Vivek

Babies. Numbers. Babu.

[Vivek @Urtruefan]

Consanguineous marriage is crime. (marrying within blood relations). The most cruelest unforgivable culture that's being followed.

The single most common risk factor for congenital diseases which can be easily prevented otherwise. Any one endorsing it is just ignorant or idiot.

[Ozedikus Nwanne @Ozedikus]

Always have a backup plan for any plan that requires another human to execute

[Shadow @Rohith_aep]

కాశీ వీధుల్లో రాముడి అడుగులు, త్వరలో🚩🕉️

#VARANASI

[K @kamrede29]

guyssss
made aspect-ratio switcher for Varanasi...go check it out- https://t.co/MV8vcEImV2 :))

#VARANASI #TheOdyssey
@VaranasiMovie @ssrajamouli

[Virat Kohli @imVkohli]

We asked ourselves a question last year- can we go back to back?

Here we are again 🏆🏆❤️❤️

@RCBTweets

[Vivek @Urtruefan]

@nani22b Thank you 🤗

[Vivek @Urtruefan]

Top tier content. So much emotions.

[Royal Challengers Bengaluru @RCBTweets]

𝗛𝘂𝘀𝘁𝗹𝗲 से 𝗛𝗮𝗮𝘀𝗶𝗹: The Mangesh Yadav Story 🫡

From a small village in Borgaon, Madhya Pradesh to pulling on the Bengaluru jersey, the journey hasn’t been easy… it’s been earned. 🥹

Get to know the man behind the bowler, 12th Man Army. ❤️

Watch Mangesh’s special feature on @bigbasket_com presents RCB Bold Diaries. 📹

#PlayBold #ನಮ್ಮRCB #IPL2026

[taran adarsh @taran_adarsh]

'DHURANDHAR 2' IS THE NEW EMPEROR – NEW BENCHMARKS SET – HISTORIC WEEKEND... #DhurandharTheRevenge has shattered ALL records in its *extended* opening weekend.

From the paid previews [Wednesday, 5 pm onwards] to Sunday, #Dhurandhar2 remains unstoppable, facing capacity issues at several locations despite round the clock screenings.

#Dhurandhar2 has set new benchmarks over the *extended* weekend – the hype is unbelievable, unprecedented, and unimaginable.

Records...
Fastest ₹ 300 cr ✅
Fastest ₹ 400 cr ✅
And this is just the beginning of a record-smashing run.

⭐️ #Dhurandhar2 [Week 1] Wed [previews] + Thu 140 cr, Fri 81 cr, Sat 109 cr, Sun 113 cr. Total: ₹ 443 cr.
NOTE: #Hindi version.
#India biz | Official Nett BOC | #Boxoffice

[Shailesh @shailesh18_]

A successful Pakistan hatewatch is one of the most sensational feelings you'll ever experience in your life.

[Anish Moonka @anishmoonka]

Went down the rabbit hole on this one. The answer is actually wild.

5,000 years ago, Sumerian merchants in modern-day Iraq needed a number that's easy to divide. They picked 60. It has 12 divisors (1, 2, 3, 4, 5, 6, 10, 12, 15, 20, 30, 60). Base-10 only has four. That's 3x as many ways to split something evenly, which matters when you're dividing grain and wages and can't handle repeating decimals.

The counting method is the best part. They used their thumb as a pointer on the three bone segments of each finger. Four fingers, three segments, that's 12 per hand. Track multiples of 12, on the other hand, and you hit 60. No pen needed. Merchants in parts of Asia still count this way today.

The system spread from Sumer to the Babylonians, then eastward to Persia, India, and China, and westward to Egypt and Rome. By 1800 BC, Babylonian students were using base-60 to calculate the square root of 2 to six decimal places on clay tablets. One student's homework from 4,000 years ago, now at Yale, holds the most accurate computation found anywhere in the ancient world. The Greeks adopted it for astronomy, which locked it into navigation, cartography, and eventually clocks in the 14th century.

People have tried to kill it. During the French Revolution in 1793, France mandated decimal time: 10 hours per day, 100 minutes per hour, 100 seconds per minute. New clocks, new laws, the whole thing. Lasted 17 months. Workers hated getting one day off every ten days instead of one every seven. They tried again in 1897. Scrapped by 1900. The metric system replaced feet and pounds across most of the world. But 60 minutes in an hour? Untouchable.

60 is just too good at being divided. You can split an hour into halves, thirds, quarters, fifths, sixths, tenths, twelfths, or twentieths and land on a whole number every time. Try that with 100, and you get ugly decimals for thirds, sixths, and most common splits. 5,000 years of civilizations looked at that math and came to the same conclusion: 60 wins.

[TRT World @trtworld]

A medical worker in Türkiye saved his own life after choking while eating alone. With no one around to help, Ilyas Yildir used a chair to perform the Heimlich manoeuvre on himself, dislodging food stuck in his throat

[Jerry Maguire @JerryMaguire45]

@siva_mov Hollywood movies ki dates ilane estharu

[Seyram @__theSeyram]

B R E A S T

[kar @bustitopen420]

men who don’t go down on women don’t actually like women

[Ram Gopal Varma @RGVzoomin]

DHURANDHAR is not a film , it is a QUANTUM LEAP in INDIAN CINEMA

I believe that @AdityaDharFilms has completely and single handedly changed the future of Indian cinema , be it north or south ..That’s because Duradhar is not just a film.. it is a quantum leap

What Dhurandhar achieves is not just scale, but a never before experienced vision not just in sight but in the mind . Aditya Dhar doesn’t direct scenes here… he engineers the states of minds of both the characters and us audience
The film doesn’t ask for your attention.. it commands it. From the very first shot , there’s a sense that something irreversible has been set in motion, and the audience is no longer a spectator but an accomplice to the happenings on screen

This is a film that refuses to be polite. The writing cuts with intent, the staging breathes menace, and the silences are as weaponized as the thunderous sound effects . Dhar understands that power in storytelling is not volume… it’s pressure building . Every sequence feels compressed, like a spring being wound never knowing when it will snap . And when it does, the impact is not just brutal but it is also symphonically operatic

The Performances in the film aren’t designed to be liked but they’re designed to linger long after we leave the theatre .. Characters walk in carrying history on their shoulders, and the film trusts the audience enough to read their scars rather than spoon feed their backstories. This confidence which could be easily mistaken for arrogance is precisely what marks Dhurandhar as a turning point for Indian cinema . Dhar assumes that the audience are intelligent which is the highest respect a director can pay to an audience , whereas most film makers believe in dumbing down their films

Technically, the film redraws the grammar of mainstream Indian cinema. The sound design doesn’t decorate scenes, it stalks them. The camera doesn’t observe but it circles it like a predator. Action here isn’t choreography for applause.. it’s perspectively justified and extremely ugly , the way real violence should feel.

But beyond craft, what truly elevates Dhurandhar is its intent. This is not a film chasing trends or validation. It is a solemn declaration, that Indian cinema doesn’t need to dilute itself to become successful and doesn’t need to mindlessly copy Hollywood. Dhar proved that it can be rooted and still be internationally cinematic.

When the final credits roll, you don’t feel just entertained, you feel altered. And that’s the mark of a filmmaker who isn’t just making movies, but he is reshaping the very ground that all us film makers stand on.

[Vivek @Urtruefan]

Resuscitate babies.

[Nikita Bier @nikitabier]

In 2 words, what is your purpose in life?