@GeraldFinley@SchlossElmau1@juliusdrake Was musing over the wonderful RoH production of Tosca … having just seen the new one at Glyndebourne. Scarpia is such a great role … I can’t remember if you got booed? I love it when the initial boos turn to cheers. Not a problem I hope in a Schloss lieder recital !!
@bachtrack@glyndebourne //However….The singing and playing was magnificent. Qu: why do we get references to Napoleon when it’s obviously not Napoleonic. Surely someone can tweak the libretto ?!
@bachtrack@glyndebourne “I couldn’t stop my mind wandering away from the action to the question of whether Scarpia was going to succeed in clearing the room before being murdered.” Me too!!! Awful last scene. A pointless change of location which added nothing. Last year’s ROH did it so much better.//
Here's an extract from what is the most important column I have ever written, for @Telegraph: 'Opera has a BO problem'
https://t.co/5btWJPmiJq
I can highly recommend the current run of Rigoletto at the Royal Opera House. To hear Mark Elder in the pit draw every nuance from Verdi’s wonderful score is a rare treat.
To be accurate, however, I should say that I can recommend the first act, because I had to leave as soon as the curtain came down on it. I was gasping for breath, having spent that opening hour unable to take in a single proper, deep breath. The man on my left – smartly dressed, shiny shoes, trim haircut – had body odour (BO) so potent that it could have closed the Strait of Hormuz on its own.
I’m not aware of any objective scientific studies on this, but as a regular opera and concert-goer, I’m convinced that the problem of BO is getting worse. Many decades ago I remember having to leave a Prom when the man I was sitting next to in the Royal Albert Hall amphitheatre was – well, let’s say ��� pungent.
It was such a rare and scarring event that I recall everything about the concert that was being played in front of me – Murray Perahia playing Beethoven’s Third Piano Concerto with the London Philharmonic Orchestra (LPO) and conductor Bernard Haitink – but I could take no pleasure from it as I was focused solely on trying not to pass out.
The problem at concerts used to be people who behaved in public as if they were sitting on their sofa at home. There was a Mahler’s Symphony No. 6 – the London Symphony Orchestra (LSO) and Mariss Jansons at the Barbican – when the man in the row in front of me seemed to think he was the real conductor, waving his hands around so furiously that the entire hall must have been distracted. And then, in those passages when he decided the orchestra didn’t need his help, he started smooching with his neighbour. I assume they knew each other.
When the problem is distraction you can at least do something about it and ask them to stop. Although I’m not sure we had it right when, as a student watching a performance of Boris Godunov, the man standing in front of me and my friend was breathing – wheezing – very heavily and loudly. “Excuse me,” my friend asked him. “But would you mind not breathing so much?”
What can you say about BO, though? Short of asking them to leave, there is no way of dealing with it. I asked the usher the other night whether I could move seats, but it was a full house, so it was a matter of suffering or leaving. I was physically unable to stay next to the smell so I left.
I’ve sat in every part of the Royal Opera House, along with the London concert halls. I can report that nowhere is safe. You’re now as likely to be snuffed out from BO in the cheap seats as in the ones for which you need to take out a mortgage to pay for a ticket.
I’ve wondered why BO is becoming more prevalent. I’m struggling for a convincing explanation. I mean, can’t these people smell themselves, or is their stench so permanent that they don’t even notice it themselves?
For what it’s worth, I think it may have something to do with the obsessiveness that is sometimes a trait of classical music fans – especially opera and even more especially Wagner, whose music seems particularly magnetic to the great unwashed. A lot of my fellow fans are, well…a bit odd.
In that context, I have considered my other passion, football. I can’t recall ever encountering BO at a stadium. There is the fact it’s outside, which must help dissipate any stench. But we are packed in tightly, so I’m sure I’d notice it. All I can say is that BO is worse at the opera than at football. Perhaps it’s that football fans are a bit more cultured.
@classicjacko@BloomsburyBooks@bbcproms I hope more is televised. Just basics .. not flashy stuff with interviews… I just want to watch more. Hopefully without the ludicrous lighting effects we have been subjected to of late.
Thought for Good Friday .. @BBCRadio3 Why are there so few good recordings of the St John Passion in English? It’s time that @ChCh_Oxford or @NewCollegeChoir or King’s set a new standard for this great work.
@Stephen74977713 😂 It eaa Siegfried feeling hot and wanting to sit in the shade of a tree that got me. It was clever to have borrowed one of Elton John’s outfits for the dragon!
@WestmorlandLady@RichardBratby It’s after her when things go wrong! I can’t bear the droning Scot and then Jools Holland ( who needs to push off to Radio 2). So it’s Classic FM in the morning or lots of choice on Apple Music. Or YouTube for really obscure things!
It's been a long, lonely country lane but we finally have a National Trust director who accepts that my ethnicity means I'm too thick to know what to do, wear or how to behave in the countryside.
How very condescending, I mean
understanding, of her. Bravo! https://t.co/7zQ8LQG7H7
So, bets on PMQs this week?
Kemi: When did you find out Morgan McSweeneys phone had been stolen and what did you do to recover and secure the critical data on it?
Starmer: We’ve announced a new breakfast club in Barnsley.
@rhysrmann Agreed! Just a stunning evening .. and being up in the gods was no problem with this work. Great to have the full orchestra up on stage! They deserved it.
@StevenIsserlis He has his uses - I needed a concerto for 2 oboes, bassoon and strings to balance a programme with Vivaldi and Bach Brand. 1 and of course Telemann had one! It’s good, too. TWV53:d1
@jdoyleDoyle1@musicandroots Really? Why? I wish I could stop thinking of Beethoven melodies at times. Do you mean they aren’t as long as other composers or not as catchy?
@WestmorlandLady@RichardBratby Saturday mornings are dire. Just because there is no flurry of discontent doesn’t mean we’ve all fallen in love with the new schedule. Radio3 still has the same problems but let’s remember the ONLY thing that matters is audience numbers … 😂😂😂
@rowenamezzo@marksandspencer Have you noticed that their escalator goes down only? This is bizarre … going upstairs is much more difficult for those with shopping or the elderly! I commented once in store and got a shrug as if to say ‘that’s how it is, tough!’