Federico Alba R

[Leyenda Pop @AldoTomis]

Ccp carnalito @Tomillo2 Lic. @chavamunguias @odinazo

[Federico Alba R @Tomillo2]

Sergio Valente

[Andrés Guzmán #Anguz @AndresGuzBJ]

"Eres old, pero así de old?
Prueba de memoria
🤔

[XSTRIVE / kagaseknight @thekagaseknight]

『ロボコップ』のラストシーン、何度観てもガッツポーズを取ってしまう。

あまりにキレが良すぎて。

黒幕はオムニ社の役員、だからオムニ社によって改造されたロボコップは逮捕も攻撃もできない。

なら、その場で解雇してしまえばいい。

確かに痛快な展開ではあるが、企業の論理で人間を一瞬で「役員ではない存在」にしてしまう厭なブラックさもある。
エンタメ性と社会風刺の超高度な表裏一体は正に本作の魅力そのもの。

そして、

「良い腕だな。名前は？」

「……マーフィー。」

ここでロボコップが「マーフィー」と名乗る。

人間だった頃の自我を取り戻したことを、この一言で宣言する。

そこから最強にカッコいいメインテーマが高鳴っていく音楽のタイミングにピタリと合わせて暗転。

『ROBOCOP』

タイトルがドーン。

キレが良い。良過ぎる。

思わずガッツポーズ。

[Federico Alba R @Tomillo2]

@Santo_

[Federico Alba R @Tomillo2]

@AldoTomis

[Federico Alba R @Tomillo2]

@AldoTomis Probable te la mejor versión de esta gran rola

https://t.co/2tw2452Bjv

[Leyenda Pop @AldoTomis]

Ccp @yatayoye @deyanira_moran carnalito @Tomillo2 Lic. @chavamunguias

[Andrés Guzmán #Anguz @AndresGuzBJ]

"Eres old, pero así de old?
🤔

[bluesharp @bluezharp]

Jimi Hendrix 🎶'Red House'

[Tlatoani_Cuauhtemoc @Cuauhtemoc_1521]

Corría el año del 2004 cuando se llevaron a cabo los Juegos Olímpicos en Atenas Grecia. Cómo era costumbre, en la cobertura deportiva, encabezada por José Ramón Fernández, también había espacio para los sketches de Andrés Bustamante. Comparto un video donde este relevante cómico mexicano le da vida al que por aquellos años era el Jefe de Gobierno del Distrito Federal, AMLO. Las intervenciones de Bustamante marcaron un parteaguas en eventos olímpicos y también en los mundiales de fútbol, de como el buen humor, la sátira y la comedían podía coexistir con las coberturas deportivas. Como no recordar al famoso Hooligan que destruía el escenario de los Protagonistas? Cual es tu personaje preferido del Güiri Güiri o de Andrés Bustamante?

[🦋 🌷Love Music 🎶 & Dance 💃🏻🕺🏻 @Tiana_Celine_23]

Why Rita Moreno Still Stops You Cold

Some clips age. This one doesn’t.

In 1976, Rita Moreno walked onto The Muppet Show in a red dress and sang Fever while Animal tried to beat the drums into dust. The song is about heat. The show is for families. That should have been a problem. It wasn’t. She made it look easy.

She doesn’t just look beautiful in the clip. She looks in charge. The hair, the dress, the way she holds still and then moves — none of it feels decorative. It feels like a person who knows exactly how much space she is allowed to take, and then takes a little more.

What still works is the mix. She can be glamorous and funny in the same breath. She sings the song like she means it, then turns on Animal, scolds him in Spanish, grabs his head, and tells him to cool it. Later she slams the cymbals on him. He falls over and says, “That’s my kind of woman.” The joke lands because she never begs for it. She stays in control until the last second.

That control is the point. Plenty of stars can look good on camera. Fewer can look good next to a wild puppet and still feel like the most adult person in the room. Moreno doesn’t protect her glamour. She uses it. She lets the scene get messy, then she ends it on her terms.

The performance also explains why the clip keeps coming back almost fifty years later. It is sexy without being cheap, comic without being silly, and polished without going cold. Children can watch the chaos. Adults can see the craft. Both remember her.

By then she already had an Oscar, a Tony, and a Grammy. This episode gave her an Emmy. Awards are not why the video still travels. The reason is simpler. She had presence. Not the kind that asks to be liked. The kind that makes you watch until the last line.

