முல்லை வேந்தன்

Ultra Hardcore Ulaganayagan Kamalhaasar Zealot 👑 / A person affected with Kamalaholic / VJS

நான் ரசித்த கமல்ஹாசன்

[முல்லை வேந்தன் @Ulaganayganspce]

Meet the first OG Pan-Indian star and Jesus 🛐 of the Tamil industry FMS (Overseas) market.

#ThugLife #KamalHaasan #RKFI @RKFI @turmericmediaTM #jinguchaa #ARRahman #ManiRatnam #IPL2025

[அபிஷேக்💫 @Abhishek_offcl]

The editor went "GOD MODE" ✋🤚

I'll start:

[அபிஷேக்💫 @Abhishek_offcl]

Nenachen da. Valakkam pola kedappu la pottachu.

[Adheera🔪 @AdheeraV4]

Not just two legends who competed in the same era, but two friends who witnessed each other’s journey from struggle to superstardom. ❤️‍🔥

They didn’t let rivalry define their relationship.
They made friendship bigger than rivalry. 👑🤝

[அபிஷேக்💫 @Abhishek_offcl]

Vijay Ajith could never!

[அபிஷேக்💫 @Abhishek_offcl]

Kamal-Rajini is in a league of its own.

One elevated the art of acting.
The other redefined BO superstardom.

Decades of fan rivalry never became personal hatred or vengeance. Two giants who rose together, ruled differently, & respected each other till the end.

KH-RK, ASAT >>>>

[அபிஷேக்💫 @Abhishek_offcl]

Just release the periodic portions and the Paara song on YouTube, that’s enough. You’ve tortured us to the core already! 😭

@shankarshanmugh

#Indian3

[முல்லை வேந்தன் @Ulaganayganspce]

@Cine_Maniac_TK Thiru's Gadgets and room > Peter Parker

[பழைய திரைப்பட,நாளிதழ் விளம்பரம் @CINEMANEWS_24]

1.
சுவர்க்க சித்ராவின் #பிரண்ட்ஸ்
ஜனவரி 2001 வெளியீடு

திரைக்கதை, இயக்கம் #சித்திக்
இசை #இளையராஜா
2.
ஆர்.கே.செல்லுலாய்ட்ஸ் வழங்கும்
#தெனாலி
அக்டோபர் 2000 வெளியீடு

இயக்கம் #KSரவிகுமார்
இசை #ARரஹ்மான்

(கோயமுத்தூர் நகர விளம்பரம் உங்களின் பார்வைக்கு...)

நிலா'ஸ் திரைக்கூடம் @

[Aandavar Aesthetics @AA_TweetsX07]

The Time when Kamal Haasan was in Career in Ucham 💥💥... Definite CM if he Entered Politics with Majority ❤️

[Thirukumaran @Cine_Maniac_TK]

25 lakh people gathered in 1988 is the careerin uchcham. Vanthathu vantheenga arasiyaluku, appove vanthurukalaam illa varamalaye irunthurukalaam.

[A.G. Mourya IPS (Rtd) @MouryaMNM]

ஆகஸ்ட் 1988 லேயே
38 ஆண்டுகளுக்கு முன்பு 25 லட்சம் மக்கள் திரண்டனர் என்றால்,
#மக்கள்நீதிமய்யம்
தலைவர் @ikamalhaasan
ஒரு வாழும் சகாப்தம்.

#kamalHaasan
@maiamofficial

[அபி��ேக்💫 @Abhishek_offcl]

😮‍💨🔥

[அபிஷேக்💫 @Abhishek_offcl]

Good. 👏

Ippa idhe maari SuArun padathukku weekly once promo/ poster nu update vandhute irukanum, illenu vei...

#KamalHaasan

[அபிஷேக்💫 @Abhishek_offcl]

Hey, hey, I have seen this one, I have seen this one - this is a classic!

Dheivame @ikamalhaasan 🥳🤲

#KamalHaasan #SuArunKumar

[அபிஷேக்💫 @Abhishek_offcl]

Good morning "Aandavar" Nation. 🥳💥

[அபிஷேக்💫 @Abhishek_offcl]

Virumaandi in his 70s. 🛐

[அபிஷேக்💫 @Abhishek_offcl]

Kamalians now. 😎💥💥💥

[Sarvajit Krishna Mohan @SarvajitKM]

Before “PAN-INDIA” became a marketing term.
Before #Baahubali. Before #2PointO Before #KGF. Before #RRR. Before #Pushpa.

