This moment is a clear admission by Scorsese of his limits as a creative and as a white man
He tells this story using his available tool set, the form he knows and injects an in-point for himself to explore this tragedy
Two white men. A crime film. It isn't enough. He knows it.
I appreciate my Scorseses and Cronenbergs of the world who celebrate younger filmmakers, but I also appreciate a good hater, and Carpenter is a good hater.
she "fights" for causes when she is the victim. she always did this and this is just one more example. she was anti ai because someone made a video of her. she is a feminist when people are misogynistic towards her. and then she calls women bitches in her music with ai videos
Boba tea (gnarly), Tesla (gnarly)
Fried chicken (gnarly), partyin' in the Hollywood Hills (uh-huh)
This song (gnarly), oh my God, that new beat (fucking gnarly)
Oh, God, is this real? (Gnarly)
(Everything's gnarly)