Rita Moreno did not stay famous because she stayed young. She stayed interesting because she never made herself smaller. In that red dress, in front of a Muppet drummer, she looks like a woman who can sing, joke, command, and walk away. That is still rare. That is why the clip still works.

[G○g○°•🌌🎇✨🎆🌃 @g_yubari]

Miren que belleza

[Classic Moments ✨ @Sunflower15025]

Two Minutes. One Take. Nothing to Hide!

Recorded in December 1964, this extraordinary two-minute performance was captured in a single, unedited take—no flashy cuts, no Auto-Tune, no digital polish. Just the artist, the camera, and a moment that had to be perfect in real time.

Every breath, glance, and note was exposed. Behind those effortless two minutes were countless rehearsals and enormous pressure: one mistake could mean starting all over again.

That is what makes this footage so powerful. In an age of filters and endless editing, its raw honesty still feels remarkably intimate.

Sometimes, the most timeless performances are the ones with nothing to hide.

[Classic Moments ✨ @Sunflower15025]

Fleetwood Mac’s performance of “Everywhere” feels almost effortless, yet every detail falls perfectly into place. The timing, the pitch, the tone, and those beautiful harmonies come together with such precision that the song seems to simply float.

That was part of Christine McVie’s magic. She had a rare gift for making great songwriting sound easy—creating melodies that felt warm, hopeful, and instantly familiar. “Everywhere” captures that magic perfectly: a joyful, timeless song that can still make you smile and sing along, no matter how many times you’ve heard it.

Christine’s voice brought warmth and elegance to Fleetwood Mac, while her songwriting gave us unforgettable classics such as “Songbird,” “Don’t Stop,” “You Make Loving Fun,” “Little Lies,” and “Everywhere.” Her music was never about being the loudest voice in the room—it had a quiet beauty that stayed with you long after the song ended.

Christine McVie may be gone, but her voice, her melodies, and the memories she created will continue to live on through the music.

[Love Music @khnh80044]

That’s not a man simply singing a song. That’s a man pouring his entire soul into it. ❤️🎶 RIP Mark Hollis.
Talk Talk – It’s My Life (Live at Montreux, 1986). 🕊️

[Classic Moments ✨ @Sunflower15025]

When Dolly Parton approached Robert Plant for permission to record her version of “Stairway to Heaven,” she reportedly worried about how he would react. Instead, Plant’s response was wonderfully simple: “Of course you can, you’re Dolly Parton.”

And somehow, that feels like the perfect answer. Dolly didn’t try to copy Led Zeppelin — she took one of rock’s most iconic songs and made it unmistakably her own, adding a touch of country, gospel, and her unmistakable voice.

Sometimes, a legend recognizing another legend is all the permission you need.

[Juana Peña @Chris_Montz]

Hace 35 años, en el Madison Square Garden de Nueva York, La Orquesta de la Luz, una banda nacida en Tokio, Japón e integrada sólo por músicos locales, le demostró al mundo que, aun sin saber hablar español, también podían poner a la gente a bailar salsa; era 31 de agosto de 1991.

[Federico Alba R @Tomillo2]

@CFE_Contigo Hola, quiero reportar falta de suministro desde hace 30 min aprox.

Colonia: Dzityá, Mérida, Yucatán
No. de servicio: 7721 8120 0238
Falla afecta a varias casas de la calle

¿Me pueden apoyar con folio por favor?

[bluesharp @bluezharp]

Stevie Ray Vaughan🎶🎸#OTD

[Juana Peña @Chris_Montz]

Ha muerto Dolly Parton, la Reina del Country, uno de los más grandes íconos de este género musical. Tenía 80 años. Mírala aquí cantando ‘I Will Always Love You’, escrita y grabada originalmente por ella en 1973, antes de la versión de Whitney Houston. Y, aunque suele interpretarse como una canción romántica, en realidad nació como una despedida profesional a Porter Wagoner, su mentor y compañero artístico durante varios años. Parton quería dejar su programa y continuar su carrera en solitario; ante las tensiones que provocó esa decisión, escribió la canción como una forma afectuosa de decirle que se marchaba, pero que conservaría su cariño y gratitud.

La grabación original se realizó el 12 de junio de 1973 en el RCA Studio B de Nashville, con producción de Bob Ferguson. Después apareció en el álbum ‘Jolene’, publicado en febrero de 1974, y posteriormente fue lanzada como sencillo. La versión de Dolly llegó al n.º 1 de la lista country de Billboard en 1974.

¡Descansa en paz, reina! 🤍