There was KAMAL HAASAN🔥🇮🇳

If we are talking about the modern era, Kamal Haasan has arguably the strongest claim to being India’s first and biggest Pan-Indian superstar, not because of one film, but because he broke language barriers across virtually every major film industry in the country.

🎬 Tamil Cinema — List goes onnnn
🎬 Telugu Cinema — Maro Charitra, Aakali Rajyam, Sagara Sangamam, Indrudu Chandrudu
🎬 Malayalam Cinema — Kanyakumari, Eeta
🎬 Hindi Cinema — Ek Duuje Ke Liye, Sanam Teri Kasam, Saagar, Sadma, Chachi 420, Appu Raja
🎬 Kannada Cinema — Pushpaka Vimana

And this wasn’t just about appearing in different languages.

He WON.

🏆 Filmfare Best Actor in 5 different languages
🏆 18 Best Actor Filmfare Awards
🏆 4 National Awards
🏆 Worked in Tamil, Telugu, Malayalam, Hindi & Kannada
🏆 More than two dozen bilingual/multilingual films across his career

Then came the film that changed everything:

🔥 EK DUUJE KE LIYE (1981)

A Telugu story - Maro Charitra - remade in Hindi by K. Balachander, with Kamal retained as the lead.

A South Indian actor walked into the Hindi film industry and became a Hindi superstar.

The film became one of the biggest-grossing films of 1981, and contemporary India Today described Kamal as having “stormed” Bombay and elevated himself to superstar status on the strength of that ONE film.

And Kamal didn’t stop there.

He went on to give Hindi audiences films like Appu Raja (Apoorva Sagotharargal, Saagar and Sadma, while simultaneously dominating Tamil and Telugu cinema.

Then in the 1990s, he went one step further.

He didn’t just CROSS OVER.

HE TOOK HIS CINEMA ACROSS INDIA.

🇮🇳 Indian → Hindustani
🇮🇳 Avvai Shanmughi → Chachi 420
🇮🇳 Abhay
🇮🇳 Hey Ram
🇮🇳 Vishwaroopam

Different languages. Different markets. Different audiences.

ONE ACTOR.

And that’s why calling #KamalHaasan merely a “South Indian actor who worked in Bollywood” is an enormous understatement.

He was already a star in multiple South Indian industries before Hindi cinema embraced him, and eventually became one of the rare actors whose achievements could be measured across 5 major Indian languages.

Today we call it PAN-INDIA.

Kamal Haasan was doing it decades before the word became fashionable. 🔥

The Pan-India phenomenon didn’t begin with the terminology.
The terminology came much later.

Ulaganayagan was already there. 🫡🔥🇮🇳

#KamalHaasan #Ulaganayagan #PanIndia #IndianCinema

[Karthik Bala @kb4bala]

1000 ஜூனியர் ஆர்டிஸ்ட்ஸ் - 1000 குடைகள் - மழை - ஃபைட் சீனா???

என்ன படம் டா????

#சத்யா டா!! #Sathya

ஒத்த ஆளு....தயாரிப்பாளராகவும், நடிகராகவும், அசிஸ்டன்ட�� டைரக்டராவும், ஒரு படத்துக்கு எல்லாமாகவும் இருக்க முடியுமா?!

முடியும் சார்!! எம் பேரு #KamalHaasan_MP #KamalHaasan��

[SundaR KamaL @Kamaladdict7]

#கமல் சாரோட ஏக் துஜே கேலியே படம் பான் இந்தியா ப்ளாக் பஸ்டர், அடுத்து வந்த சகலகலா வல்லவன் இன்டஸ்டிரி ஹிட் அதுக்கு முன்னாடி இருந்த திரிசூலம் படத்தின் சாதனைகளை முறியடித்து திரையிட்ட அனைத்து திரையரங்குகளிலும் 250 நாட்கள் ஓடி புதிய வசூல் சாதனையை படைத்தது - #ரவீந்திரன்🔥

#KamalHaasan