that she was naked in a bathtub inside the club with champagne being poured on her.
She pulled a random guy and told him they were doing it right there.
Most girls hide. She gets more turned on when people are watching.
This isn’t a phase. This is just how she operates.
https://t.co/ChppooUDcg
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