‘BACKROOMS’ director Kane Parsons says he would get “no enjoyment” out of using generative AI on any project — “It defeats the purpose entirely for me.”
“I think I'm in the same boat as most well-adjusted people. If I could snap my fingers and make generative Al disappear forever, I probably would.”
(Source: https://t.co/LA3K1o9KjK)
@juancarlosojano@Duhlorean98 I agree, obviously, but that’s why I pointed that out, because people see something like that out of context and just dismiss it before seeing how it plays with the rest of the film.
I’ve seen people claim that both Obsession and Backrooms were ghost directed by older, more experienced filmmakers, and it’s hard to imagine a more pathetic conspiracy theory about film. Even as a joke it’s sad
Renate Reinsve has now starred in Caméra d’Or, Grand Prix and Palme d’Or winning films at Cannes back-to-back:
• ‘ARMAND’
• ‘SENTIMENTAL VALUE’
• ‘FJORD’
She also won the Best Actress prize in 2021 for ‘THE WORST PERSON IN THE WORLD.’
Jane Schoenbrun’s ‘TEENAGE SEX AND DEATH AT CAMP MIASMA’ wins the Queer Palm at the 2026 Cannes Film Festival.
Starring Hannah Einbinder and Gillian Anderson.