“B Street will provide TAPA members with new creation spaces including a rehearsal hall, recording studio, self-tape space, community meeting space, green room, rehearsal storage space, a mentoring studio and two rooms for virtual meetings.”
So excited to see Dana Gingras’s “Creation Destruction” on the FTA lineup. Was one of my top 10 shows last year — crazy blend of experimental film, contemporary dance, and chamber rock. Might have to make the trip…
https://t.co/BIUhfLt0rJ
Introducing the IBPOC Critics Lab! A new program for new and emerging arts writers and reporters who are Indigenous, Black or persons of colour.
https://t.co/fJsT9CDPxe
A fictional Toronto Indian restaurant is perfect setting for @tarragontheatreto 's latest production, Behind The Moon. Director Richard Rose’s latest is a four N production. @loamdonavon’s @nextmagcanda review at https://t.co/xXx0zp2mNC
EAT-THE-RICH satires are in vogue with White Lotus, Triangle of Sadness, The Menu among others and @thehowlandcompany’s complex new play, Prodigal, starts out like one of these satires. But it’s a fake-out. @LoamDonovan’s @nextmagcanada review at https://t.co/TVaaxmda63
ONLINE: Why Is Canadian Theatre So Russian Right Now?, by Andrew Kushnir
"The Russianness of our theatre this past year has been striking to me — almost as striking as the near-absence of Ukrainian stories on our stages."
Read the Artist Perspective: https://t.co/Odnba22h36
After a COVID interruption and delay, Broadway blockbuster Hamilton triumphantly opened its Toronto run this week presented by @mirvishproductions. The touring company ably delivers all the hip-hop energy. Read @loamdonovan’s @nextmagcanada review at https://t.co/2niup8VOMG
Since @beyondwallsTPM and @CanadasNAC are being harassed by alt-right trolls for their Black Out Night performances reserved for Black audience members only, I think now is a good time for this bell hooks quote: