Thorens TD-124: Buy this turntable with your heart, not your head. Splurge on its soulful sound. #vintageaudio#hifi#turntable#thorens#audiogear
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The Kenwood KD-550: dead quiet, steady, and an unbelievable value. Potentially even better with a tonearm upgrade. #vintageaudio#hifi#turntable#kenwood#value
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Linn Sondek LP12: a lifetime turntable investment. Expert setup is crucial for its legendary musicality. #vintageaudio#hifi#turntable#LinnSondek#audiophile
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In 1949, an engineer named Frank McIntosh set out to build amplifiers that could reproduce music without distortion. 77 years later, his company is still building them in the same town, in the same factory, with some of the same families working on the line.
McIntosh Laboratory has been based in Binghamton, New York since 1956. While every major Japanese hi-fi brand has either gone bankrupt, been acquired, or abandoned consumer audio entirely, McIntosh never left. They never moved production overseas. They never chased the budget market. They never stopped hand-winding their own transformers in house. According to the company’s president, Charlie Randall, who joined McIntosh as a co-op student in 1988, about one in four employees have been on the job for more than 20 years.
That kind of continuity shows in the product.
The MC275 tube amplifier was first released in 1961. It delivered 75 watts per channel through KT88 vacuum tubes and became the benchmark for tube amplifier performance almost immediately. McIntosh discontinued it in 1973 when the industry shifted to transistors and tubes were considered obsolete. Then in 1993, they brought it back as a special edition to honor co-founder and longtime president Gordon Gow. It sold so well that McIntosh put it back into regular production. It’s still being made today, over 60 years after the original design.
The C22 tube preamplifier, designed as the MC275’s natural companion, is one of the most sought-after preamps in existence. Original units from the 1960s sell for $2,000 to $5,000. The MC30 and MC60 monoblocks command $1,500 to $3,000 each. The MC2300, famously used in the Grateful Dead’s Wall of Sound concert system, trades between $2,500 and $5,000.
In 1969, McIntosh amplifiers powered the sound system at Woodstock. Three days of music, rain, mud, and 400,000 people, and the McIntosh equipment held up through all of it.
Then there are the blue meters. Introduced in the 1970s, those illuminated VU meters became the most recognizable visual signature in all of audio. The glow of a McIntosh meter is as iconic to this hobby as the Mercedes star is to cars. You see it across the room and you know exactly what it is.
Everything about McIntosh is built to resist the way the rest of the industry operates. Glass front panels instead of plastic. Output transformers wound by hand instead of machine. Designs that stay in production for decades instead of being replaced every 18 months. Equipment that appreciates in value instead of becoming landfill.
A vintage Marantz 2270 that sold for $400 in 1972 is now worth $2,000 to $3,000. But a McIntosh MC275 that sold for around $444 in 1961 now sells for $4,000 to $6,000 for an original, and McIntosh will still service it. Name another company that will repair a product they made 60 years ago.
There’s a reason McIntosh owners almost never sell. Once you hear those blue meters glow, you understand.
Have you ever heard or owned a McIntosh?
What was the moment you knew it was different? 👇
#VintageHiFi #VintageAudio #Audiophile #McIntosh #AnalogSound
Linn Sondek LP12: The ultimate audio investment, evolving through decades. Basic to premium configurations available. #vintageaudio#hifi#turntable#LinnSondek#investment
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Barco bought Focal & Naim. Consolidation is here. What does this mean for Hi-Fi? #vintageaudio#hifi#focal#naim#audioindustry
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Masimo's audio business sold after Politan Capital's proxy win. A significant board shakeup led to this outcome. #vintageaudio#hifi#audio#business#investing
The Vintage Hi-Fi Buyer eBook https://t.co/NNcWbEAQbE