@szknya I love this movie so much! I even have it downloaded to my phone because I like rewatching my favorite scenes 😆 Like when Yamashita first asks Koiwai out to dinner, him building up courage before asking, is so cute 🥰
@BLScenesh24 This was exactly how I felt about Unintentional Love Story. I know a lot of people who loved it, but also saw many focusing on the fish kisses. I can't lie that I'd have preferred real kisses, but it never took away from the beauty of the rest of the series. Everything thing
@boyslovehub I really dislike all these toxic "fans" who can't separate fiction from reality and won't just let actors live their lives. I love Noeul so much though; how he isn't afraid to clap back at people and bring them back to reality. It makes me sad that he even has to though..
@ds1mppbp @Tonni07181662 This is me! I keep debating on if I want to binge it when it's done airing, but the more scenes I come across the more I lean towards no.
Imma lash out
Y’all supposedly ‘fans’ never learn. I can’t put into words how much contempt I have for that behavior. I’m sick of it down to my core.
Zero respect for the actors, zero respect for yourselves. Why do you insist on acting like animals with no decency or restraint?
EDITORIAL POSITION
Up to 310 million boys have suffered rape during childhood. When we talk about girls, the number exceeds 370 million. Among women alive today, 1 in 8 experienced rape before the age of 18. These are data from UNICEF.
Since the very beginning, when there was still no information whatsoever about Psi’s case, we were the international platform that gave visibility to it. When there was not even a single person standing in his defense, we translated, in tears, everything he reported. Something that hurt deeply, in every sense, due to personal issues and traumas that, despite Psi’s courage, go beyond the courage of the person writing this text.
All of the apologies were horrible, as at no point did they truly address the real victim. Horrible was the timing of a company that decided, only one day after everything that happened, to release a premiere announcement. And horrible were all those artists and non-artists who, even after the audio was exposed, continued to support Mild and Pi Scott.
Within journalism, there is a difference between reporting and promoting something. We would never promote anything in which someone involved in a project could somehow, directly or indirectly, be supporting people connected to a rapist. The role of a news report, on the other hand, is to inform and allow the public to develop a critical perspective on what they read. Even so, our values need to be visible to everyone in order to show what we truly stand for. We are ceasing coverage of any production in which the members involved still stand alongside those who support and cover up a case of sexual violence. Nothing and no one can stand above the victim.
At the beginning of this text, we presented data and showed that, even when there was still nothing internationally, we sought out and brought this information to you. The excuse that there was no information available to anyone in Thailand is not reasonable at all.
There is no way that we, from the other side of the world, could have access to these events while, in Thailand itself, one of the biggest media cases in recent times involving a powerful family had somehow not reached artists and other public figures. It was being covered on television throughout the entire day, becoming the most discussed topic on Twitter, with hundreds of online articles being published.
We are not going to say that we expect artists to be more careful when using social media, because that should already be a common rule for anyone on the internet. As public figures, known worldwide and with a massive fanbase, their commitment should be greater. What we truly expect is for them to use that space to support the victim, raise awareness about sexual violence in childhood, adolescence, and adulthood, and directly support institutions and NGOs that work for the LGBTQIAP+ community and people who have experienced violence at some point in their lives.
We are proud that, through the HUB Awards and the support of fans, we were able to donate 2,250 dollars to an institution that shelters LGBTQIAP+ people who were kicked out of their homes for being queer, providing housing, food, and psychosocial support. So why are those who portray LGBTQIAP+ narratives, and whose careers and financial gains (meaning a lot, a whole lot of money) are based on this, unable to make a donation or promote similar initiatives? Being a good person and acting responsibly is the minimum expected from any citizen. We should expect more action, and concrete actions.
This is our position. Until those involved directly apologize to the victim, acknowledge their mistakes, stop supporting the accused side, and demonstrate concrete actions in support of people who suffer violence every single day.
Always on the victim’s side.
BoysLove Hub
May 14, 2026
#LifeInSmokeyBlue
This episode dives deeper into the lives of people in their late 30s, those navigating a stage where everyone around them seems to be achieving something, at work, or in private life, while they feel stuck in place. One line that hit me hard: “What was most scary was that nothing actually happened.” This line captures that quiet, unsettling fear of stagnation, being worn down little by little without any clear turning point.
I’m not even that age yet (soon) but this is something I can totally relate to too. Sometimes I look at my friends getting married, having children, going up the career ladder or even move abroad, I feel huge peer pressure. In our country, when we turn 30, it feels like we are no longer wanted. “Where have you been all this time?” “Why don’t you have no big achievement just yet?” It's really suffocating at times.
However, Kuji’s words here offer a great sense of comfort. “No one can keep running forever.” He reminds us that we aren’t machine, we don’t have to keep running on and on. It’s okay to slow down, to pause, and to reflect on what truly matters instead of constantly chasing progress. This heals not only Saku-chan, but also me.
I love this drama to the bones.
We got some flashbacks back to their first night together again, and it just keeps making me hope that we get a full flashback. Because I'm dying to see how they went from getting drinks to talk about work, to sleeping together.
#LifeinSmokeyBlue#ドラマスモブル
Just finished episode 2 and it was just as amazing as the first! It was a mini roller coaster of emotions to me, with some cute sweetness between the two, but then some sadness when Kuji opened up about his father. It was so amazing though! 1/2
#LifeinSmokeyBlue#ドラマスモブル
I'm also obsessed with how cozy and warm these shots are and the overall ambiance of the episode 🙈 It really makes you feel like everything is settling back into place after this fateful reunion.
#LifeinSmokeyBlue#ドラマスモブル
The way Kuji always keeps his eyes on Azuma. The headpat. Yearning eyes. Indirect kiss from a smoke...
Azuma definitely never left his mind over those 8 years. Fate brought them back tgt and he must grasp the chance.
#LifeInSmokeyBlue
Just finished the first episode and I loved it so much!! I loved everything about it so far and am already so hooked. Can't wait for the next episode, this next week is going to feel so long 🥺
#LifeInSmokeyBlue#ドラマスモブル